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Benito Mussolini and Cardinal Pietro Gasparri signing the Lateranensi Agreements, Rome, 11 February 1929.
Benito Mussolini and Cardinal Pietro Gasparri signing the Lateranensi Agreements, Rome, 11 February 1929.

GIA4791695: Benito Mussolini and Cardinal Pietro Gasparri signing the Lateranensi Agreements, Rome, 11 February 1929., Italian Photographer, (20th century) / Bridgeman Images

Italian-Turkish War (Turkish Italo (1912): signing of the peace treaty in a hotel in Ouchy, Switzerland.
Italian-Turkish War (Turkish Italo (1912): signing of the peace treaty in a hotel in Ouchy, Switzerland.

GIA4791707: Italian-Turkish War (Turkish Italo (1912): signing of the peace treaty in a hotel in Ouchy, Switzerland., Italian School, (20th century) / Bridgeman Images

The constellation Canes Venatici, Hunting Dogs. Plate drawn from “” Firmamentum Sobiescanum sive Uranographia”” by Johannes Hevelius or Hevel (1611-1687), 1690.
The constellation Canes Venatici, Hunting Dogs. Plate drawn from “” Firmamentum Sobiescanum sive Uranographia”” by Johannes Hevelius or Hevel (1611-1687), 1690.

GIA4791750: The constellation Canes Venatici, Hunting Dogs. Plate drawn from “” Firmamentum Sobiescanum sive Uranographia”” by Johannes Hevelius or Hevel (1611-1687), 1690., Hevelius, Johannes (1611-87) / Bridgeman Images

Different types of human monsters: Siamese children connected by the pelvis. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters: Siamese children connected by the pelvis. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4791929: Different types of human monsters: Siamese children connected by the pelvis. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Different types of human monsters Engraving from “” De monstrorum natura, causis et differentiis”” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters Engraving from “” De monstrorum natura, causis et differentiis”” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4791955: Different types of human monsters Engraving from “” De monstrorum natura, causis et differentiis”” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Different types of human monsters: a man with double bodies and heads and a woman with four legs and two sexes. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters: a man with double bodies and heads and a woman with four legs and two sexes. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4791976: Different types of human monsters: a man with double bodies and heads and a woman with four legs and two sexes. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Representation of a scene of the play “” L'amour medecin”” (1665) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.
Representation of a scene of the play “” L'amour medecin”” (1665) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.

GIA4793073: Representation of a scene of the play “” L'amour medecin”” (1665) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739., French School, (18th century) / Bridgeman Images

Representation of a scene from the piece “” Sganarelle ou le cuckold imaginaire”” (1660) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738.
Representation of a scene from the piece “” Sganarelle ou le cuckold imaginaire”” (1660) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738.

GIA4793195: Representation of a scene from the piece “” Sganarelle ou le cuckold imaginaire”” (1660) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738., French School, (18th century) / Bridgeman Images

Representation of a scene of the piece “” Le depit amoureux”” (1656) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738.
Representation of a scene of the piece “” Le depit amoureux”” (1656) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738.

GIA4793198: Representation of a scene of the piece “” Le depit amoureux”” (1656) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738., French School, (18th century) / Bridgeman Images

Representation of a scene of the play “” The marriage force”” (1664) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.
Representation of a scene of the play “” The marriage force”” (1664) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.

GIA4793223: Representation of a scene of the play “” The marriage force”” (1664) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739., French School, (18th century) / Bridgeman Images

Representation of a scene from the piece “” Le misanthrope ou l'Atrabilaire amoureux”” by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.
Representation of a scene from the piece “” Le misanthrope ou l'Atrabilaire amoureux”” by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.

GIA4793234: Representation of a scene from the piece “” Le misanthrope ou l'Atrabilaire amoureux”” by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739., French School, (18th century) / Bridgeman Images

Representation of a scene of the piece “” Melicerte”” (1666) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.
Representation of a scene of the piece “” Melicerte”” (1666) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739.

GIA4793314: Representation of a scene of the piece “” Melicerte”” (1666) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1739., French School, (18th century) / Bridgeman Images

Scene 3 of Act I of the comic piece “” The avventure della villeggiatura”” (The Adventures of the City) (1756) by Carlo Goldoni (1707-1793). Engraving of the 18th century
Scene 3 of Act I of the comic piece “” The avventure della villeggiatura”” (The Adventures of the City) (1756) by Carlo Goldoni (1707-1793). Engraving of the 18th century

GIA4793439: Scene 3 of Act I of the comic piece “” The avventure della villeggiatura”” (The Adventures of the City) (1756) by Carlo Goldoni (1707-1793). Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images

Scene 11 of Act II of the comic piece “” I rustici”” (Les rustres) (1760) by Carlo Goldoni (1707-1793). Engraving of the 18th century
Scene 11 of Act II of the comic piece “” I rustici”” (Les rustres) (1760) by Carlo Goldoni (1707-1793). Engraving of the 18th century

GIA4793482: Scene 11 of Act II of the comic piece “” I rustici”” (Les rustres) (1760) by Carlo Goldoni (1707-1793). Engraving of the 18th century, Unknown artist, (18th century) / Bridgeman Images

Scene 4 of Act I of the comic piece “” La cameriera brillante”” (The brilliant maid) (1754) by Carlo Goldoni (1707-1793): tables of games. Engraving of the 18th century
Scene 4 of Act I of the comic piece “” La cameriera brillante”” (The brilliant maid) (1754) by Carlo Goldoni (1707-1793): tables of games. Engraving of the 18th century

GIA4793522: Scene 4 of Act I of the comic piece “” La cameriera brillante”” (The brilliant maid) (1754) by Carlo Goldoni (1707-1793): tables of games. Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images

Scene 10 of Act I of the comic piece “” Le baruffe chiozzotte”” (Baroufe a Chioggia) (1762) by Carlo Goldoni (1707-1793). Engraving of the 18th century
Scene 10 of Act I of the comic piece “” Le baruffe chiozzotte”” (Baroufe a Chioggia) (1762) by Carlo Goldoni (1707-1793). Engraving of the 18th century

GIA4793558: Scene 10 of Act I of the comic piece “” Le baruffe chiozzotte”” (Baroufe a Chioggia) (1762) by Carlo Goldoni (1707-1793). Engraving of the 18th century, Italian School, (18th century) / Bridgeman Images

portrait of Gerard Encausse, known as Papus occultist, co-founder of the Martinist Order (1865-1916).
portrait of Gerard Encausse, known as Papus occultist, co-founder of the Martinist Order (1865-1916).

GIA4793667: portrait of Gerard Encausse, known as Papus occultist, co-founder of the Martinist Order (1865-1916)., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Prince Peter (Piotr) Alekseyevich Kropotkin (1842-1921), Russian Communist anarchist, historian and scientist. Drawing of the beginning of the 20th century
Portrait of Prince Peter (Piotr) Alekseyevich Kropotkin (1842-1921), Russian Communist anarchist, historian and scientist. Drawing of the beginning of the 20th century

GIA4793705: Portrait of Prince Peter (Piotr) Alekseyevich Kropotkin (1842-1921), Russian Communist anarchist, historian and scientist. Drawing of the beginning of the 20th century, Unknown Artist, (20th century) / Bridgeman Images

Laetitia Sage, first English woman aeronaut, late 18th century.
Laetitia Sage, first English woman aeronaut, late 18th century.

GIA4793733: Laetitia Sage, first English woman aeronaut, late 18th century., British School, (18th Century) / Bridgeman Images

Portrait of Vincent d'Indy (1851-1931), French composer.
Portrait of Vincent d'Indy (1851-1931), French composer.

GIA4794094: Portrait of Vincent d'Indy (1851-1931), French composer., Unknown photographer, (19th century) / Bridgeman Images

View of Berg Castle and Lake Stamberg where the body of Louis II of Baviere was found (Ludwig II von Bayern or Ludwig Otto Frederik Wilhelm von Wittelsbach (1845-1886)).
View of Berg Castle and Lake Stamberg where the body of Louis II of Baviere was found (Ludwig II von Bayern or Ludwig Otto Frederik Wilhelm von Wittelsbach (1845-1886)).

GIA4794325: View of Berg Castle and Lake Stamberg where the body of Louis II of Baviere was found (Ludwig II von Bayern or Ludwig Otto Frederik Wilhelm von Wittelsbach (1845-1886))., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Italo Svevo, Italian writer (1861-1928) with his wife and daughter.
Portrait of Italo Svevo, Italian writer (1861-1928) with his wife and daughter.

GIA4794635: Portrait of Italo Svevo, Italian writer (1861-1928) with his wife and daughter., Italian Photographer, (19th century) / Bridgeman Images

Suicide of Luigi Tenco on 27/01/1967: article of the magazine “” Gente”” of February 1967. Italian singer Luigi Tenco (1938-1967) without his studio in 1966.
Suicide of Luigi Tenco on 27/01/1967: article of the magazine “” Gente”” of February 1967. Italian singer Luigi Tenco (1938-1967) without his studio in 1966.

GIA4794413: Suicide of Luigi Tenco on 27/01/1967: article of the magazine “” Gente”” of February 1967. Italian singer Luigi Tenco (1938-1967) without his studio in 1966., Italian Photographer, (20th century) / Bridgeman Images

Pierre de Coubertin, 1915 (photo)
Pierre de Coubertin, 1915 (photo)

GIA4791617: Pierre de Coubertin, 1915 (photo), French Photographer / Bridgeman Images

Battle of Fleurus (1794), (Epinal print).
Battle of Fleurus (1794), (Epinal print).

GIA4791653: Battle of Fleurus (1794), (Epinal print)., French School, (19th century) / Bridgeman Images

Representation of the Bucentaur. (Bucentoro) On Ascension Day, the Doge crossed the Venice lagoon to reach the mouth of the open sea aboard a ship called the Bucentaur.
Representation of the Bucentaur. (Bucentoro) On Ascension Day, the Doge crossed the Venice lagoon to reach the mouth of the open sea aboard a ship called the Bucentaur.

GIA4791659: Representation of the Bucentaur. (Bucentoro) On Ascension Day, the Doge crossed the Venice lagoon to reach the mouth of the open sea aboard a ship called the Bucentaur., Italian School, (19th century) / Bridgeman Images

Representation of a fantastic animal mi man mi dragon. Miniature of a 14th century manuscript
Representation of a fantastic animal mi man mi dragon. Miniature of a 14th century manuscript

GIA4791758: Representation of a fantastic animal mi man mi dragon. Miniature of a 14th century manuscript, Unknown Artist, (14th century) / Bridgeman Images

portrait of Paul Broca (1824-1880), French surgeon and anthropologist.
portrait of Paul Broca (1824-1880), French surgeon and anthropologist.

GIA4791076: portrait of Paul Broca (1824-1880), French surgeon and anthropologist., Unknown Artist, (19th century) / Bridgeman Images

Collision of the Italian liner Andrea Doria, with the Swedish ship 'Stockholm', 40 miles off the coast of New England in July 1956. Illustration from 1956.
Collision of the Italian liner Andrea Doria, with the Swedish ship 'Stockholm', 40 miles off the coast of New England in July 1956. Illustration from 1956.

GIA4791125: Collision of the Italian liner Andrea Doria, with the Swedish ship 'Stockholm', 40 miles off the coast of New England in July 1956. Illustration from 1956., Unknown Artist, (20th century) / Bridgeman Images

Coral fishing in the Gulf of Trapani in Sicily, a representation of small underwater islands where coral barrels are formed. Engraving from “” Stato Presente della Sicilia”” by Arcangelo Leanti, Palermo 1761
Coral fishing in the Gulf of Trapani in Sicily, a representation of small underwater islands where coral barrels are formed. Engraving from “” Stato Presente della Sicilia”” by Arcangelo Leanti, Palermo 1761

GIA4791222: Coral fishing in the Gulf of Trapani in Sicily, a representation of small underwater islands where coral barrels are formed. Engraving from “” Stato Presente della Sicilia”” by Arcangelo Leanti, Palermo 1761, Italian School, (18th century) / Bridgeman Images

Representation of a scene from the piece “” Le Sicilien ou l'amour peintre”” by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.
Representation of a scene from the piece “” Le Sicilien ou l'amour peintre”” by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

GIA4793085: Representation of a scene from the piece “” Le Sicilien ou l'amour peintre”” by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images

Representation of a scene from the piece “” George Dandin ou le Mari confdu”” (1668) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.
Representation of a scene from the piece “” George Dandin ou le Mari confdu”” (1668) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740.

GIA4793095: Representation of a scene from the piece “” George Dandin ou le Mari confdu”” (1668) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1740., French School, (18th century) / Bridgeman Images

Representation of a scene of the play “” L'Ecole des Maris”” (1661) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738.
Representation of a scene of the play “” L'Ecole des Maris”” (1661) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738.

GIA4793106: Representation of a scene of the play “” L'Ecole des Maris”” (1661) by Jean Baptiste Poquelin dit Moliere (1622-1673). Engraving from 1738., French School, (18th century) / Bridgeman Images

Ritter Ranch barn, Dolores, Montezuma County, c.1933 (b/w photo)
Ritter Ranch barn, Dolores, Montezuma County, c.1933 (b/w photo)

XOS5672320: Ritter Ranch barn, Dolores, Montezuma County, c.1933 (b/w photo), American Photographer, (20th century) / Bridgeman Images

Sans Paroles, 2002 (oil on canvas)
Sans Paroles, 2002 (oil on canvas)

RDC5676296: Sans Paroles, 2002 (oil on canvas), Delcol, Roland (b.1942) / Bridgeman Images

Sans Paroles, 2001 (oil on canvas)
Sans Paroles, 2001 (oil on canvas)

RDC5676314: Sans Paroles, 2001 (oil on canvas), Delcol, Roland (b.1942) / Bridgeman Images


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