Print this page or go back to standard view.
DNA3796651: Maria Ercolano as Arsaces (photo) / Bridgeman Images
DNA3796662: Maria Ercolano as Arsaces (photo) / Bridgeman Images
DNA3796663: Maria Ercolano as Arsaces (photo) / Bridgeman Images
DNA3796629: Pino de Vittorio as Eurilla (photo) / Bridgeman Images
DNA3796633: Maria Ercolano as Arsaces (photo) / Bridgeman Images
DNA3796676: Pino de Vittorio as Eurilla (photo) / Bridgeman Images
DNA3796652: Maria Ercolano as Arsaces (photo) / Bridgeman Images
DNA3796655: Maria Ercolano as Arsaces (photo) / Bridgeman Images
DNA3796670: Maria Ercolano as Arsaces (photo) / Bridgeman Images
DNA3796634: Marina de Liso as Partenope and Maria Ercolano as Arsaces (photo) / Bridgeman Images
DNA3796648: Pino de Vittorio as Eurilla (photo) / Bridgeman Images
MEV5047637: Da Vinci's knots, Italian school, (15th-16th century) / Bridgeman Images
MEV5047640: Da Vinci's knots, Italian school, (15th-16th century) / Bridgeman Images
MEV5047636: Da Vinci's knots, Italian school, (15th-16th century) / Bridgeman Images
MEV5047639: Da Vinci's knots, Italian school, (15th-16th century) / Bridgeman Images
DNA3796664: Marina de Liso as Partenope and Maria Ercolano as Arsaces (photo) / Bridgeman Images
LLM5228208: Croquis de Leonard de Vinci (engraving), French School, (19th century) / Bridgeman Images
LLM5228213: Croquis de Leonard de Vinci (engraving), French School, (19th century) / Bridgeman Images
CH494361: The Eucharist Vanquishes the Heathen Sacrifices, Brussels, second half of the 17th century (wool & silk), Rubens, Peter Paul (1577-1640) (after) / Bridgeman Images
DNA3796642: Marina de Liso as Partenope and Maria Ercolano as Arsaces (photo) / Bridgeman Images
LLM5228211: Croquis de Leonard de Vinci (engraving), French School, (19th century) / Bridgeman Images
DNA3796660: Marina de Liso as Partenope, Maria Ercolano as Arsaces and Stefa (photo) / Bridgeman Images
LLM1094621: Portrait of Jerome Savonarola (engraving), French School, (19th century) / Bridgeman Images
LLM3648309: Canada to the Rescue! or, Mother and Daughter (colour litho), Morgan, Matthew "Matt" Somerville (1839-90) / Bridgeman Images
ICA4865097: Illustration in Le Rire, 17/08/12 - The pseudo-imitation of a false imitation Mona Lisa - Art, Musee Expositions, Louvre - Mona Lisa (engraving), Metivet, Lucien (1863-1930) / Bridgeman Images
PHL434665: The Goddess Durga subduing the Buffalo Demon, Mahishasura (w/c on paper) / Bridgeman Images
XCC2971625: The Holy Trinity with Saint Michael Conquering the Dragon, 1666 (pen & ink, brush and wash, lead white and chalk on paper), Cortona, Pietro da (Berrettini) (1596-1669) / Bridgeman Images
EVB2937284: Cartoon of police guarding the Mona Lisa as the painting returns to France. More than two years after its theft by Vincenzo Peruggia, Leonardo painting was recovered and returned to the Louvre, in Paris. 1913 / Bridgeman Images
LLM3649846: James Hargreaves (b/w photo), English Photographer, (19th century) / Bridgeman Images
HLN430128: Madonna Irlanda or The Very First Real Irish Political Picture, 1977 (acrylic on canvas), Farrell, Micheal (1940-2000) / Bridgeman Images
CH1197623: Study of a Male Nude, seen from Behind, 1774 (red chalk), Suvee, Joseph Benoit (1743-1807) / Bridgeman Images
XRA2678510: Vega Vinci / Bridgeman Images
EVB2227988: Jackie Kennedy Onassis / Bridgeman Images
OLA5359981: Simona Vinci (photo) / Bridgeman Images
GRZ4962351: 25/03/2009 - THE WRITER SIMONA VINCI / Bridgeman Images
GNG7057382: Louvre museum, Paris, France. Leonardo da Vinci's workshop, credited to Francesco Melzi, Saint John the Baptist, oil on panel transferred to canvas, c. 1510-1520. / Bridgeman Images