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1145 Search Results for joseph mallord william turner

Schloss Rosenau, Seat of H.R.H. Prince Albert of Coburg, 1841 (oil on canvas)
Schloss Rosenau, Seat of H.R.H. Prince Albert of Coburg, 1841 (oil on canvas)

WGL203799: Schloss Rosenau, Seat of H.R.H. Prince Albert of Coburg, 1841 (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: WGL203799

Schloss Rosenau, Seat of H.R.H. Prince Albert of Coburg, 1841 (oil on canvas)

Turner, Joseph Mallord William (1775-1851)

On the Rhine (w/c on paper)
On the Rhine (w/c on paper)

BAL40147: On the Rhine (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: BAL40147

On the Rhine (w/c on paper)

Turner, Joseph Mallord William (1775-1851)

Walton Bridges (oil on canvas)
Walton Bridges (oil on canvas)

AGN355062: Walton Bridges (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: AGN355062

Walton Bridges (oil on canvas)

Turner, Joseph Mallord William (1775-1851)

The Parting of Hero and Leander (oil on canvas)
The Parting of Hero and Leander (oil on canvas)

REV143799: The Parting of Hero and Leander (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: REV143799

The Parting of Hero and Leander (oil on canvas)

Turner, Joseph Mallord William (1775-1851)

Bodiam Castle, Sussex (pencil & w/c with gum arabic on paper)
Bodiam Castle, Sussex (pencil & w/c with gum arabic on paper)

XCF44579: Bodiam Castle, Sussex (pencil & w/c with gum arabic on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: XCF44579

Bodiam Castle, Sussex (pencil & w/c with gum arabic on paper)

Turner, Joseph Mallord William (1775-1851)

Landscape with a river and a bay in the distance. Also called
Landscape with a river and a bay in the distance. Also called

JLJ4655156: Landscape with a river and a bay in the distance. Also called "Confluent of the Severn and the Wye", 1845 (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: JLJ4655156

Landscape with a river and a bay in the distance. Also called "Confluent of the Severn and the Wye", 1845 (oil on canvas)

Turner, Joseph Mallord William (1775-1851)

Off the Coast: Seascape and Clouds (black chalk & w/c on paper)
Off the Coast: Seascape and Clouds (black chalk & w/c on paper)

CH376164: Off the Coast: Seascape and Clouds (black chalk & w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: CH376164

Off the Coast: Seascape and Clouds (black chalk & w/c on paper)

Turner, Joseph Mallord William (1775-1851)

Norham Castle, engraved by Charles Turner (1773-1857) 1859-61 (engraving)
Norham Castle, engraved by Charles Turner (1773-1857) 1859-61 (engraving)

XYC148730: Norham Castle, engraved by Charles Turner (1773-1857) 1859-61 (engraving), Turner, Joseph Mallord William (1775-1851) (after) / Bridgeman Images

ID: XYC148730

Norham Castle, engraved by Charles Turner (1773-1857) 1859-61 (engraving)

Turner, Joseph Mallord William (1775-1851) (after)

West Front of Salisbury Cathedral, 1799 (w/c on paper)
West Front of Salisbury Cathedral, 1799 (w/c on paper)

HMP1778387: West Front of Salisbury Cathedral, 1799 (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: HMP1778387

West Front of Salisbury Cathedral, 1799 (w/c on paper)

Turner, Joseph Mallord William (1775-1851)

Folkestone (w/c on paper)
Folkestone (w/c on paper)

AGN355038: Folkestone (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: AGN355038

Folkestone (w/c on paper)

Turner, Joseph Mallord William (1775-1851)

Game-Cock, from The Farnley Book of Birds, c.1816 (pen & ink and w/c on paper)
Game-Cock, from The Farnley Book of Birds, c.1816 (pen & ink and w/c on paper)

LMG109184: Game-Cock, from The Farnley Book of Birds, c.1816 (pen & ink and w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: LMG109184

Game-Cock, from The Farnley Book of Birds, c.1816 (pen & ink and w/c on paper)

Turner, Joseph Mallord William (1775-1851)

F.68.I Isis, from the 'Liber Studiorum', engraved by William Say, 1819 (etching)
F.68.I Isis, from the 'Liber Studiorum', engraved by William Say, 1819 (etching)

FIT90259: F.68.I Isis, from the 'Liber Studiorum', engraved by William Say, 1819 (etching), Turner, Joseph Mallord William (1775-1851) (after) / Bridgeman Images

ID: FIT90259

F.68.I Isis, from the 'Liber Studiorum', engraved by William Say, 1819 (etching)

Turner, Joseph Mallord William (1775-1851) (after)

Kilgarren Castle, Pembrokeshire
Kilgarren Castle, Pembrokeshire

USB1162300: Kilgarren Castle, Pembrokeshire, Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: USB1162300

Kilgarren Castle, Pembrokeshire

Turner, Joseph Mallord William (1775-1851)

F.11.I Holy Island Cathedral, from the 'Liber Studiorum', engraved by Charles Turner, 1808 (etching)
F.11.I Holy Island Cathedral, from the 'Liber Studiorum', engraved by Charles Turner, 1808 (etching)

FIT90217: F.11.I Holy Island Cathedral, from the 'Liber Studiorum', engraved by Charles Turner, 1808 (etching), Turner, Joseph Mallord William (1775-1851) (after) / Bridgeman Images

ID: FIT90217

F.11.I Holy Island Cathedral, from the 'Liber Studiorum', engraved by Charles Turner, 1808 (etching)

Turner, Joseph Mallord William (1775-1851) (after)

Grouse, from The Farnely Book of Birds, c.1816 (pencil and w/c on paper)
Grouse, from The Farnely Book of Birds, c.1816 (pencil and w/c on paper)

LMG109186: Grouse, from The Farnely Book of Birds, c.1816 (pencil and w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: LMG109186

Grouse, from The Farnely Book of Birds, c.1816 (pencil and w/c on paper)

Turner, Joseph Mallord William (1775-1851)

Melrose Abbey, 1822 (w/c on paper)
Melrose Abbey, 1822 (w/c on paper)

XCK423073: Melrose Abbey, 1822 (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: XCK423073

Melrose Abbey, 1822 (w/c on paper)

Turner, Joseph Mallord William (1775-1851)

Foul by God: River Landscape with Anglers Fishing from a Weir, c.1830 (w/c & bodycolour with pencil & chalk on paper)
Foul by God: River Landscape with Anglers Fishing from a Weir, c.1830 (w/c & bodycolour with pencil & chalk on paper)

XYC203475: Foul by God: River Landscape with Anglers Fishing from a Weir, c.1830 (w/c & bodycolour with pencil & chalk on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: XYC203475

Foul by God: River Landscape with Anglers Fishing from a Weir, c.1830 (w/c & bodycolour with pencil & chalk on paper)

Turner, Joseph Mallord William (1775-1851)

Landscape, after John Robert Cozens (1752-99) (pencil & w/c on paper)
Landscape, after John Robert Cozens (1752-99) (pencil & w/c on paper)

LMG208982: Landscape, after John Robert Cozens (1752-99) (pencil & w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: LMG208982

Landscape, after John Robert Cozens (1752-99) (pencil & w/c on paper)

Turner, Joseph Mallord William (1775-1851)

Birthplace of J M W Turner in Maiden Lane (engraving)
Birthplace of J M W Turner in Maiden Lane (engraving)

LLJ560394: Birthplace of J M W Turner in Maiden Lane (engraving), English School, (19th century) / Bridgeman Images

ID: LLJ560394

Birthplace of J M W Turner in Maiden Lane (engraving)

English School, (19th century)

Billiard players at Petworth House, 1830 (gouache)
Billiard players at Petworth House, 1830 (gouache)

XIR360260: Billiard players at Petworth House, 1830 (gouache), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: XIR360260

Billiard players at Petworth House, 1830 (gouache)

Turner, Joseph Mallord William (1775-1851)

Birthplace of J M W Turner in Maiden Lane (engraving)
Birthplace of J M W Turner in Maiden Lane (engraving)

LLJ560395: Birthplace of J M W Turner in Maiden Lane (engraving), English School, (19th century) / Bridgeman Images

ID: LLJ560395

Birthplace of J M W Turner in Maiden Lane (engraving)

English School, (19th century)

The Fall of the Clyde, engraved by Charles Turner (1773-1857), 1859-60 (etching and engraving)
The Fall of the Clyde, engraved by Charles Turner (1773-1857), 1859-60 (etching and engraving)

XYC148732: The Fall of the Clyde, engraved by Charles Turner (1773-1857), 1859-60 (etching and engraving), Turner, Joseph Mallord William (1775-1851) (after) / Bridgeman Images

ID: XYC148732

The Fall of the Clyde, engraved by Charles Turner (1773-1857), 1859-60 (etching and engraving)

Turner, Joseph Mallord William (1775-1851) (after)

Rome from Monte Mario, c.1818 (w/c over pencil on paper)
Rome from Monte Mario, c.1818 (w/c over pencil on paper)

XYC203480: Rome from Monte Mario, c.1818 (w/c over pencil on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: XYC203480

Rome from Monte Mario, c.1818 (w/c over pencil on paper)

Turner, Joseph Mallord William (1775-1851)

Lucerne, Sunset (w/c on paper)
Lucerne, Sunset (w/c on paper)

AGN355023: Lucerne, Sunset (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: AGN355023

Lucerne, Sunset (w/c on paper)

Turner, Joseph Mallord William (1775-1851)

Grey Sea, Boat Running Ashore, c.1845-50 (w/c on paper)
Grey Sea, Boat Running Ashore, c.1845-50 (w/c on paper)

LMG870069: Grey Sea, Boat Running Ashore, c.1845-50 (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: LMG870069

Grey Sea, Boat Running Ashore, c.1845-50 (w/c on paper)

Turner, Joseph Mallord William (1775-1851)

A Sailing Boat off Deal, c.1835 (oil on millboard)
A Sailing Boat off Deal, c.1835 (oil on millboard)

NGW185739: A Sailing Boat off Deal, c.1835 (oil on millboard), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: NGW185739

A Sailing Boat off Deal, c.1835 (oil on millboard)

Turner, Joseph Mallord William (1775-1851)

Lost to All Hope The Brig, c.1845-50 (w/c & graphite on wove paper)
Lost to All Hope The Brig, c.1845-50 (w/c & graphite on wove paper)

XYC185481: Lost to All Hope The Brig, c.1845-50 (w/c & graphite on wove paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: XYC185481

Lost to All Hope The Brig, c.1845-50 (w/c & graphite on wove paper)

Turner, Joseph Mallord William (1775-1851)

Falls of the Rhine at Schaffhausen (oil on canvas)
Falls of the Rhine at Schaffhausen (oil on canvas)

TBL1113229: Falls of the Rhine at Schaffhausen (oil on canvas), Turner, Joseph Mallord William (1775-1851) (after) / Bridgeman Images

ID: TBL1113229

Falls of the Rhine at Schaffhausen (oil on canvas)

Turner, Joseph Mallord William (1775-1851) (after)

View of the Pont Neuf, Paris (oil on canvas)
View of the Pont Neuf, Paris (oil on canvas)

XIR182666: View of the Pont Neuf, Paris (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: XIR182666

View of the Pont Neuf, Paris (oil on canvas)

Turner, Joseph Mallord William (1775-1851)

Woodpecker, from The Farnley Book of Birds, c.1816 (pencil and w/c on paper)
Woodpecker, from The Farnley Book of Birds, c.1816 (pencil and w/c on paper)

LMG109192: Woodpecker, from The Farnley Book of Birds, c.1816 (pencil and w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: LMG109192

Woodpecker, from The Farnley Book of Birds, c.1816 (pencil and w/c on paper)

Turner, Joseph Mallord William (1775-1851)

Guinea Fowl, from The Farnley Book of Birds, c.1816
Guinea Fowl, from The Farnley Book of Birds, c.1816

LMG109174: Guinea Fowl, from The Farnley Book of Birds, c.1816, Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: LMG109174

Guinea Fowl, from The Farnley Book of Birds, c.1816

Turner, Joseph Mallord William (1775-1851)

F.67.I East Gate, Winchelsea, from the 'Liber Studiorum', engraved by Samuel William Reynolds, 1819 (etching)
F.67.I East Gate, Winchelsea, from the 'Liber Studiorum', engraved by Samuel William Reynolds, 1819 (etching)

FIT90258: F.67.I East Gate, Winchelsea, from the 'Liber Studiorum', engraved by Samuel William Reynolds, 1819 (etching), Turner, Joseph Mallord William (1775-1851) (after) / Bridgeman Images

ID: FIT90258

F.67.I East Gate, Winchelsea, from the 'Liber Studiorum', engraved by Samuel William Reynolds, 1819 (etching)

Turner, Joseph Mallord William (1775-1851) (after)

Orford Haven (gouache strengthened with pen and ink on blue paper)
Orford Haven (gouache strengthened with pen and ink on blue paper)

IMA1561448: Orford Haven (gouache strengthened with pen and ink on blue paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: IMA1561448

Orford Haven (gouache strengthened with pen and ink on blue paper)

Turner, Joseph Mallord William (1775-1851)

View of Belvoir Castle, 1816 (w/c on paper)
View of Belvoir Castle, 1816 (w/c on paper)

BEL465958: View of Belvoir Castle, 1816 (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: BEL465958

View of Belvoir Castle, 1816 (w/c on paper)

Turner, Joseph Mallord William (1775-1851)

Foot of St. Gothard, c.1842 (w/c on paper)
Foot of St. Gothard, c.1842 (w/c on paper)

LMG870068: Foot of St. Gothard, c.1842 (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: LMG870068

Foot of St. Gothard, c.1842 (w/c on paper)

Turner, Joseph Mallord William (1775-1851)

Richmond Hill and Bridge, Surrey, c.1831 (w/c on paper)
Richmond Hill and Bridge, Surrey, c.1831 (w/c on paper)

XCF425694: Richmond Hill and Bridge, Surrey, c.1831 (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: XCF425694

Richmond Hill and Bridge, Surrey, c.1831 (w/c on paper)

Turner, Joseph Mallord William (1775-1851)


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