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Study of a poppy (squared pen & ink, pencil and w/c on thin paper laid on card)
Study of a poppy (squared pen & ink, pencil and w/c on thin paper laid on card)

LIS3088195: Study of a poppy (squared pen & ink, pencil and w/c on thin paper laid on card), Nash, John Northcote (1893-1977) / Bridgeman Images

ID: LIS3088195

Study of a poppy (squared pen & ink, pencil and w/c on thin paper laid on card)

Nash, John Northcote (1893-1977)

Portrait of Bert Thomas (pen & ink on board)
Portrait of Bert Thomas (pen & ink on board)

LIS3088250: Portrait of Bert Thomas (pen & ink on board), Hassall, John (1868-1948) / Bridgeman Images

ID: LIS3088250

Portrait of Bert Thomas (pen & ink on board)

Hassall, John (1868-1948)

Portrait of Francis Dodd, 1916 (etching)
Portrait of Francis Dodd, 1916 (etching)

LIS3088255: Portrait of Francis Dodd, 1916 (etching), Schwabe, Randolph (1885-1948) / Bridgeman Images

ID: LIS3088255

Portrait of Francis Dodd, 1916 (etching)

Schwabe, Randolph (1885-1948)

Cows and chilckens, c.1880 (oil on canvas)
Cows and chilckens, c.1880 (oil on canvas)

LIS3088263: Cows and chilckens, c.1880 (oil on canvas), Fisher, Mark (1841-1923) / Bridgeman Images

ID: LIS3088263

Cows and chilckens, c.1880 (oil on canvas)

Fisher, Mark (1841-1923)

Captain Pauline Gower of the Women's Air Transport Auxiliary (litho)
Captain Pauline Gower of the Women's Air Transport Auxiliary (litho)

LIS3088117: Captain Pauline Gower of the Women's Air Transport Auxiliary (litho), Gabain, Ethel (1883-1950) / Bridgeman Images

ID: LIS3088117

Captain Pauline Gower of the Women's Air Transport Auxiliary (litho)

Gabain, Ethel (1883-1950)

Study of a frog and foliage (pencil, pen & ink and w/c on paper)
Study of a frog and foliage (pencil, pen & ink and w/c on paper)

LIS3088149: Study of a frog and foliage (pencil, pen & ink and w/c on paper), Nash, John Northcote (1893-1977) / Bridgeman Images

ID: LIS3088149

Study of a frog and foliage (pencil, pen & ink and w/c on paper)

Nash, John Northcote (1893-1977)

M is for Milkmaid (wood engraving)
M is for Milkmaid (wood engraving)

LIS3088157: M is for Milkmaid (wood engraving), Nicholson, William (1872-1949) / Bridgeman Images

ID: LIS3088157

M is for Milkmaid (wood engraving)

Nicholson, William (1872-1949)

Onions, c.1930 (pencil, red & green crayon and w/c on paper)
Onions, c.1930 (pencil, red & green crayon and w/c on paper)

LIS3088202: Onions, c.1930 (pencil, red & green crayon and w/c on paper), Nash, John Northcote (1893-1977) / Bridgeman Images

ID: LIS3088202

Onions, c.1930 (pencil, red & green crayon and w/c on paper)

Nash, John Northcote (1893-1977)

Woman gathering beach grass 1.VIII.1886, 1886 (pencil & w/c on paper)
Woman gathering beach grass 1.VIII.1886, 1886 (pencil & w/c on paper)

LIS3088289: Woman gathering beach grass 1.VIII.1886, 1886 (pencil & w/c on paper), Southall, Joseph Edward (1861-1944) / Bridgeman Images

ID: LIS3088289

Woman gathering beach grass 1.VIII.1886, 1886 (pencil & w/c on paper)

Southall, Joseph Edward (1861-1944)

Exterior of Fishmonger's Hall, St James Street, with a view of a Regularl Breakdown, from 'The English Spy', pub. 1824 (hand coloured engraving)
Exterior of Fishmonger's Hall, St James Street, with a view of a Regularl Breakdown, from 'The English Spy', pub. 1824 (hand coloured engraving)

STC3090240: Exterior of Fishmonger's Hall, St James Street, with a view of a Regularl Breakdown, from 'The English Spy', pub. 1824 (hand coloured engraving), Cruikshank, Isaac Robert (1789-1856) / Bridgeman Images

ID: STC3090240

Exterior of Fishmonger's Hall, St James Street, with a view of a Regularl Breakdown, from 'The English Spy', pub. 1824 (hand coloured engraving)

Cruikshank, Isaac Robert (1789-1856)

Westminster Hall, from
Westminster Hall, from

STC3090247: Westminster Hall, from "The English Spy", pub. 1824 (hand coloured engraving), Cruikshank, Isaac Robert (1789-1856) / Bridgeman Images

ID: STC3090247

Westminster Hall, from "The English Spy", pub. 1824 (hand coloured engraving)

Cruikshank, Isaac Robert (1789-1856)

Surrey Collegians giving a lift to a Limb of the Law, from 'The English Spy', published London, 1824 (colour litho)
Surrey Collegians giving a lift to a Limb of the Law, from 'The English Spy', published London, 1824 (colour litho)

STC3090252: Surrey Collegians giving a lift to a Limb of the Law, from 'The English Spy', published London, 1824 (colour litho), Cruikshank, Isaac Robert (1789-1856) / Bridgeman Images

ID: STC3090252

Surrey Collegians giving a lift to a Limb of the Law, from 'The English Spy', published London, 1824 (colour litho)

Cruikshank, Isaac Robert (1789-1856)

The Tea Pot Row at Harrow, or the Battle of Hog Lane, from The English Spy, pub. 1824 (hand coloured engraving)
The Tea Pot Row at Harrow, or the Battle of Hog Lane, from The English Spy, pub. 1824 (hand coloured engraving)

STC3090253: The Tea Pot Row at Harrow, or the Battle of Hog Lane, from The English Spy, pub. 1824 (hand coloured engraving), Cruikshank, Isaac Robert (1789-1856) / Bridgeman Images

ID: STC3090253

The Tea Pot Row at Harrow, or the Battle of Hog Lane, from The English Spy, pub. 1824 (hand coloured engraving)

Cruikshank, Isaac Robert (1789-1856)

R---A---ys of Genius reflecting on the true line of Beauty at the Life Academy, Somerset House, from
R---A---ys of Genius reflecting on the true line of Beauty at the Life Academy, Somerset House, from

STC3090262: R---A---ys of Genius reflecting on the true line of Beauty at the Life Academy, Somerset House, from "The English Spy", pub. 1824 (hand coloured engraving), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: STC3090262

R---A---ys of Genius reflecting on the true line of Beauty at the Life Academy, Somerset House, from "The English Spy", pub. 1824 (hand coloured engraving)

Rowlandson, Thomas (1756-1827)

Peep O'Days and Famiiy Men at the Finish, from
Peep O'Days and Famiiy Men at the Finish, from

STC3090264: Peep O'Days and Famiiy Men at the Finish, from "The English Spy", pub. 1824 (hand coloured engraving), Cruikshank, Isaac Robert (1789-1856) / Bridgeman Images

ID: STC3090264

Peep O'Days and Famiiy Men at the Finish, from "The English Spy", pub. 1824 (hand coloured engraving)

Cruikshank, Isaac Robert (1789-1856)

The Shackle Broken - by the Genius of Freedom, pub. 1874 (litho)
The Shackle Broken - by the Genius of Freedom, pub. 1874 (litho)

STC3090265: The Shackle Broken - by the Genius of Freedom, pub. 1874 (litho), American School, (19th century) / Bridgeman Images

ID: STC3090265

The Shackle Broken - by the Genius of Freedom, pub. 1874 (litho)

American School, (19th century)

The Wake, - or last appearance of Teddy O'Rafferty, a scene in the Holy Land, from The English Spy, pub. 1824 (hand coloured engraving)
The Wake, - or last appearance of Teddy O'Rafferty, a scene in the Holy Land, from The English Spy, pub. 1824 (hand coloured engraving)

STC3090267: The Wake, - or last appearance of Teddy O'Rafferty, a scene in the Holy Land, from The English Spy, pub. 1824 (hand coloured engraving), Cruikshank, Isaac Robert (1789-1856) / Bridgeman Images

ID: STC3090267

The Wake, - or last appearance of Teddy O'Rafferty, a scene in the Holy Land, from The English Spy, pub. 1824 (hand coloured engraving)

Cruikshank, Isaac Robert (1789-1856)

General Monkey and General Wolfe!!, pub W. Holland, 1803 (hand coloured etching)
General Monkey and General Wolfe!!, pub W. Holland, 1803 (hand coloured etching)

STC3090271: General Monkey and General Wolfe!!, pub W. Holland, 1803 (hand coloured etching), English School, (19th century) / Bridgeman Images

ID: STC3090271

General Monkey and General Wolfe!!, pub W. Holland, 1803 (hand coloured etching)

English School, (19th century)

The Monitor and Merrimac, 9th March, 1862, pub.1886 (colour litho)
The Monitor and Merrimac, 9th March, 1862, pub.1886 (colour litho)

STC3090274: The Monitor and Merrimac, 9th March, 1862, pub.1886 (colour litho), Davidson, Julian Oliver (1853-94) (after) / Bridgeman Images

ID: STC3090274

The Monitor and Merrimac, 9th March, 1862, pub.1886 (colour litho)

Davidson, Julian Oliver (1853-94) (after)

Bombardment and Capture of Fort Henry, Tenn, by the Federal Gunboats under command of Commoddore Andrew H. Foote, Feby. 6th, 1862, pub. (colour litho)
Bombardment and Capture of Fort Henry, Tenn, by the Federal Gunboats under command of Commoddore Andrew H. Foote, Feby. 6th, 1862, pub. (colour litho)

STC3090275: Bombardment and Capture of Fort Henry, Tenn, by the Federal Gunboats under command of Commoddore Andrew H. Foote, Feby. 6th, 1862, pub. (colour litho), American School, (19th century) / Bridgeman Images

ID: STC3090275

Bombardment and Capture of Fort Henry, Tenn, by the Federal Gunboats under command of Commoddore Andrew H. Foote, Feby. 6th, 1862, pub. (colour litho)

American School, (19th century)

Sherman's March to the Sea, pub. 1868 (engraving)
Sherman's March to the Sea, pub. 1868 (engraving)

STC3090276: Sherman's March to the Sea, pub. 1868 (engraving), Darley, Felix Octavius Carr (1822-88) / Bridgeman Images

ID: STC3090276

Sherman's March to the Sea, pub. 1868 (engraving)

Darley, Felix Octavius Carr (1822-88)

Antonio Maura (1853-1925), Portrait, Engraving, Coloured
Antonio Maura (1853-1925), Portrait, Engraving, Coloured

TRK3090387: Antonio Maura (1853-1925), Portrait, Engraving, Coloured / Bridgeman Images

ID: TRK3090387

Antonio Maura (1853-1925), Portrait, Engraving, Coloured

Antonio Maura (1853-1925), by Arturo Carretero Sanchez (1852-1903), Portrait, Engraving, Coloured
Antonio Maura (1853-1925), by Arturo Carretero Sanchez (1852-1903), Portrait, Engraving, Coloured

TRK3090389: Antonio Maura (1853-1925), by Arturo Carretero Sanchez (1852-1903), Portrait, Engraving, Coloured / Bridgeman Images

ID: TRK3090389

Antonio Maura (1853-1925), by Arturo Carretero Sanchez (1852-1903), Portrait, Engraving, Coloured

Twelve Judges of the Rota praying in a circular hall surrounding the Holy Spirit, pub. 1717 (engraving)
Twelve Judges of the Rota praying in a circular hall surrounding the Holy Spirit, pub. 1717 (engraving)

STC3090431: Twelve Judges of the Rota praying in a circular hall surrounding the Holy Spirit, pub. 1717 (engraving) , Italian School, (18th century) / Bridgeman Images

ID: STC3090431

Twelve Judges of the Rota praying in a circular hall surrounding the Holy Spirit, pub. 1717 (engraving)

Italian School, (18th century)

A Capriccio of a River Landscape, 1788 (gouache, black wash border)
A Capriccio of a River Landscape, 1788 (gouache, black wash border)

RSM3090874: A Capriccio of a River Landscape, 1788 (gouache, black wash border), Clerisseau, Charles Louis (1722-1820) / Bridgeman Images

ID: RSM3090874

A Capriccio of a River Landscape, 1788 (gouache, black wash border)

Clerisseau, Charles Louis (1722-1820)

The taking of The Bastille (colour litho)
The taking of The Bastille (colour litho)

LLM3091128: The taking of The Bastille (colour litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: LLM3091128

The taking of The Bastille (colour litho)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

Marie-Antoinette at the Trianon (colour litho)
Marie-Antoinette at the Trianon (colour litho)

LLM3091130: Marie-Antoinette at the Trianon (colour litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: LLM3091130

Marie-Antoinette at the Trianon (colour litho)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

The Retreat from Moscow (colour litho)
The Retreat from Moscow (colour litho)

LLM3091132: The Retreat from Moscow (colour litho), Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images

ID: LLM3091132

The Retreat from Moscow (colour litho)

Job, pseudonym for Onfray de Breville, Jacques (1858-1931)

The Hand (colour litho)
The Hand (colour litho)

LLM3091274: The Hand (colour litho), French School, (20th century) / Bridgeman Images

ID: LLM3091274

The Hand (colour litho)

French School, (20th century)

Theory and practice, romance and soldiering (colour litho)
Theory and practice, romance and soldiering (colour litho)

LLM3091298: Theory and practice, romance and soldiering (colour litho), French School, (20th century) / Bridgeman Images

ID: LLM3091298

Theory and practice, romance and soldiering (colour litho)

French School, (20th century)

Hagar (colour litho)
Hagar (colour litho)

LLM3091380: Hagar (colour litho), Copping, Harold (1863-1932) / Bridgeman Images

ID: LLM3091380

Hagar (colour litho)

Copping, Harold (1863-1932)

Pharaoh's daughter (colour litho)
Pharaoh's daughter (colour litho)

LLM3091383: Pharaoh's daughter (colour litho), Copping, Harold (1863-1932) / Bridgeman Images

ID: LLM3091383

Pharaoh's daughter (colour litho)

Copping, Harold (1863-1932)

Ruth (colour litho)
Ruth (colour litho)

LLM3091388: Ruth (colour litho), Copping, Harold (1863-1932) / Bridgeman Images

ID: LLM3091388

Ruth (colour litho)

Copping, Harold (1863-1932)

Jeroboam's wife (colour litho)
Jeroboam's wife (colour litho)

LLM3091392: Jeroboam's wife (colour litho), Copping, Harold (1863-1932) / Bridgeman Images

ID: LLM3091392

Jeroboam's wife (colour litho)

Copping, Harold (1863-1932)

Mary the mother of Jesus (colour litho)
Mary the mother of Jesus (colour litho)

LLM3091398: Mary the mother of Jesus (colour litho), Copping, Harold (1863-1932) / Bridgeman Images

ID: LLM3091398

Mary the mother of Jesus (colour litho)

Copping, Harold (1863-1932)

Building a sand castle (colour litho)
Building a sand castle (colour litho)

LLM3092838: Building a sand castle (colour litho), English School, (20th century) / Bridgeman Images

ID: LLM3092838

Building a sand castle (colour litho)

English School, (20th century)


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