Print Friendly Version Page

4366 Search Results for Da Vinci

The Annunciation (detail of the angel), c.1472-75 (oil on wood)
The Annunciation (detail of the angel), c.1472-75 (oil on wood)

XIR897968: The Annunciation (detail of the angel), c.1472-75 (oil on wood), Vinci, Leonardo da (1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

Detail of the Last Supper: from left the apostles Saint Barthelemy, James, son of Alphee, Andrew, Judas, Peter and John. 1495-1498 (fresco)
Detail of the Last Supper: from left the apostles Saint Barthelemy, James, son of Alphee, Andrew, Judas, Peter and John. 1495-1498 (fresco)

LRI4684847: Detail of the Last Supper: from left the apostles Saint Barthelemy, James, son of Alphee, Andrew, Judas, Peter and John. 1495-1498 (fresco), Vinci, Leonardo da (1452-1519) / Museo del Cenacolo Vinciano, Santa Maria delle Grazie (Museum of the Last Supper), Milan, Italy / Bridgeman Images

Mona Lisa, copy of the painting by Leonardo da Vinci
Mona Lisa, copy of the painting by Leonardo da Vinci

PFA59636: Mona Lisa, copy of the painting by Leonardo da Vinci, Flemish School, (16th century) / Private Collection / Bridgeman Images

Study for a putto (red chalk on tinted paper)
Study for a putto (red chalk on tinted paper)

CPH256961: Study for a putto (red chalk on tinted paper), Vinci, Leonardo da (1452-1519) / Gallerie dell'Accademia, Venice, Italy / Bridgeman Images

View ot the castle of Clos Luce, last house of Leonard de Vinci
View ot the castle of Clos Luce, last house of Leonard de Vinci

LRI4723328: View ot the castle of Clos Luce, last house of Leonard de Vinci, French School, (15th century) / Le Clos Luce, Amboise, Loire Valley, France / Bridgeman Images

Leonard de Vinci at the court of the king of France Francois 1st (Leonardo da Vinci alla corte del re di Francia Francesco primo).19th century engraving by Gustave Greux. Private collection.
Leonard de Vinci at the court of the king of France Francois 1st (Leonardo da Vinci alla corte del re di Francia Francesco primo).19th century engraving by Gustave Greux. Private collection.

XEE4189593: Leonard de Vinci at the court of the king of France Francois 1st (Leonardo da Vinci alla corte del re di Francia Francesco primo).19th century engraving by Gustave Greux. Private collection., Greux, Gustave Marie (1838-1919) / Private Collection / Bridgeman Images

Scene from Durer's 'Course in the Art of Drawing', published Nuremberg 1525 (engraving)
Scene from Durer's 'Course in the Art of Drawing', published Nuremberg 1525 (engraving)

STC237096: Scene from Durer's 'Course in the Art of Drawing', published Nuremberg 1525 (engraving), Dürer or Duerer, Albrecht (1471-1528) / Private Collection / Bridgeman Images

Last Supper, by Leonardo da Vinci, 1494 - 1498, 15th Century, wall painting
Last Supper, by Leonardo da Vinci, 1494 - 1498, 15th Century, wall painting

MEB943651: Last Supper, by Leonardo da Vinci, 1494 - 1498, 15th Century, wall painting, Vinci, Leonardo da (1452-1519) / Museo del Cenacolo Vinciano, Santa Maria delle Grazie (Museum of the Last Supper), Milan, Italy / Bridgeman Images

Portrait of Leonardo da Vinci (1452-1519) (engraving) (b/w photo)
Portrait of Leonardo da Vinci (1452-1519) (engraving) (b/w photo)

XIR167542: Portrait of Leonardo da Vinci (1452-1519) (engraving) (b/w photo), French School, (16th century) / Bibliotheque du Museum d'Histoire Naturelle, Paris, France / Bridgeman Images

Drafts of two male heads
Drafts of two male heads

PRX3124796: Drafts of two male heads, Vinci, Leonardo da (1452-1519) / Bridgeman Images

Cardiovascular system Leonardo da vinci's drawing.
Cardiovascular system Leonardo da vinci's drawing.

TRK879435: Cardiovascular system Leonardo da vinci's drawing. / Museo Nazionale della Scienza e della Tecnologia 'Leonardo Da Vinci', Milan, Italy / Bridgeman Images

LSE3714168: "It was under a blouse that Mona Lisa was removed", front page of 'Excelsior', 14th December 1913 (litho), French School, (20th century) / Private Collection / Bridgeman Images

A mechanical lion created by Leonardo Da Vinci to impress King Francis I of France (gouache on paper)
A mechanical lion created by Leonardo Da Vinci to impress King Francis I of France (gouache on paper)

LAL3641230: A mechanical lion created by Leonardo Da Vinci to impress King Francis I of France (gouache on paper), McBride, Angus (1931-2007) / Private Collection / Bridgeman Images

De Divina Proportione, Figure XXXIX, sheet 110 verso: Solid body with seventy-two bases, Septvaginta dvarvm basivm solidvm
De Divina Proportione, Figure XXXIX, sheet 110 verso: Solid body with seventy-two bases, Septvaginta dvarvm basivm solidvm

MEV5047608: De Divina Proportione, Figure XXXIX, sheet 110 verso: Solid body with seventy-two bases, Septvaginta dvarvm basivm solidvm, Vinci, Leonardo da (1452-1519) (attr.to) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

A tempest, c.1513-18 (Black chalk, pen and ink, wash)
A tempest, c.1513-18 (Black chalk, pen and ink, wash)

ROC7203280: A tempest, c.1513-18 (Black chalk, pen and ink, wash), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Bust of a young woman called Flora (Flora) among the flowers The model would be the Mona Lisa (Mona or Monna Lisa) Painting after a drawing by Leonardo da Vinci (Leonard de Vinci) (1452-1519) 17th century Bergamo, accademia Carrara
Bust of a young woman called Flora (Flora) among the flowers The model would be the Mona Lisa (Mona or Monna Lisa) Painting after a drawing by Leonardo da Vinci (Leonard de Vinci) (1452-1519) 17th century Bergamo, accademia Carrara

LRI4572929: Bust of a young woman called Flora (Flora) among the flowers The model would be the Mona Lisa (Mona or Monna Lisa) Painting after a drawing by Leonardo da Vinci (Leonard de Vinci) (1452-1519) 17th century Bergamo, accademia Carrara, Vinci, Leonardo da (1452-1519) (after) / Pinacoteca dell' Accademia Carrara, Bergamo, Italy / Bridgeman Images

De Divina Proportione, Figure XXXI, sheet 106 verso: Elevated solid dodecahedron, Dvodecedron elevatvs solidvs
De Divina Proportione, Figure XXXI, sheet 106 verso: Elevated solid dodecahedron, Dvodecedron elevatvs solidvs

MEV5047600: De Divina Proportione, Figure XXXI, sheet 106 verso: Elevated solid dodecahedron, Dvodecedron elevatvs solidvs, Vinci, Leonardo da (1452-1519) (attr.to) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

De Divina Proportione, Figure XXIIII, sheet 103 recto: Cut empty icosahedron, Ycocedron abscisvs vacvvs
De Divina Proportione, Figure XXIIII, sheet 103 recto: Cut empty icosahedron, Ycocedron abscisvs vacvvs

MEV5047593: De Divina Proportione, Figure XXIIII, sheet 103 recto: Cut empty icosahedron, Ycocedron abscisvs vacvvs, Vinci, Leonardo da (1452-1519) (attr.to) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

Hercules and the Nemean lion, c. 1506-08 (charcoal and metal tip on white paper)
Hercules and the Nemean lion, c. 1506-08 (charcoal and metal tip on white paper)

RTR5315969: Hercules and the Nemean lion, c. 1506-08 (charcoal and metal tip on white paper), Vinci, Leonardo da (1452-1519) / Biblioteca Reale, Musei Reali, Turin, Piedmont, Italy / Bridgeman Images

La Belle Otero and Mistinguett as the Mona Lisa, from an article 'Les Sourires qui Nous Restent' in 'Comoedia Illustre', 1911 (b/w photo)
La Belle Otero and Mistinguett as the Mona Lisa, from an article 'Les Sourires qui Nous Restent' in 'Comoedia Illustre', 1911 (b/w photo)

CHT247704: La Belle Otero and Mistinguett as the Mona Lisa, from an article 'Les Sourires qui Nous Restent' in 'Comoedia Illustre', 1911 (b/w photo), Talbot, (fl.1911) / Private Collection / Bridgeman Images

De Divina Proportione, Figure XXVIII, sheet 105 recto: Perpendicular empty dodecahedron, Dvodecedron planvs vacvvs
De Divina Proportione, Figure XXVIII, sheet 105 recto: Perpendicular empty dodecahedron, Dvodecedron planvs vacvvs

MEV5047597: De Divina Proportione, Figure XXVIII, sheet 105 recto: Perpendicular empty dodecahedron, Dvodecedron planvs vacvvs, Vinci, Leonardo da (1452-1519) (attr.to) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

MS B fol.88v Testing the load tolerance of a wing, 1487-90 (pen and ink on paper)
MS B fol.88v Testing the load tolerance of a wing, 1487-90 (pen and ink on paper)

BIF212892: MS B fol.88v Testing the load tolerance of a wing, 1487-90 (pen and ink on paper), Vinci, Leonardo da (1452-1519) / Bibliotheque de l'Institut de France, Paris, France / Bridgeman Images

Studies for a building of a centralised plan, detail of fol. 3v from Codex Ashburnham I and II (formerly part of Manuscript B (2184)), c.1492 (pen & ink on paper)
Studies for a building of a centralised plan, detail of fol. 3v from Codex Ashburnham I and II (formerly part of Manuscript B (2184)), c.1492 (pen & ink on paper)

XJF308757: Studies for a building of a centralised plan, detail of fol. 3v from Codex Ashburnham I and II (formerly part of Manuscript B (2184)), c.1492 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bibliotheque de l'Institut de France, Paris, France / Bridgeman Images

Design for a palace and park (Romorantin), fol. 270v from the Codex Arundel, c.1517-18 (pen & ink on paper)
Design for a palace and park (Romorantin), fol. 270v from the Codex Arundel, c.1517-18 (pen & ink on paper)

XJF308761: Design for a palace and park (Romorantin), fol. 270v from the Codex Arundel, c.1517-18 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Private Collection / Bridgeman Images

Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 4 verso
Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 4 verso

RTR5315905: Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 4 verso, Vinci, Leonardo da (1452-1519) / Biblioteca Reale, Musei Reali, Turin, Piedmont, Italy / Bridgeman Images

Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 10 recto
Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 10 recto

RTR5315916: Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 10 recto, Vinci, Leonardo da (1452-1519) / Biblioteca Reale, Musei Reali, Turin, Piedmont, Italy / Bridgeman Images

Representation of
Representation of

JLJ4655443: Representation of "The Mona Lisa" by Leonard de Vinci: Mona Lisa represented in a plaid skirt traveling around the world, 1911 (postcard), Anonymous / Louvre, Paris, France / Bridgeman Images

The left hand of St Thomas in the Last Supper, after Leonardo da Vinci, c.1515 (red chalk with white heightening, on pale red prepared paper)
The left hand of St Thomas in the Last Supper, after Leonardo da Vinci, c.1515 (red chalk with white heightening, on pale red prepared paper)

ROC3740754: The left hand of St Thomas in the Last Supper, after Leonardo da Vinci, c.1515 (red chalk with white heightening, on pale red prepared paper), Sesto, Cesare da (1477-1523) / Royal Collection Trust / Bridgeman Images

Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 11 recto
Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 11 recto

RTR5315918: Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 11 recto, Vinci, Leonardo da (1452-1519) / Biblioteca Reale, Musei Reali, Turin, Piedmont, Italy / Bridgeman Images

Study for the exploitation of water force in hydraulic machines (noria) by Leonard de Vinci (Leonardo da Vinci) (1452-1519). Drawing with pen and ink.
Study for the exploitation of water force in hydraulic machines (noria) by Leonard de Vinci (Leonardo da Vinci) (1452-1519). Drawing with pen and ink.

GIA4794261: Study for the exploitation of water force in hydraulic machines (noria) by Leonard de Vinci (Leonardo da Vinci) (1452-1519). Drawing with pen and ink., Vinci, Leonardo da (1452-1519) / Museo Nazionale della Scienza e della Tecnologia 'Leonardo Da Vinci', Milan, Italy / Bridgeman Images

The left hand of St. Bartholomew in the Last Supper, after Leonardo da Vinci, c.1515 (red chalk with white heightening on red paper)
The left hand of St. Bartholomew in the Last Supper, after Leonardo da Vinci, c.1515 (red chalk with white heightening on red paper)

ROC396597: The left hand of St. Bartholomew in the Last Supper, after Leonardo da Vinci, c.1515 (red chalk with white heightening on red paper), Sesto, Cesare da (1477-1523) / Royal Collection Trust / Bridgeman Images

Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 16 recto
Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 16 recto

RTR5315928: Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 16 recto, Vinci, Leonardo da (1452-1519) / Biblioteca Reale, Musei Reali, Turin, Piedmont, Italy / Bridgeman Images

Francis I collects the last breath of Leonardo da Vinci, 1818 (oil on canvas)
Francis I collects the last breath of Leonardo da Vinci, 1818 (oil on canvas)

MEP848031: Francis I collects the last breath of Leonardo da Vinci, 1818 (oil on canvas), Ingres, Jean Auguste Dominique (1780-1867) / Musee du Petit Palais, Paris, France / Bridgeman Images

Humorous drawing depicting Leonard De Vinci's La Cene. With Laurel and Hardy, Charlie Chaplin, The Marx Brothers. Drawing by Pierre Etaix
Humorous drawing depicting Leonard De Vinci's La Cene. With Laurel and Hardy, Charlie Chaplin, The Marx Brothers. Drawing by Pierre Etaix

XRD1741393: Humorous drawing depicting Leonard De Vinci's La Cene. With Laurel and Hardy, Charlie Chaplin, The Marx Brothers. Drawing by Pierre Etaix, Etaix, Pierre (b.1928) / Bridgeman Images

Portrait of Francesco Melzi (v. 1491- 1570) Italian painter, pupil and companion (lover) of Leonard de Vinci (drawing)
Portrait of Francesco Melzi (v. 1491- 1570) Italian painter, pupil and companion (lover) of Leonard de Vinci (drawing)

GIA5035951: Portrait of Francesco Melzi (v. 1491- 1570) Italian painter, pupil and companion (lover) of Leonard de Vinci (drawing), Boltraffio, Giovanni Antonio (1467-1516) / Bridgeman Images

Head of a child (pencil on paper) (b/w photo)
Head of a child (pencil on paper) (b/w photo)

XIR267172: Head of a child (pencil on paper) (b/w photo), Vinci, Leonardo da (1452-1519) / Louvre (Cabinet de dessins), Paris, France / Bridgeman Images


Back to top