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Rayonnist Composition (Rhythmic Composition), 1915 (charcoal on paper) (b/w photo)
Rayonnist Composition (Rhythmic Composition), 1915 (charcoal on paper) (b/w photo)

FFA178154: Rayonnist Composition (Rhythmic Composition), 1915 (charcoal on paper) (b/w photo), Bogomazov, Alexander (1880-1930) / Bridgeman Images

ID: FFA178154

Rayonnist Composition (Rhythmic Composition), 1915 (charcoal on paper) (b/w photo)

Bogomazov, Alexander (1880-1930)

Casque d'Or, the famous gigolette (photo)
Casque d'Or, the famous gigolette (photo)

MTL177933: Casque d'Or, the famous gigolette (photo), Pirou, Eugene (fl.1884-1925) / Bridgeman Images

ID: MTL177933

Casque d'Or, the famous gigolette (photo)

Pirou, Eugene (fl.1884-1925)

They Give their Blood; Give Your Work', World War II poster, June 1943 (lithograph)
They Give their Blood; Give Your Work', World War II poster, June 1943 (lithograph)

XIR180076: They Give their Blood; Give Your Work', World War II poster, June 1943 (lithograph), French School, (20th century) / Bridgeman Images

ID: XIR180076

They Give their Blood; Give Your Work', World War II poster, June 1943 (lithograph)

French School, (20th century)

Sir Francis Walsingham (c.1532-90) from 'Lodge's British Portraits', 1823 (engraving)
Sir Francis Walsingham (c.1532-90) from 'Lodge's British Portraits', 1823 (engraving)

KWE179832: Sir Francis Walsingham (c.1532-90) from 'Lodge's British Portraits', 1823 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE179832

Sir Francis Walsingham (c.1532-90) from 'Lodge's British Portraits', 1823 (engraving)

English School, (19th century)

Beneath an Angel's Wing
Beneath an Angel's Wing

CW13662: Beneath an Angel's Wing, Strutt, William (1826-1915) / Bridgeman Images

ID: CW13662

Beneath an Angel's Wing

Strutt, William (1826-1915)

Alexander and Campaspe in the Studio of Apelles
Alexander and Campaspe in the Studio of Apelles

CP9990: Alexander and Campaspe in the Studio of Apelles, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: CP9990

Alexander and Campaspe in the Studio of Apelles

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Bridge on a River
Bridge on a River

AD8925: Bridge on a River, Kilpack, S.L. (fl.1880-1909) / Bridgeman Images

ID: AD8925

Bridge on a River

Kilpack, S.L. (fl.1880-1909)

'Lea', 1912 (block-printed cotton)
'Lea', 1912 (block-printed cotton)

SC6638: 'Lea', 1912 (block-printed cotton), Morris, William (1834-96) / Bridgeman Images

ID: SC6638

'Lea', 1912 (block-printed cotton)

Morris, William (1834-96)

Sebastopol from the Extreme Right of the Trench Attack, plate from 'The Seat of War in the East', published by Colnaghi and Co., 1856 (colour litho)
Sebastopol from the Extreme Right of the Trench Attack, plate from 'The Seat of War in the East', published by Colnaghi and Co., 1856 (colour litho)

STC142019: Sebastopol from the Extreme Right of the Trench Attack, plate from 'The Seat of War in the East', published by Colnaghi and Co., 1856 (colour litho), Simpson, William 'Crimea' (1823-99) / Bridgeman Images

ID: STC142019

Sebastopol from the Extreme Right of the Trench Attack, plate from 'The Seat of War in the East', published by Colnaghi and Co., 1856 (colour litho)

Simpson, William 'Crimea' (1823-99)

Portrait of Marie-Antoinette (1755-93) (engraving)
Portrait of Marie-Antoinette (1755-93) (engraving)

KWE141801: Portrait of Marie-Antoinette (1755-93) (engraving), English School, (19th century) / Bridgeman Images

ID: KWE141801

Portrait of Marie-Antoinette (1755-93) (engraving)

English School, (19th century)

Portrait of a Lady in Black with a Dog, 1875 (oil on canvas)
Portrait of a Lady in Black with a Dog, 1875 (oil on canvas)

CW142029: Portrait of a Lady in Black with a Dog, 1875 (oil on canvas), Archer, James (1824-1904) / Bridgeman Images

ID: CW142029

Portrait of a Lady in Black with a Dog, 1875 (oil on canvas)

Archer, James (1824-1904)

Children playing in a slum, 1899 (b/w photo)
Children playing in a slum, 1899 (b/w photo)

XJF142414: Children playing in a slum, 1899 (b/w photo), English Photographer, (19th century) / Bridgeman Images

ID: XJF142414

Children playing in a slum, 1899 (b/w photo)

English Photographer, (19th century)

Vase of Flowers (oil on canvas)
Vase of Flowers (oil on canvas)

NUM167166: Vase of Flowers (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: NUM167166

Vase of Flowers (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

The Cicada and the Ant, from the 'Fables' by Jean de la Fontaine (1621-95) 1906 (lithograph)
The Cicada and the Ant, from the 'Fables' by Jean de la Fontaine (1621-95) 1906 (lithograph)

XIR169129: The Cicada and the Ant, from the 'Fables' by Jean de la Fontaine (1621-95) 1906 (lithograph), Rabier, Benjamin (1869-1939) (after) / Bridgeman Images

ID: XIR169129

The Cicada and the Ant, from the 'Fables' by Jean de la Fontaine (1621-95) 1906 (lithograph)

Rabier, Benjamin (1869-1939) (after)

The Negro Scholar of Jamaica, c.1740 (oil on canvas)
The Negro Scholar of Jamaica, c.1740 (oil on canvas)

STC167415: The Negro Scholar of Jamaica, c.1740 (oil on canvas), English School, (18th century) / Bridgeman Images

ID: STC167415

The Negro Scholar of Jamaica, c.1740 (oil on canvas)

English School, (18th century)

Retreat of Major Marcus Reno's command (ink on paper)
Retreat of Major Marcus Reno's command (ink on paper)

STC168267: Retreat of Major Marcus Reno's command (ink on paper), Amos Bad Heart Buffalo (1869-1913) / Bridgeman Images

ID: STC168267

Retreat of Major Marcus Reno's command (ink on paper)

Amos Bad Heart Buffalo (1869-1913)

A corner of the chemistry laboratory, from 'Industrie des Parfums a Grasse', c.1900 (photo)
A corner of the chemistry laboratory, from 'Industrie des Parfums a Grasse', c.1900 (photo)

STC170826: A corner of the chemistry laboratory, from 'Industrie des Parfums a Grasse', c.1900 (photo), French School, (20th century) / Bridgeman Images

ID: STC170826

A corner of the chemistry laboratory, from 'Industrie des Parfums a Grasse', c.1900 (photo)

French School, (20th century)

Salem, in c.1870, from 'American Pictures' published by the Religious Tract Society, 1876 (engraving)
Salem, in c.1870, from 'American Pictures' published by the Religious Tract Society, 1876 (engraving)

KWE171055: Salem, in c.1870, from 'American Pictures' published by the Religious Tract Society, 1876 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE171055

Salem, in c.1870, from 'American Pictures' published by the Religious Tract Society, 1876 (engraving)

English School, (19th century)

Meeting of Pierre Andre de Suffren de Saint Tropez (1729-88) and Haider Ali (1728-82), 1782, engraved by Jean Baptiste Morret (fl.1790-1820), 1789 (colour litho)
Meeting of Pierre Andre de Suffren de Saint Tropez (1729-88) and Haider Ali (1728-82), 1782, engraved by Jean Baptiste Morret (fl.1790-1820), 1789 (colour litho)

STC169739: Meeting of Pierre Andre de Suffren de Saint Tropez (1729-88) and Haider Ali (1728-82), 1782, engraved by Jean Baptiste Morret (fl.1790-1820), 1789 (colour litho), Sergent-Marceau, Antoine Louis Francois (1751-1847) (after) / Bridgeman Images

ID: STC169739

Meeting of Pierre Andre de Suffren de Saint Tropez (1729-88) and Haider Ali (1728-82), 1782, engraved by Jean Baptiste Morret (fl.1790-1820), 1789 (colour litho)

Sergent-Marceau, Antoine Louis Francois (1751-1847) (after)

Somerset House, Strand, from 'Ackermann's Microcosm of London', engraved by John Bluck (fl.1791-1819), 1809 (aquatint)
Somerset House, Strand, from 'Ackermann's Microcosm of London', engraved by John Bluck (fl.1791-1819), 1809 (aquatint)

STC170340: Somerset House, Strand, from 'Ackermann's Microcosm of London', engraved by John Bluck (fl.1791-1819), 1809 (aquatint), Rowlandson, T. (1756-1827) & Pugin, A.C. (1762-1832) (after) / Bridgeman Images

ID: STC170340

Somerset House, Strand, from 'Ackermann's Microcosm of London', engraved by John Bluck (fl.1791-1819), 1809 (aquatint)

Rowlandson, T. (1756-1827) & Pugin, A.C. (1762-1832) (after)

Public dance in honour of the warrior He Dog (ink on paper)
Public dance in honour of the warrior He Dog (ink on paper)

STC168276: Public dance in honour of the warrior He Dog (ink on paper), Amos Bad Heart Buffalo (1869-1913) / Bridgeman Images

ID: STC168276

Public dance in honour of the warrior He Dog (ink on paper)

Amos Bad Heart Buffalo (1869-1913)

Boats Anchored on the Seine (oil on canvas)
Boats Anchored on the Seine (oil on canvas)

BRM156238: Boats Anchored on the Seine (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

ID: BRM156238

Boats Anchored on the Seine (oil on canvas)

Caillebotte, Gustave (1848-94)

Our Own Vivandiere, Mrs Seacole (1805-81) as depicted in 'Punch', published 20th May 1857 (engraving)
Our Own Vivandiere, Mrs Seacole (1805-81) as depicted in 'Punch', published 20th May 1857 (engraving)

XJF156130: Our Own Vivandiere, Mrs Seacole (1805-81) as depicted in 'Punch', published 20th May 1857 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF156130

Our Own Vivandiere, Mrs Seacole (1805-81) as depicted in 'Punch', published 20th May 1857 (engraving)

English School, (19th century)

Elevations for The Red House, Bexley Heath (pen and ink and w/c on paper)
Elevations for The Red House, Bexley Heath (pen and ink and w/c on paper)

STC156435: Elevations for The Red House, Bexley Heath (pen and ink and w/c on paper), Webb, Philip (1831-1915) / Bridgeman Images

ID: STC156435

Elevations for The Red House, Bexley Heath (pen and ink and w/c on paper)

Webb, Philip (1831-1915)

Mosaic design from the Alhambra, from 'The Arabian Antiquities of Spain', published 1815 (w/c on paper)
Mosaic design from the Alhambra, from 'The Arabian Antiquities of Spain', published 1815 (w/c on paper)

STC173832: Mosaic design from the Alhambra, from 'The Arabian Antiquities of Spain', published 1815 (w/c on paper), Murphy, James Cavanagh (1760-1814) / Bridgeman Images

ID: STC173832

Mosaic design from the Alhambra, from 'The Arabian Antiquities of Spain', published 1815 (w/c on paper)

Murphy, James Cavanagh (1760-1814)

Figure in a Deserted Landscape, 1942 (gouache, oil, pen and ink on board)
Figure in a Deserted Landscape, 1942 (gouache, oil, pen and ink on board)

PFA174369: Figure in a Deserted Landscape, 1942 (gouache, oil, pen and ink on board), Minton, John (1917-57) / Bridgeman Images

ID: PFA174369

Figure in a Deserted Landscape, 1942 (gouache, oil, pen and ink on board)

Minton, John (1917-57)

Westminster Cavalry Volunteer, plate 4 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)
Westminster Cavalry Volunteer, plate 4 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

STC174268: Westminster Cavalry Volunteer, plate 4 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC174268

Westminster Cavalry Volunteer, plate 4 from 'Loyal Volunteers of London and Environs', published 1798 (colour litho)

Rowlandson, Thomas (1756-1827)

Scenes taken from a manuscript of the 'Maqamat of Al-Hariri', engraved by Lestel, published by Lemercier, Paris (colour litho)
Scenes taken from a manuscript of the 'Maqamat of Al-Hariri', engraved by Lestel, published by Lemercier, Paris (colour litho)

STC172979: Scenes taken from a manuscript of the 'Maqamat of Al-Hariri', engraved by Lestel, published by Lemercier, Paris (colour litho), Persian School, (13th century) (after) / Bridgeman Images

ID: STC172979

Scenes taken from a manuscript of the 'Maqamat of Al-Hariri', engraved by Lestel, published by Lemercier, Paris (colour litho)

Persian School, (13th century) (after)

Arabic decorative designs, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Lemoine and Schmidt, published 1877 (colour litho)
Arabic decorative designs, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Lemoine and Schmidt, published 1877 (colour litho)

STC173813: Arabic decorative designs, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Lemoine and Schmidt, published 1877 (colour litho), Prisse d'Avennes, Emile (1807-79) (after) / Bridgeman Images

ID: STC173813

Arabic decorative designs, from 'Arab Art as Seen Through the Monuments of Cairo from the 7th Century to the end of the 18th Century', engraved by Lemoine and Schmidt, published 1877 (colour litho)

Prisse d'Avennes, Emile (1807-79) (after)

A Tea Garden, engraved by Francois David Soiron (b.1764), 1790 (colour engraving)
A Tea Garden, engraved by Francois David Soiron (b.1764), 1790 (colour engraving)

STC173870: A Tea Garden, engraved by Francois David Soiron (b.1764), 1790 (colour engraving), Morland, George (1763-1804) (after) / Bridgeman Images

ID: STC173870

A Tea Garden, engraved by Francois David Soiron (b.1764), 1790 (colour engraving)

Morland, George (1763-1804) (after)

Dublin and Kingstown Railway: Granite Pavilions and Tunnel Entrance at Lord Cloncurry's Demesne of Maratimo near Blackrock, Kingstown Harbour in the Distance, engraved by S.G. Hughes, 1834 (litho)
Dublin and Kingstown Railway: Granite Pavilions and Tunnel Entrance at Lord Cloncurry's Demesne of Maratimo near Blackrock, Kingstown Harbour in the Distance, engraved by S.G. Hughes, 1834 (litho)

STC122448: Dublin and Kingstown Railway: Granite Pavilions and Tunnel Entrance at Lord Cloncurry's Demesne of Maratimo near Blackrock, Kingstown Harbour in the Distance, engraved by S.G. Hughes, 1834 (litho), Nicholl, Andrew (1804-66) (after) / Bridgeman Images

ID: STC122448

Dublin and Kingstown Railway: Granite Pavilions and Tunnel Entrance at Lord Cloncurry's Demesne of Maratimo near Blackrock, Kingstown Harbour in the Distance, engraved by S.G. Hughes, 1834 (litho)

Nicholl, Andrew (1804-66) (after)

Father Thames Introduces his Offspring to the Fair City of London, a design for a fresco in the new Houses of Parliament (engraving)
Father Thames Introduces his Offspring to the Fair City of London, a design for a fresco in the new Houses of Parliament (engraving)

XJF121252: Father Thames Introduces his Offspring to the Fair City of London, a design for a fresco in the new Houses of Parliament (engraving), English School, (19th century) / Bridgeman Images

ID: XJF121252

Father Thames Introduces his Offspring to the Fair City of London, a design for a fresco in the new Houses of Parliament (engraving)

English School, (19th century)

Siegfried, Act III - To the Memory of Richard Wagner, 1905 (tempera on canvas)
Siegfried, Act III - To the Memory of Richard Wagner, 1905 (tempera on canvas)

WH122043: Siegfried, Act III - To the Memory of Richard Wagner, 1905 (tempera on canvas), Armfield, Maxwell Ashby (1882-1972) / Bridgeman Images

ID: WH122043

Siegfried, Act III - To the Memory of Richard Wagner, 1905 (tempera on canvas)

Armfield, Maxwell Ashby (1882-1972)

The County of Warwick, the Shire Town and the City of Coventry, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)
The County of Warwick, the Shire Town and the City of Coventry, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)

XCF113461: The County of Warwick, the Shire Town and the City of Coventry, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving), Speed, John (1552-1629) / Bridgeman Images

ID: XCF113461

The County of Warwick, the Shire Town and the City of Coventry, engraved by Jodocus Hondius (1563-1612) from John Speed's 'Theatre of the Empire of Great Britain', pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)

Speed, John (1552-1629)

Prince Eugene de Beauharnais (1781-1824) at Ostrovno, 25 July, 1812 (oil on canvas)
Prince Eugene de Beauharnais (1781-1824) at Ostrovno, 25 July, 1812 (oil on canvas)

PFA107917: Prince Eugene de Beauharnais (1781-1824) at Ostrovno, 25 July, 1812 (oil on canvas), Adam, Albrecht (1786-1862) / Bridgeman Images

ID: PFA107917

Prince Eugene de Beauharnais (1781-1824) at Ostrovno, 25 July, 1812 (oil on canvas)

Adam, Albrecht (1786-1862)

The Head of Christ, 1735 (engraving)
The Head of Christ, 1735 (engraving)

XJF141188: The Head of Christ, 1735 (engraving), Mellan, Claude (1598-1688) / Bridgeman Images

ID: XJF141188

The Head of Christ, 1735 (engraving)

Mellan, Claude (1598-1688)


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