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Lottery and roulette are allowed in France; gambling dealers rotate their wheel, the other offer lottery tickets for sale. Photomontage Marcel Ichac for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 287, date 13/9/1933. Selva Collection.
Lottery and roulette are allowed in France; gambling dealers rotate their wheel, the other offer lottery tickets for sale. Photomontage Marcel Ichac for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 287, date 13/9/1933. Selva Collection.

LSE4331390: Lottery and roulette are allowed in France; gambling dealers rotate their wheel, the other offer lottery tickets for sale. Photomontage Marcel Ichac for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 287, date 13/9/1933. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

Frederic March (1897-1975), plays Marcus Superbus in the new peplum film “The Sign of the Cross” by Cecil B. De Mille (1881-1959). Paramount photograph for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 265, date 12/4/1933. Selva Collection.
Frederic March (1897-1975), plays Marcus Superbus in the new peplum film “The Sign of the Cross” by Cecil B. De Mille (1881-1959). Paramount photograph for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 265, date 12/4/1933. Selva Collection.

LSE4331404: Frederic March (1897-1975), plays Marcus Superbus in the new peplum film “The Sign of the Cross” by Cecil B. De Mille (1881-1959). Paramount photograph for the fourth cover of the weekly VU, director Lucien Vogel (1886-1954), number 265, date 12/4/1933. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

France in arms, why: title under the face of a soldier with a steel helmet. Photograph for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 262, date 22/3/1933. Selva Collection.
France in arms, why: title under the face of a soldier with a steel helmet. Photograph for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 262, date 22/3/1933. Selva Collection.

LSE4331420: France in arms, why: title under the face of a soldier with a steel helmet. Photograph for the cover of the weekly VU, director Lucien Vogel (1886-1954), number 262, date 22/3/1933. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

A young boy encloses in a cage, from the Theophile Roussel Conservation School (or correctional house), which welcomes “unfit” boys from 7 to 16 years old, report and photograph of Rene Zazzo, former supervisor of the establishment. Photograph for the cover of the weekly VU, director Lucien Vogel, number 341, date 26/09/1934. Selva Collection.
A young boy encloses in a cage, from the Theophile Roussel Conservation School (or correctional house), which welcomes “unfit” boys from 7 to 16 years old, report and photograph of Rene Zazzo, former supervisor of the establishment. Photograph for the cover of the weekly VU, director Lucien Vogel, number 341, date 26/09/1934. Selva Collection.

LSE4331467: A young boy encloses in a cage, from the Theophile Roussel Conservation School (or correctional house), which welcomes “unfit” boys from 7 to 16 years old, report and photograph of Rene Zazzo, former supervisor of the establishment. Photograph for the cover of the weekly VU, director Lucien Vogel, number 341, date 26/09/1934. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

Francisco (Pancho) Villa (1878-1923) outlawed the rule of the Mexican Revolution, was the heros of Jack Conway's American film “Viva Villa” (1887-1952), performed by actor Wallace Beery (1885-1949), who received the award for male performance at the Venice Film Festival for this role. Photograph for the cover of the weekly VU, director Lucien Vogel, number 337, date 29/08/1934. Selva Collection.
Francisco (Pancho) Villa (1878-1923) outlawed the rule of the Mexican Revolution, was the heros of Jack Conway's American film “Viva Villa” (1887-1952), performed by actor Wallace Beery (1885-1949), who received the award for male performance at the Venice Film Festival for this role. Photograph for the cover of the weekly VU, director Lucien Vogel, number 337, date 29/08/1934. Selva Collection.

LSE4331473: Francisco (Pancho) Villa (1878-1923) outlawed the rule of the Mexican Revolution, was the heros of Jack Conway's American film “Viva Villa” (1887-1952), performed by actor Wallace Beery (1885-1949), who received the award for male performance at the Venice Film Festival for this role. Photograph for the cover of the weekly VU, director Lucien Vogel, number 337, date 29/08/1934. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

Portrait of marechal Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934), in military dress with his marechal stick, officer during the colonial wars (in Algeria and Indochina then in South Oranais), resident general in Morocco in 1912, minister of war during World War I, then marechal and academician. Portrait published during his death on 27 July in Thorey. Photograph for the cover of the weekly VU, director Lucien Vogel, number 333, dated 1/08/1934. Selva Collection.
Portrait of marechal Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934), in military dress with his marechal stick, officer during the colonial wars (in Algeria and Indochina then in South Oranais), resident general in Morocco in 1912, minister of war during World War I, then marechal and academician. Portrait published during his death on 27 July in Thorey. Photograph for the cover of the weekly VU, director Lucien Vogel, number 333, dated 1/08/1934. Selva Collection.

LSE4331484: Portrait of marechal Hubert (Louis-Hubert-Gonzalve) Lyautey (1854-1934), in military dress with his marechal stick, officer during the colonial wars (in Algeria and Indochina then in South Oranais), resident general in Morocco in 1912, minister of war during World War I, then marechal and academician. Portrait published during his death on 27 July in Thorey. Photograph for the cover of the weekly VU, director Lucien Vogel, number 333, dated 1/08/1934. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

La medersa el Thaalibiya (built in 1904), institution of higher education, in Algiers, colour postcard, 1931. Leonard de Selva collection.
La medersa el Thaalibiya (built in 1904), institution of higher education, in Algiers, colour postcard, 1931. Leonard de Selva collection.

LSE4330797: La medersa el Thaalibiya (built in 1904), institution of higher education, in Algiers, colour postcard, 1931. Leonard de Selva collection., Unknown photographer, (20th century) / Bridgeman Images

Illustration by Jean Tillaud, representing a row of girls in uniform, wearing axes on the shoulder and waving the French flag acronym with a double axe (Francisque). Cover of the “Notre drapeau, chant officiel des chantiers de la jeunesse”, lyrics by Claude Bonheur, music by Commissioner Pardoel, edition Robert Martin, Macon, 1942. Selva Collection.
Illustration by Jean Tillaud, representing a row of girls in uniform, wearing axes on the shoulder and waving the French flag acronym with a double axe (Francisque). Cover of the “Notre drapeau, chant officiel des chantiers de la jeunesse”, lyrics by Claude Bonheur, music by Commissioner Pardoel, edition Robert Martin, Macon, 1942. Selva Collection.

LSE4330860: Illustration by Jean Tillaud, representing a row of girls in uniform, wearing axes on the shoulder and waving the French flag acronym with a double axe (Francisque). Cover of the “Notre drapeau, chant officiel des chantiers de la jeunesse”, lyrics by Claude Bonheur, music by Commissioner Pardoel, edition Robert Martin, Macon, 1942. Selva Collection., Tillaud, Jean (20th century) / Bridgeman Images

Young alanguie woman, with a knife plant in her chest, lengthens by a window with arabizing motifs, illustration by Pouchon, for the story “La maison arabe”, by Ed. Romazieres, for the weekly Police Roman, number 115, 14/2/1941. Selva Collection.
Young alanguie woman, with a knife plant in her chest, lengthens by a window with arabizing motifs, illustration by Pouchon, for the story “La maison arabe”, by Ed. Romazieres, for the weekly Police Roman, number 115, 14/2/1941. Selva Collection.

LSE4330894: Young alanguie woman, with a knife plant in her chest, lengthens by a window with arabizing motifs, illustration by Pouchon, for the story “La maison arabe”, by Ed. Romazieres, for the weekly Police Roman, number 115, 14/2/1941. Selva Collection., French School, (20th century) / Bridgeman Images

The reception of the Parisian tram. Postcard beginning XXth century.
The reception of the Parisian tram. Postcard beginning XXth century.

LSE4333338: The reception of the Parisian tram. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

Cover of an illustrious youth
Cover of an illustrious youth

LSE4333561: Cover of an illustrious youth "Les Canadiens a Dieppe (August 19, 1942)”, by Henri Bernay (? - 1959), editions Rouff, collection patrie number 58, 1948, Paris., French School, (20th century) / Bridgeman Images

Paris-Moderne: Les femmes cocheres.
Paris-Moderne: Les femmes cocheres.

LSE4333263: Paris-Moderne: Les femmes cocheres., French Photographer, (20th century) / Bridgeman Images

Popular rally around the music kiosk of the Place de la Nation, Paris, May 27, 1906. Postcard beginning XXth century.
Popular rally around the music kiosk of the Place de la Nation, Paris, May 27, 1906. Postcard beginning XXth century.

LSE4333313: Popular rally around the music kiosk of the Place de la Nation, Paris, May 27, 1906. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

Debarking of Genie troops at Montparnasse station, Paris, during the railway strike. Postcard beginning XXth century.
Debarking of Genie troops at Montparnasse station, Paris, during the railway strike. Postcard beginning XXth century.

LSE4333336: Debarking of Genie troops at Montparnasse station, Paris, during the railway strike. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

A woman wearing a long fur coat, git without knowledge on the edge of a country road, a car seems to flee, and in the sky, a medallion with the statuette of a toad, cover illustration of the police novel: the yellow amber toad, by Max Andre Dazergues (Andre Compere 1903-1963), collection the little police novel number 72, J. Ferenczi and son publisher, Paris, 1938. Selva Collection.
A woman wearing a long fur coat, git without knowledge on the edge of a country road, a car seems to flee, and in the sky, a medallion with the statuette of a toad, cover illustration of the police novel: the yellow amber toad, by Max Andre Dazergues (Andre Compere 1903-1963), collection the little police novel number 72, J. Ferenczi and son publisher, Paris, 1938. Selva Collection.

LSE4332863: A woman wearing a long fur coat, git without knowledge on the edge of a country road, a car seems to flee, and in the sky, a medallion with the statuette of a toad, cover illustration of the police novel: the yellow amber toad, by Max Andre Dazergues (Andre Compere 1903-1963), collection the little police novel number 72, J. Ferenczi and son publisher, Paris, 1938. Selva Collection., French School, (20th century) / Bridgeman Images

A man out of his hiding place surprises in the cellar, illuminating it with his flashlight a masked woman wearing a mechanic's dress, cover illustration of the police novel: the invisible spy, by Maurice Limat (1914-2002), collection le petit roman policier number 71, J.Ferenczi et son publisher, Paris, 1951. Selva Collection.
A man out of his hiding place surprises in the cellar, illuminating it with his flashlight a masked woman wearing a mechanic's dress, cover illustration of the police novel: the invisible spy, by Maurice Limat (1914-2002), collection le petit roman policier number 71, J.Ferenczi et son publisher, Paris, 1951. Selva Collection.

LSE4332875: A man out of his hiding place surprises in the cellar, illuminating it with his flashlight a masked woman wearing a mechanic's dress, cover illustration of the police novel: the invisible spy, by Maurice Limat (1914-2002), collection le petit roman policier number 71, J.Ferenczi et son publisher, Paris, 1951. Selva Collection., French School, (20th century) / Bridgeman Images

A man in full, leaning on the roof of a building, stands at a rope attached to a chimney, to see another man in the window of the lower floor, who seems to hold the other end of the rope, cover illustration of the police novel: the man who flies, by Claude Ascain (Henry Musnik 1895-1957), collection the little police novel number 15, J. Ferenczi and son publisher, Paris, 1938. Selva Collection.
A man in full, leaning on the roof of a building, stands at a rope attached to a chimney, to see another man in the window of the lower floor, who seems to hold the other end of the rope, cover illustration of the police novel: the man who flies, by Claude Ascain (Henry Musnik 1895-1957), collection the little police novel number 15, J. Ferenczi and son publisher, Paris, 1938. Selva Collection.

LSE4332887: A man in full, leaning on the roof of a building, stands at a rope attached to a chimney, to see another man in the window of the lower floor, who seems to hold the other end of the rope, cover illustration of the police novel: the man who flies, by Claude Ascain (Henry Musnik 1895-1957), collection the little police novel number 15, J. Ferenczi and son publisher, Paris, 1938. Selva Collection., French School, (20th century) / Bridgeman Images

One of the scouts of the Livingstone expedition discovers abandoned slaves because they delayed the pace of the convoy, left behind by force, with their restraints around their neck, some already dead were assaulted by insects and vermin, engraving after a drawing by Daniel Virgo, illustrating the last diary of David Livingstone (1813- 1873), in 1866-1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
One of the scouts of the Livingstone expedition discovers abandoned slaves because they delayed the pace of the convoy, left behind by force, with their restraints around their neck, some already dead were assaulted by insects and vermin, engraving after a drawing by Daniel Virgo, illustrating the last diary of David Livingstone (1813- 1873), in 1866-1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330097: One of the scouts of the Livingstone expedition discovers abandoned slaves because they delayed the pace of the convoy, left behind by force, with their restraints around their neck, some already dead were assaulted by insects and vermin, engraving after a drawing by Daniel Virgo, illustrating the last diary of David Livingstone (1813- 1873), in 1866-1873, published in “” Le tour du monde””” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Vierge, Daniel Urrabieta (1851-1904) / Bridgeman Images

Circus: Race of the Quadriges in Rome.
Circus: Race of the Quadriges in Rome.

LSE4401713: Circus: Race of the Quadriges in Rome., Unknown Artist / Bridgeman Images

The harbour in La Rochelle, France, 1972 (oil on canvas)
The harbour in La Rochelle, France, 1972 (oil on canvas)

JLJ4575912: The harbour in La Rochelle, France, 1972 (oil on canvas), Buffet, Bernard (1928-99) / Bridgeman Images

View of the Palais du Senat and the Gardens of Luxembourg in Paris, 20th century (photo)
View of the Palais du Senat and the Gardens of Luxembourg in Paris, 20th century (photo)

JLJ4609501: View of the Palais du Senat and the Gardens of Luxembourg in Paris, 20th century (photo), French Photographer, (20th century) / Bridgeman Images

The big street of the village of Flize in the Ardennes in 1905. Postcard from 1905 (photo)
The big street of the village of Flize in the Ardennes in 1905. Postcard from 1905 (photo)

JLJ4609634: The big street of the village of Flize in the Ardennes in 1905. Postcard from 1905 (photo), Unknown Artist, (20th century) / Bridgeman Images

The village of Villers in the Ardennes in 1911 (photo)
The village of Villers in the Ardennes in 1911 (photo)

JLJ4609642: The village of Villers in the Ardennes in 1911 (photo), Unknown Artist, (20th century) / Bridgeman Images

View of a pagodon on Lake Mong Tse in the Yunnan region of China, early 20th century (b/w photo)
View of a pagodon on Lake Mong Tse in the Yunnan region of China, early 20th century (b/w photo)

JLJ4609705: View of a pagodon on Lake Mong Tse in the Yunnan region of China, early 20th century (b/w photo), Unknown Artist, (20th century) / Bridgeman Images

Floods in Paris: Place de la gare saint Lazare - A boat navigates the streets near a Morris column, January 1910 (photo)
Floods in Paris: Place de la gare saint Lazare - A boat navigates the streets near a Morris column, January 1910 (photo)

JLJ4609242: Floods in Paris: Place de la gare saint Lazare - A boat navigates the streets near a Morris column, January 1910 (photo), Unknown photographer, (20th century) / Bridgeman Images

First World War: ruins of a house in Paris bombed by the zeppelins - Postcard 1914-1918 (photo)
First World War: ruins of a house in Paris bombed by the zeppelins - Postcard 1914-1918 (photo)

JLJ4609381: First World War: ruins of a house in Paris bombed by the zeppelins - Postcard 1914-1918 (photo), Unknown Artist, (20th century) / Bridgeman Images

Peniches on the Quai de Jemmapes du Canal Saint Martin in Paris, 20th century (photo)
Peniches on the Quai de Jemmapes du Canal Saint Martin in Paris, 20th century (photo)

JLJ4609375: Peniches on the Quai de Jemmapes du Canal Saint Martin in Paris, 20th century (photo), Unknown Artist, (20th century) / Bridgeman Images

View of the city of Sedan and the watercourse nicknames the “Little Venice
View of the city of Sedan and the watercourse nicknames the “Little Venice

JLJ4609603: View of the city of Sedan and the watercourse nicknames the “Little Venice" in the Ardennes, 1905 (photo), French Photographer, (20th century) / Bridgeman Images

The air metro in Paris to Grenelle, 20th century (photo)
The air metro in Paris to Grenelle, 20th century (photo)

JLJ4609472: The air metro in Paris to Grenelle, 20th century (photo), French Photographer, (20th century) / Bridgeman Images

View of Boulevard Montmartre in Paris, 20th century (photo)
View of Boulevard Montmartre in Paris, 20th century (photo)

JLJ4609482: View of Boulevard Montmartre in Paris, 20th century (photo), French Photographer, (20th century) / Bridgeman Images

The village of Saint Fergeux in the Ardennes, early 20th century (postcard)
The village of Saint Fergeux in the Ardennes, early 20th century (postcard)

JLJ4609616: The village of Saint Fergeux in the Ardennes, early 20th century (postcard), Unknown Artist, (20th century) / Bridgeman Images

The central school: scene of manoeuvre, early 20th century (photo)
The central school: scene of manoeuvre, early 20th century (photo)

JLJ4609267: The central school: scene of manoeuvre, early 20th century (photo), Unknown photographer, (20th century) / Bridgeman Images

Pouponniere or creche in Rethel in the Ardennes, 20th century (photo)
Pouponniere or creche in Rethel in the Ardennes, 20th century (photo)

JLJ4609600: Pouponniere or creche in Rethel in the Ardennes, 20th century (photo), French Photographer, (20th century) / Bridgeman Images

View of the Place du Palais Royal in Paris, 20th century (photo)
View of the Place du Palais Royal in Paris, 20th century (photo)

JLJ4609520: View of the Place du Palais Royal in Paris, 20th century (photo), French Photographer, (20th century) / Bridgeman Images

Ruined pagoda in Xieng Khouang, Laos, early 20th century (postcard)
Ruined pagoda in Xieng Khouang, Laos, early 20th century (postcard)

JLJ4608250: Ruined pagoda in Xieng Khouang, Laos, early 20th century (postcard), Unknown Artist, (20th century) / Bridgeman Images

Limousin: Limousine knitters. 1911 (postcard)
Limousin: Limousine knitters. 1911 (postcard)

JLJ4608486: Limousin: Limousine knitters. 1911 (postcard), Unknown Artist, (20th century) / Bridgeman Images


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