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4652 Search Results for 15 century architecture

Old Fairlight Church, near Hastings (engraving)
Old Fairlight Church, near Hastings (engraving)

LIP1594260: Old Fairlight Church, near Hastings (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1594260

Old Fairlight Church, near Hastings (engraving)

English School, (19th century)

New Townhall and Markets, Rugby (engraving)
New Townhall and Markets, Rugby (engraving)

LIP1609015: New Townhall and Markets, Rugby (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1609015

New Townhall and Markets, Rugby (engraving)

English School, (19th century)

Morocco, View of Tetuan (engraving)
Morocco, View of Tetuan (engraving)

LIP1101274: Morocco, View of Tetuan (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1101274

Morocco, View of Tetuan (engraving)

English School, (19th century)

The Parade at Hong-Kong (engraving)
The Parade at Hong-Kong (engraving)

LIP1609023: The Parade at Hong-Kong (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1609023

The Parade at Hong-Kong (engraving)

English School, (19th century)

Sundials of the Cathedral of Strasbourg
Sundials of the Cathedral of Strasbourg

SBE5944177: Sundials of the Cathedral of Strasbourg / Bridgeman Images

ID: SBE5944177

Sundials of the Cathedral of Strasbourg

The Stablemen's Institute at Newmarket (litho)
The Stablemen's Institute at Newmarket (litho)

LIP1062733: The Stablemen's Institute at Newmarket (litho), English School, (19th century) / Bridgeman Images

ID: LIP1062733

The Stablemen's Institute at Newmarket (litho)

English School, (19th century)

The Carlton Hotel (litho)
The Carlton Hotel (litho)

LIP1042829: The Carlton Hotel (litho), English School, (19th century) / Bridgeman Images

ID: LIP1042829

The Carlton Hotel (litho)

English School, (19th century)

Design for a Missionary Chapel (engraving)
Design for a Missionary Chapel (engraving)

LLM2814080: Design for a Missionary Chapel (engraving), English School, (19th century) / Bridgeman Images

ID: LLM2814080

Design for a Missionary Chapel (engraving)

English School, (19th century)

Tabernacles in Franconian Churches (engraving)
Tabernacles in Franconian Churches (engraving)

LLM2812276: Tabernacles in Franconian Churches (engraving), English School, (19th century) / Bridgeman Images

ID: LLM2812276

Tabernacles in Franconian Churches (engraving)

English School, (19th century)

The Canal du Midi has Saint Cyrq Lapopie, Lot, Midi-Pyrenees region, (Midi Pyrenees), France. Hollow towpath in the cliff. Photograph 2004. At 60 years old, under Louis XIV, engineer Pierre Paul Riquet embarks on an extraordinary adventure, connecting the Garonne to the Mediterranean with the technical and topographical means of the 18th century. The Midi Canal will take 15 years of work to dig and feed a 240 km long artificial stream.
The Canal du Midi has Saint Cyrq Lapopie, Lot, Midi-Pyrenees region, (Midi Pyrenees), France. Hollow towpath in the cliff. Photograph 2004. At 60 years old, under Louis XIV, engineer Pierre Paul Riquet embarks on an extraordinary adventure, connecting the Garonne to the Mediterranean with the technical and topographical means of the 18th century. The Midi Canal will take 15 years of work to dig and feed a 240 km long artificial stream.

ITR4755149: The Canal du Midi has Saint Cyrq Lapopie, Lot, Midi-Pyrenees region, (Midi Pyrenees), France. Hollow towpath in the cliff. Photograph 2004. At 60 years old, under Louis XIV, engineer Pierre Paul Riquet embarks on an extraordinary adventure, connecting the Garonne to the Mediterranean with the technical and topographical means of the 18th century. The Midi Canal will take 15 years of work to dig and feed a 240 km long artificial stream. / Bridgeman Images

ID: ITR4755149

The Canal du Midi has Saint Cyrq Lapopie, Lot, Midi-Pyrenees region, (Midi Pyrenees), France. Hollow towpath in the cliff. Photograph 2004. At 60 years old, under Louis XIV, engineer Pierre Paul Riquet embarks on an extraordinary adventure, connecting the Garonne to the Mediterranean with the technical and topographical means of the 18th century. The Midi Canal will take 15 years of work to dig and feed a 240 km long artificial stream.

The Canal du Midi has Saint Cyrq Lapopie, Lot, Midi-Pyrenees region, (Midi Pyrenees), France. Hollow towpath in the cliff. Photograph 2004. At 60 years old, under Louis XIV, engineer Pierre Paul Riquet embarks on an extraordinary adventure, connecting the Garonne to the Mediterranean with the technical and topographical means of the 18th century. The South Canal will take 15 years of work to dig and feed a 240 km long artificial watercourse.
The Canal du Midi has Saint Cyrq Lapopie, Lot, Midi-Pyrenees region, (Midi Pyrenees), France. Hollow towpath in the cliff. Photograph 2004. At 60 years old, under Louis XIV, engineer Pierre Paul Riquet embarks on an extraordinary adventure, connecting the Garonne to the Mediterranean with the technical and topographical means of the 18th century. The South Canal will take 15 years of work to dig and feed a 240 km long artificial watercourse.

ITR4755185: The Canal du Midi has Saint Cyrq Lapopie, Lot, Midi-Pyrenees region, (Midi Pyrenees), France. Hollow towpath in the cliff. Photograph 2004. At 60 years old, under Louis XIV, engineer Pierre Paul Riquet embarks on an extraordinary adventure, connecting the Garonne to the Mediterranean with the technical and topographical means of the 18th century. The South Canal will take 15 years of work to dig and feed a 240 km long artificial watercourse. / Bridgeman Images

ID: ITR4755185

The Canal du Midi has Saint Cyrq Lapopie, Lot, Midi-Pyrenees region, (Midi Pyrenees), France. Hollow towpath in the cliff. Photograph 2004. At 60 years old, under Louis XIV, engineer Pierre Paul Riquet embarks on an extraordinary adventure, connecting the Garonne to the Mediterranean with the technical and topographical means of the 18th century. The South Canal will take 15 years of work to dig and feed a 240 km long artificial watercourse.

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

TEC4661252: Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998., Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952) / Bridgeman Images

ID: TEC4661252

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

The Crypt of Gisors Hall, cleared (engraving)
The Crypt of Gisors Hall, cleared (engraving)

LIP1607461: The Crypt of Gisors Hall, cleared (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1607461

The Crypt of Gisors Hall, cleared (engraving)

English School, (19th century)

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

TEC4661232: Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998., Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952) / Bridgeman Images

ID: TEC4661232

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

TEC4661233: Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998., Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952) / Bridgeman Images

ID: TEC4661233

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

The New Savoy Theatre, Front towards the Thames Embankment (engraving)
The New Savoy Theatre, Front towards the Thames Embankment (engraving)

LIP1590696: The New Savoy Theatre, Front towards the Thames Embankment (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1590696

The New Savoy Theatre, Front towards the Thames Embankment (engraving)

English School, (19th century)

Sketches of the Louvre (engraving)
Sketches of the Louvre (engraving)

LIP1609280: Sketches of the Louvre (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1609280

Sketches of the Louvre (engraving)

English School, (19th century)

Dome of Bethlem Hospital (engraving)
Dome of Bethlem Hospital (engraving)

LIP1095353: Dome of Bethlem Hospital (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1095353

Dome of Bethlem Hospital (engraving)

English School, (19th century)

The Lighthouse of Hango-Udd, on the Southernmost Point of Finland (engraving)
The Lighthouse of Hango-Udd, on the Southernmost Point of Finland (engraving)

LIP1618925: The Lighthouse of Hango-Udd, on the Southernmost Point of Finland (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1618925

The Lighthouse of Hango-Udd, on the Southernmost Point of Finland (engraving)

English School, (19th century)

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

TEC4661258: Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929)., Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952) / Bridgeman Images

ID: TEC4661258

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

Lyon's Inn, London (engraving)
Lyon's Inn, London (engraving)

LLJ607506: Lyon's Inn, London (engraving), English School, (19th century) / Bridgeman Images

ID: LLJ607506

Lyon's Inn, London (engraving)

English School, (19th century)

The War in the East, Stolatz, in the Herzegovina (engraving)
The War in the East, Stolatz, in the Herzegovina (engraving)

LIP1602388: The War in the East, Stolatz, in the Herzegovina (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1602388

The War in the East, Stolatz, in the Herzegovina (engraving)

English School, (19th century)

Barracks at Knightsbridge (engraving)
Barracks at Knightsbridge (engraving)

LIP1614007: Barracks at Knightsbridge (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1614007

Barracks at Knightsbridge (engraving)

English School, (19th century)

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

TEC4661279: Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929)., Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952) / Bridgeman Images

ID: TEC4661279

Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).

Velde, Henry van de (1863-1957), Perret, Auguste (1874-1954) & Perret, Gustave (1876-1952)

Carrickkildavnet Castle, Achill Island Co Mayo, Ireland (photo)
Carrickkildavnet Castle, Achill Island Co Mayo, Ireland (photo)

DPS3503923: Carrickkildavnet Castle, Achill Island Co Mayo, Ireland (photo) / Bridgeman Images

ID: DPS3503923

Carrickkildavnet Castle, Achill Island Co Mayo, Ireland (photo)

The Great Conservatory in the Gardens of the Horticultural Society, at Chiswick (engraving)
The Great Conservatory in the Gardens of the Horticultural Society, at Chiswick (engraving)

LIP1612215: The Great Conservatory in the Gardens of the Horticultural Society, at Chiswick (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1612215

The Great Conservatory in the Gardens of the Horticultural Society, at Chiswick (engraving)

English School, (19th century)

Tree of Life' Stained glass behind the Altar in the Chapel of the Rosary, Vence, 1948-51 (stained glass)
Tree of Life' Stained glass behind the Altar in the Chapel of the Rosary, Vence, 1948-51 (stained glass)

BAL309541: Tree of Life' Stained glass behind the Altar in the Chapel of the Rosary, Vence, 1948-51 (stained glass), Matisse, Henri (1869-1954) / Bridgeman Images

ID: BAL309541

Tree of Life' Stained glass behind the Altar in the Chapel of the Rosary, Vence, 1948-51 (stained glass)

Matisse, Henri (1869-1954)

Hugh Casson
Hugh Casson

LEL3874566: Hugh Casson, Lewis, Laurie / Bridgeman Images

ID: LEL3874566

Hugh Casson

Lewis, Laurie

The New Parish Church at Crathie (b/w photo)
The New Parish Church at Crathie (b/w photo)

LIP1628239: The New Parish Church at Crathie (b/w photo), English Photographer, (19th century) / Bridgeman Images

ID: LIP1628239

The New Parish Church at Crathie (b/w photo)

English Photographer, (19th century)

Surviving sunstone at the reconstructed Mormon Temple at Nauvoo, Illinois. It depicts sun face emerging between clouds beneath a pair of hand-held trumpets. They are believed to be inspired by Paul's writing in 1 Corinthians 15:40-42 which likened the glory of the heavenly kingdoms to that of the sun, the moon and the stars. The stone was carved in the 1840s
Surviving sunstone at the reconstructed Mormon Temple at Nauvoo, Illinois. It depicts sun face emerging between clouds beneath a pair of hand-held trumpets. They are believed to be inspired by Paul's writing in 1 Corinthians 15:40-42 which likened the glory of the heavenly kingdoms to that of the sun, the moon and the stars. The stone was carved in the 1840s

EVB2924069: Surviving sunstone at the reconstructed Mormon Temple at Nauvoo, Illinois. It depicts sun face emerging between clouds beneath a pair of hand-held trumpets. They are believed to be inspired by Paul's writing in 1 Corinthians 15:40-42 which likened the glory of the heavenly kingdoms to that of the sun, the moon and the stars. The stone was carved in the 1840s / Bridgeman Images

ID: EVB2924069

Surviving sunstone at the reconstructed Mormon Temple at Nauvoo, Illinois. It depicts sun face emerging between clouds beneath a pair of hand-held trumpets. They are believed to be inspired by Paul's writing in 1 Corinthians 15:40-42 which likened the glory of the heavenly kingdoms to that of the sun, the moon and the stars. The stone was carved in the 1840s

The Museum of Ceramic Art (engraving)
The Museum of Ceramic Art (engraving)

LIP1613294: The Museum of Ceramic Art (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1613294

The Museum of Ceramic Art (engraving)

English School, (19th century)

Progress of the International Exhibition Building, Finial of the Eastern Dome (engraving)
Progress of the International Exhibition Building, Finial of the Eastern Dome (engraving)

LIP1620143: Progress of the International Exhibition Building, Finial of the Eastern Dome (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1620143

Progress of the International Exhibition Building, Finial of the Eastern Dome (engraving)

English School, (19th century)

New Offices of the Metropolitan Board of Works in Spring-Gardens (engraving)
New Offices of the Metropolitan Board of Works in Spring-Gardens (engraving)

LIP1612581: New Offices of the Metropolitan Board of Works in Spring-Gardens (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1612581

New Offices of the Metropolitan Board of Works in Spring-Gardens (engraving)

English School, (19th century)

The Bank of England in a State of Defence (engraving)
The Bank of England in a State of Defence (engraving)

LIP1607114: The Bank of England in a State of Defence (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1607114

The Bank of England in a State of Defence (engraving)

English School, (19th century)

Paris Metro - construction of underground
Paris Metro - construction of underground

XLF3785013: Paris Metro - construction of underground / Bridgeman Images

ID: XLF3785013

Paris Metro - construction of underground

The Royal Agricultural College, Cirencester, South Front (engraving)
The Royal Agricultural College, Cirencester, South Front (engraving)

LIP1037583: The Royal Agricultural College, Cirencester, South Front (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1037583

The Royal Agricultural College, Cirencester, South Front (engraving)

English School, (19th century)


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