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Mel Torme on the drums at the Bristol Hippodrome, 1950s
Mel Torme on the drums at the Bristol Hippodrome, 1950s

HIM5273824: Mel Torme on the drums at the Bristol Hippodrome, 1950s / Bridgeman Images

ID: HIM5273824

Mel Torme on the drums at the Bristol Hippodrome, 1950s

Don Rendell and Steve Cook playing at The Stables, Wavendon, Buckinghamshire
Don Rendell and Steve Cook playing at The Stables, Wavendon, Buckinghamshire

HIM5273908: Don Rendell and Steve Cook playing at The Stables, Wavendon, Buckinghamshire / Bridgeman Images

ID: HIM5273908

Don Rendell and Steve Cook playing at The Stables, Wavendon, Buckinghamshire

Drummer Mickey Roker at the Newport Jazz Festival, Ayresome Park, Middlesbrough, 1978.
Drummer Mickey Roker at the Newport Jazz Festival, Ayresome Park, Middlesbrough, 1978.

HIM5273946: Drummer Mickey Roker at the Newport Jazz Festival, Ayresome Park, Middlesbrough, 1978. / Bridgeman Images

ID: HIM5273946

Drummer Mickey Roker at the Newport Jazz Festival, Ayresome Park, Middlesbrough, 1978.

Don Lusher, trombonist and bandleader of the Ted Heath Orchestra
Don Lusher, trombonist and bandleader of the Ted Heath Orchestra

HIM5273459: Don Lusher, trombonist and bandleader of the Ted Heath Orchestra / Bridgeman Images

ID: HIM5273459

Don Lusher, trombonist and bandleader of the Ted Heath Orchestra

Portrait of American guitarist an banjo player Eddie Condon, 1950s
Portrait of American guitarist an banjo player Eddie Condon, 1950s

HIM5273681: Portrait of American guitarist an banjo player Eddie Condon, 1950s / Bridgeman Images

ID: HIM5273681

Portrait of American guitarist an banjo player Eddie Condon, 1950s

The Stan Kenton Orchestra in concert, 1956
The Stan Kenton Orchestra in concert, 1956

HIM5273687: The Stan Kenton Orchestra in concert, 1956 / Bridgeman Images

ID: HIM5273687

The Stan Kenton Orchestra in concert, 1956

The Count Basie Orchestra in concert. Sonny Payne on the drums
The Count Basie Orchestra in concert. Sonny Payne on the drums

HIM5273697: The Count Basie Orchestra in concert. Sonny Payne on the drums / Bridgeman Images

ID: HIM5273697

The Count Basie Orchestra in concert. Sonny Payne on the drums

The Temple of Apollo, Delphi, Greece. The present Temple of Apollo at Delphi is the third on the site. The first temple, built in the seventh century BC, was burned down in 548 BC. The second was built by the Alcmaeonids in 531 BC. The third temple, built between 346 and 320 BC, preserved the elongated ground-plan of the Archaic temple and re-used the old column drums, but the detailing is of the late classical period.
The Temple of Apollo, Delphi, Greece. The present Temple of Apollo at Delphi is the third on the site. The first temple, built in the seventh century BC, was burned down in 548 BC. The second was built by the Alcmaeonids in 531 BC. The third temple, built between 346 and 320 BC, preserved the elongated ground-plan of the Archaic temple and re-used the old column drums, but the detailing is of the late classical period.

HIM5271817: The Temple of Apollo, Delphi, Greece. The present Temple of Apollo at Delphi is the third on the site. The first temple, built in the seventh century BC, was burned down in 548 BC. The second was built by the Alcmaeonids in 531 BC. The third temple, built between 346 and 320 BC, preserved the elongated ground-plan of the Archaic temple and re-used the old column drums, but the detailing is of the late classical period. / Bridgeman Images

ID: HIM5271817

The Temple of Apollo, Delphi, Greece. The present Temple of Apollo at Delphi is the third on the site. The first temple, built in the seventh century BC, was burned down in 548 BC. The second was built by the Alcmaeonids in 531 BC. The third temple, built between 346 and 320 BC, preserved the elongated ground-plan of the Archaic temple and re-used the old column drums, but the detailing is of the late classical period.

The altar of the Temple of Apollo, Delphi, Greece. The present Temple of Apollo at Delphi is the third on the site. The first temple, built in the seventh century BC, was burned down in 548 BC. The second was built by the Alcmaeonids in 531 BC. The third temple, built between 346 and 320 BC, preserved the elongated ground-plan of the Archaic temple and re-used the old column drums, but the detailing is of the late classical period.
The altar of the Temple of Apollo, Delphi, Greece. The present Temple of Apollo at Delphi is the third on the site. The first temple, built in the seventh century BC, was burned down in 548 BC. The second was built by the Alcmaeonids in 531 BC. The third temple, built between 346 and 320 BC, preserved the elongated ground-plan of the Archaic temple and re-used the old column drums, but the detailing is of the late classical period.

HIM5271836: The altar of the Temple of Apollo, Delphi, Greece. The present Temple of Apollo at Delphi is the third on the site. The first temple, built in the seventh century BC, was burned down in 548 BC. The second was built by the Alcmaeonids in 531 BC. The third temple, built between 346 and 320 BC, preserved the elongated ground-plan of the Archaic temple and re-used the old column drums, but the detailing is of the late classical period. / Bridgeman Images

ID: HIM5271836

The altar of the Temple of Apollo, Delphi, Greece. The present Temple of Apollo at Delphi is the third on the site. The first temple, built in the seventh century BC, was burned down in 548 BC. The second was built by the Alcmaeonids in 531 BC. The third temple, built between 346 and 320 BC, preserved the elongated ground-plan of the Archaic temple and re-used the old column drums, but the detailing is of the late classical period.

An anonymous temple in Sbeitla, Tunisia.
An anonymous temple in Sbeitla, Tunisia.

HIM5271311: An anonymous temple in Sbeitla, Tunisia. / Bridgeman Images

ID: HIM5271311

An anonymous temple in Sbeitla, Tunisia.

The gate at Bulla Regia, Tunisia. Bulla Regia is an archaeological site in northwestern Tunisia, a former Roman city near modern Jendouba. It is noted for its Hadrianic-era semi-subterranean housing, a protection from the fierce heat and effects of the sun.
The gate at Bulla Regia, Tunisia. Bulla Regia is an archaeological site in northwestern Tunisia, a former Roman city near modern Jendouba. It is noted for its Hadrianic-era semi-subterranean housing, a protection from the fierce heat and effects of the sun.

HIM5271367: The gate at Bulla Regia, Tunisia. Bulla Regia is an archaeological site in northwestern Tunisia, a former Roman city near modern Jendouba. It is noted for its Hadrianic-era semi-subterranean housing, a protection from the fierce heat and effects of the sun. / Bridgeman Images

ID: HIM5271367

The gate at Bulla Regia, Tunisia. Bulla Regia is an archaeological site in northwestern Tunisia, a former Roman city near modern Jendouba. It is noted for its Hadrianic-era semi-subterranean housing, a protection from the fierce heat and effects of the sun.

The House of the Hunt, Bulla Regia, Tunisia. The House of the Hunt, which takes its name from a mosaic in the basement, evidently belonged to a wealthy citizen. It was constructed by combining and altering a number of small existing houses. The upper floor is badly ruined, but the basement, lying some 5m (16ft) below ground level, is well preserved. The rooms, laid out round a courtyard lined with Corinthian columns, include bedrooms (identified by the small mosaic-decorated platforms for the beds) and a large dining room (triclinium), also with a pavement mosaic. The bedrooms have an interesting air supply and ventilation system, with pipes built into the walls which communicate with an air shaft surrounding the rooms. The layout on the ground floor is similar, with two colonnaded courtyards, dining and living rooms, bedrooms and a small bath-house. Bulla Regia is an archaeological site in northwestern Tunisia, a former Roman city near modern Jendouba. It is noted for its Hadrianic-era semi-subterranean housing, a protection from the fierce heat and effects of the sun.
The House of the Hunt, Bulla Regia, Tunisia. The House of the Hunt, which takes its name from a mosaic in the basement, evidently belonged to a wealthy citizen. It was constructed by combining and altering a number of small existing houses. The upper floor is badly ruined, but the basement, lying some 5m (16ft) below ground level, is well preserved. The rooms, laid out round a courtyard lined with Corinthian columns, include bedrooms (identified by the small mosaic-decorated platforms for the beds) and a large dining room (triclinium), also with a pavement mosaic. The bedrooms have an interesting air supply and ventilation system, with pipes built into the walls which communicate with an air shaft surrounding the rooms. The layout on the ground floor is similar, with two colonnaded courtyards, dining and living rooms, bedrooms and a small bath-house. Bulla Regia is an archaeological site in northwestern Tunisia, a former Roman city near modern Jendouba. It is noted for its Hadrianic-era semi-subterranean housing, a protection from the fierce heat and effects of the sun.

HIM5271383: The House of the Hunt, Bulla Regia, Tunisia. The House of the Hunt, which takes its name from a mosaic in the basement, evidently belonged to a wealthy citizen. It was constructed by combining and altering a number of small existing houses. The upper floor is badly ruined, but the basement, lying some 5m (16ft) below ground level, is well preserved. The rooms, laid out round a courtyard lined with Corinthian columns, include bedrooms (identified by the small mosaic-decorated platforms for the beds) and a large dining room (triclinium), also with a pavement mosaic. The bedrooms have an interesting air supply and ventilation system, with pipes built into the walls which communicate with an air shaft surrounding the rooms. The layout on the ground floor is similar, with two colonnaded courtyards, dining and living rooms, bedrooms and a small bath-house. Bulla Regia is an archaeological site in northwestern Tunisia, a former Roman city near modern Jendouba. It is noted for its Hadrianic-era semi-subterranean housing, a protection from the fierce heat and effects of the sun. / Bridgeman Images

ID: HIM5271383

The House of the Hunt, Bulla Regia, Tunisia. The House of the Hunt, which takes its name from a mosaic in the basement, evidently belonged to a wealthy citizen. It was constructed by combining and altering a number of small existing houses. The upper floor is badly ruined, but the basement, lying some 5m (16ft) below ground level, is well preserved. The rooms, laid out round a courtyard lined with Corinthian columns, include bedrooms (identified by the small mosaic-decorated platforms for the beds) and a large dining room (triclinium), also with a pavement mosaic. The bedrooms have an interesting air supply and ventilation system, with pipes built into the walls which communicate with an air shaft surrounding the rooms. The layout on the ground floor is similar, with two colonnaded courtyards, dining and living rooms, bedrooms and a small bath-house. Bulla Regia is an archaeological site in northwestern Tunisia, a former Roman city near modern Jendouba. It is noted for its Hadrianic-er

Dancer Kawtar Kel performing in front of a calligaphy by Rany Rouabah in Paris, France. (photo)
Dancer Kawtar Kel performing in front of a calligaphy by Rany Rouabah in Paris, France. (photo)

GNG5320918: Dancer Kawtar Kel performing in front of a calligaphy by Rany Rouabah in Paris, France. (photo) / Bridgeman Images

ID: GNG5320918

Dancer Kawtar Kel performing in front of a calligaphy by Rany Rouabah in Paris, France. (photo)

Dave Brubeck signing an autograph, c1950s
Dave Brubeck signing an autograph, c1950s

HIM5302641: Dave Brubeck signing an autograph, c1950s / Bridgeman Images

ID: HIM5302641

Dave Brubeck signing an autograph, c1950s

Frank Sinatra and Frank Sinatra Jr in concert at the Royal Albert Hall, London, 28 May 1992
Frank Sinatra and Frank Sinatra Jr in concert at the Royal Albert Hall, London, 28 May 1992

HIM5302644: Frank Sinatra and Frank Sinatra Jr in concert at the Royal Albert Hall, London, 28 May 1992 / Bridgeman Images

ID: HIM5302644

Frank Sinatra and Frank Sinatra Jr in concert at the Royal Albert Hall, London, 28 May 1992

Lady's court dress, Durrient (Glasgow & Edinburgh), c.1905
Lady's court dress, Durrient (Glasgow & Edinburgh), c.1905

HRP5245453: Lady's court dress, Durrient (Glasgow & Edinburgh), c.1905, Scottish School / Bridgeman Images

ID: HRP5245453

Lady's court dress, Durrient (Glasgow & Edinburgh), c.1905

Scottish School

Aalto Ballett Essen (photo)
Aalto Ballett Essen (photo)

DNA3799826: Aalto Ballett Essen (photo) / Bridgeman Images

ID: DNA3799826

Aalto Ballett Essen (photo)

Aalto Ballett Essen (photo)
Aalto Ballett Essen (photo)

DNA3799833: Aalto Ballett Essen (photo) / Bridgeman Images

ID: DNA3799833

Aalto Ballett Essen (photo)

Aalto Ballett Essen (photo)
Aalto Ballett Essen (photo)

DNA3799837: Aalto Ballett Essen (photo) / Bridgeman Images

ID: DNA3799837

Aalto Ballett Essen (photo)

Viacheslav Tyutyukin as Romeo and Yuki Kishimoto as Juliet (photo)
Viacheslav Tyutyukin as Romeo and Yuki Kishimoto as Juliet (photo)

DNA3799839: Viacheslav Tyutyukin as Romeo and Yuki Kishimoto as Juliet (photo) / Bridgeman Images

ID: DNA3799839

Viacheslav Tyutyukin as Romeo and Yuki Kishimoto as Juliet (photo)

Viacheslav Tyutyukin as Romeo and Yuki Kishimoto as Juliet (photo)
Viacheslav Tyutyukin as Romeo and Yuki Kishimoto as Juliet (photo)

DNA3799840: Viacheslav Tyutyukin as Romeo and Yuki Kishimoto as Juliet (photo) / Bridgeman Images

ID: DNA3799840

Viacheslav Tyutyukin as Romeo and Yuki Kishimoto as Juliet (photo)

Viacheslav Tyutyukin as Romeo and Yuki Kishimoto as Juliet (photo)
Viacheslav Tyutyukin as Romeo and Yuki Kishimoto as Juliet (photo)

DNA3799845: Viacheslav Tyutyukin as Romeo and Yuki Kishimoto as Juliet (photo) / Bridgeman Images

ID: DNA3799845

Viacheslav Tyutyukin as Romeo and Yuki Kishimoto as Juliet (photo)

Aalto Ballett Essen (photo)
Aalto Ballett Essen (photo)

DNA3799877: Aalto Ballett Essen (photo) / Bridgeman Images

ID: DNA3799877

Aalto Ballett Essen (photo)

Yuki Kishimoto as Juliet (photo)
Yuki Kishimoto as Juliet (photo)

DNA3799879: Yuki Kishimoto as Juliet (photo) / Bridgeman Images

ID: DNA3799879

Yuki Kishimoto as Juliet (photo)

Resolution by English National Ballet (photo)
Resolution by English National Ballet (photo)

KNT3804843: Resolution by English National Ballet (photo), Kenton, Tristam / Bridgeman Images

ID: KNT3804843

Resolution by English National Ballet (photo)

Kenton, Tristam

Janis Kelly as Regine in Prima Donna (photo)
Janis Kelly as Regine in Prima Donna (photo)

KNT3805288: Janis Kelly as Regine in Prima Donna (photo), Kenton, Tristam / Bridgeman Images

ID: KNT3805288

Janis Kelly as Regine in Prima Donna (photo)

Kenton, Tristam

Portrait of Haruhiko Sunagawa, Japanese artist. Inauguration of the International Contemporary Art Fair (FIAC 09), Grand Palais, in Paris on 21 October 2009.
Portrait of Haruhiko Sunagawa, Japanese artist. Inauguration of the International Contemporary Art Fair (FIAC 09), Grand Palais, in Paris on 21 October 2009.

LUN4379928: Portrait of Haruhiko Sunagawa, Japanese artist. Inauguration of the International Contemporary Art Fair (FIAC 09), Grand Palais, in Paris on 21 October 2009. / Bridgeman Images

ID: LUN4379928

Portrait of Haruhiko Sunagawa, Japanese artist. Inauguration of the International Contemporary Art Fair (FIAC 09), Grand Palais, in Paris on 21 October 2009.

Wang Keping, Chinese sculptor, Henry Perier, French art historian. Inauguration of the International Contemporary Art Fair (FIAC 09), Grand Palais, in Paris on 21 October 2009.
Wang Keping, Chinese sculptor, Henry Perier, French art historian. Inauguration of the International Contemporary Art Fair (FIAC 09), Grand Palais, in Paris on 21 October 2009.

LUN4379934: Wang Keping, Chinese sculptor, Henry Perier, French art historian. Inauguration of the International Contemporary Art Fair (FIAC 09), Grand Palais, in Paris on 21 October 2009. / Bridgeman Images

ID: LUN4379934

Wang Keping, Chinese sculptor, Henry Perier, French art historian. Inauguration of the International Contemporary Art Fair (FIAC 09), Grand Palais, in Paris on 21 October 2009.

Wang Keping, Chinese sculptor. Inauguration of the International Contemporary Art Fair (FIAC 09), Grand Palais, in Paris on 21 October 2009.
Wang Keping, Chinese sculptor. Inauguration of the International Contemporary Art Fair (FIAC 09), Grand Palais, in Paris on 21 October 2009.

LUN4379935: Wang Keping, Chinese sculptor. Inauguration of the International Contemporary Art Fair (FIAC 09), Grand Palais, in Paris on 21 October 2009. / Bridgeman Images

ID: LUN4379935

Wang Keping, Chinese sculptor. Inauguration of the International Contemporary Art Fair (FIAC 09), Grand Palais, in Paris on 21 October 2009.

Portrait of Vincent Batbedat, French sculptor. Opening of the Art Elysees exhibition in Paris on 21 October 2009.
Portrait of Vincent Batbedat, French sculptor. Opening of the Art Elysees exhibition in Paris on 21 October 2009.

LUN4379961: Portrait of Vincent Batbedat, French sculptor. Opening of the Art Elysees exhibition in Paris on 21 October 2009. / Bridgeman Images

ID: LUN4379961

Portrait of Vincent Batbedat, French sculptor. Opening of the Art Elysees exhibition in Paris on 21 October 2009.

Stephane Pencreac'h, French painter, near his sculpture Katharsis for the masses. Village Royal, rue Royale in Paris on October 22, 2009.
Stephane Pencreac'h, French painter, near his sculpture Katharsis for the masses. Village Royal, rue Royale in Paris on October 22, 2009.

LUN4379975: Stephane Pencreac'h, French painter, near his sculpture Katharsis for the masses. Village Royal, rue Royale in Paris on October 22, 2009. / Bridgeman Images

ID: LUN4379975

Stephane Pencreac'h, French painter, near his sculpture Katharsis for the masses. Village Royal, rue Royale in Paris on October 22, 2009.

Frederic Mitterrand, Minister of Culture and Communication, Bernard Blistene, Director of the Festival du Centre Pompidou. Opening of the exhibition The probable fate of the man who swallow the ghost. La Conciergerie, in Paris on October 22, 2009.
Frederic Mitterrand, Minister of Culture and Communication, Bernard Blistene, Director of the Festival du Centre Pompidou. Opening of the exhibition The probable fate of the man who swallow the ghost. La Conciergerie, in Paris on October 22, 2009.

LUN4380019: Frederic Mitterrand, Minister of Culture and Communication, Bernard Blistene, Director of the Festival du Centre Pompidou. Opening of the exhibition The probable fate of the man who swallow the ghost. La Conciergerie, in Paris on October 22, 2009. / Bridgeman Images

ID: LUN4380019

Frederic Mitterrand, Minister of Culture and Communication, Bernard Blistene, Director of the Festival du Centre Pompidou. Opening of the exhibition The probable fate of the man who swallow the ghost. La Conciergerie, in Paris on October 22, 2009.

Frederic Mitterrand, Minister of Culture and Communication, Bernard Blistene, Director of the Festival du Centre Pompidou. Opening of the exhibition The probable fate of the man who swallow the ghost. La Conciergerie, in Paris on October 22, 2009.
Frederic Mitterrand, Minister of Culture and Communication, Bernard Blistene, Director of the Festival du Centre Pompidou. Opening of the exhibition The probable fate of the man who swallow the ghost. La Conciergerie, in Paris on October 22, 2009.

LUN4380055: Frederic Mitterrand, Minister of Culture and Communication, Bernard Blistene, Director of the Festival du Centre Pompidou. Opening of the exhibition The probable fate of the man who swallow the ghost. La Conciergerie, in Paris on October 22, 2009. / Bridgeman Images

ID: LUN4380055

Frederic Mitterrand, Minister of Culture and Communication, Bernard Blistene, Director of the Festival du Centre Pompidou. Opening of the exhibition The probable fate of the man who swallow the ghost. La Conciergerie, in Paris on October 22, 2009.

Portrait of Gerard Fromanger, French painter. Opening of the exhibition The probable fate of the man who swallow the ghost. La Conciergerie, in Paris on October 22, 2009.
Portrait of Gerard Fromanger, French painter. Opening of the exhibition The probable fate of the man who swallow the ghost. La Conciergerie, in Paris on October 22, 2009.

LUN4380099: Portrait of Gerard Fromanger, French painter. Opening of the exhibition The probable fate of the man who swallow the ghost. La Conciergerie, in Paris on October 22, 2009. / Bridgeman Images

ID: LUN4380099

Portrait of Gerard Fromanger, French painter. Opening of the exhibition The probable fate of the man who swallow the ghost. La Conciergerie, in Paris on October 22, 2009.

Portrait of Claire Debril, French ceramist, in his studio in Vincennes on October 26, 2009.
Portrait of Claire Debril, French ceramist, in his studio in Vincennes on October 26, 2009.

LUN4380121: Portrait of Claire Debril, French ceramist, in his studio in Vincennes on October 26, 2009. / Bridgeman Images

ID: LUN4380121

Portrait of Claire Debril, French ceramist, in his studio in Vincennes on October 26, 2009.

Portrait of Marlene Dumas, Dutch artist. Dedicated by Marlene Dumas. Bookshop Flammarion of Centre Georges Pompidou in Paris on 7 November 2009.
Portrait of Marlene Dumas, Dutch artist. Dedicated by Marlene Dumas. Bookshop Flammarion of Centre Georges Pompidou in Paris on 7 November 2009.

LUN4380154: Portrait of Marlene Dumas, Dutch artist. Dedicated by Marlene Dumas. Bookshop Flammarion of Centre Georges Pompidou in Paris on 7 November 2009. / Bridgeman Images

ID: LUN4380154

Portrait of Marlene Dumas, Dutch artist. Dedicated by Marlene Dumas. Bookshop Flammarion of Centre Georges Pompidou in Paris on 7 November 2009.


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