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Dante and Virgil meet the Harpies near the tree where they have made their nest. Sculpture by Mastroianni depicting an episode from Canto XIII in the Inferno of The Divine Comedy.
Dante and Virgil meet the Harpies near the tree where they have made their nest. Sculpture by Mastroianni depicting an episode from Canto XIII in the Inferno of The Divine Comedy.

FAF3561205: Dante and Virgil meet the Harpies near the tree where they have made their nest. Sculpture by Mastroianni depicting an episode from Canto XIII in the Inferno of The Divine Comedy., Mastroianni, Domenico (1876-1962) / Bridgeman Images

ID: FAF3561205

Dante and Virgil meet the Harpies near the tree where they have made their nest. Sculpture by Mastroianni depicting an episode from Canto XIII in the Inferno of The Divine Comedy.

Mastroianni, Domenico (1876-1962)

Dante and Virgil see a boat guided by an angel accompanied by the souls that have arrived in Purgatory from Hell. Sculpture by Mastroianni depicting an episode from Canto II in the Purgatorio of The Divine Comedy.
Dante and Virgil see a boat guided by an angel accompanied by the souls that have arrived in Purgatory from Hell. Sculpture by Mastroianni depicting an episode from Canto II in the Purgatorio of The Divine Comedy.

FAF3561209: Dante and Virgil see a boat guided by an angel accompanied by the souls that have arrived in Purgatory from Hell. Sculpture by Mastroianni depicting an episode from Canto II in the Purgatorio of The Divine Comedy., Mastroianni, Domenico (1876-1962) / Bridgeman Images

ID: FAF3561209

Dante and Virgil see a boat guided by an angel accompanied by the souls that have arrived in Purgatory from Hell. Sculpture by Mastroianni depicting an episode from Canto II in the Purgatorio of The Divine Comedy.

Mastroianni, Domenico (1876-1962)

Marco Polo on the long road to China, 1964 (gouache on paper)
Marco Polo on the long road to China, 1964 (gouache on paper)

LAL298245: Marco Polo on the long road to China, 1964 (gouache on paper), Embleton, Ron (1930-88) / Bridgeman Images

ID: LAL298245

Marco Polo on the long road to China, 1964 (gouache on paper)

Embleton, Ron (1930-88)

Beatrice, pointing upward with her forefinger, leads Dante through the firmament of Paradiso. Their bodies are illuminated by a ray of light. Illustration of the Canto I of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.
Beatrice, pointing upward with her forefinger, leads Dante through the firmament of Paradiso. Their bodies are illuminated by a ray of light. Illustration of the Canto I of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.

FAF3561234: Beatrice, pointing upward with her forefinger, leads Dante through the firmament of Paradiso. Their bodies are illuminated by a ray of light. Illustration of the Canto I of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence. / Bridgeman Images

ID: FAF3561234

Beatrice, pointing upward with her forefinger, leads Dante through the firmament of Paradiso. Their bodies are illuminated by a ray of light. Illustration of the Canto I of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.

Vistiation, by Unknown Artist,12th Century, fresco
Vistiation, by Unknown Artist,12th Century, fresco

MEP943279: Vistiation, by Unknown Artist,12th Century, fresco, Unknown Artist, (12th century) / Bridgeman Images

ID: MEP943279

Vistiation, by Unknown Artist,12th Century, fresco

Unknown Artist, (12th century)

Presentation of Baby Jesus at the Temple, by Unknown Artist, 12th Century, ca. fresco
Presentation of Baby Jesus at the Temple, by Unknown Artist, 12th Century, ca. fresco

MEP943298: Presentation of Baby Jesus at the Temple, by Unknown Artist, 12th Century, ca. fresco / Bridgeman Images

ID: MEP943298

Presentation of Baby Jesus at the Temple, by Unknown Artist, 12th Century, ca. fresco

Dante and Virgil enter Hell and see these words inscribed above the gateway:
Dante and Virgil enter Hell and see these words inscribed above the gateway:

FAF3561190: Dante and Virgil enter Hell and see these words inscribed above the gateway: "ABANDON EVERY HOPE, WHO ENTER HERE." Sculpture by Mastroianni depicting an episode from Canto III in the Inferno of The Divine Comedy., Unknown photographer, (19th century) / Bridgeman Images

ID: FAF3561190

Dante and Virgil enter Hell and see these words inscribed above the gateway: "ABANDON EVERY HOPE, WHO ENTER HERE." Sculpture by Mastroianni depicting an episode from Canto III in the Inferno of The Divine Comedy.

Unknown photographer, (19th century)

Dante, struck by the story of Paolo and Francesca, falls to the ground as if dead. Sculpture by Mastroianni depicting an episode from Canto V in the Inferno of The Divine Comedy.
Dante, struck by the story of Paolo and Francesca, falls to the ground as if dead. Sculpture by Mastroianni depicting an episode from Canto V in the Inferno of The Divine Comedy.

FAF3561195: Dante, struck by the story of Paolo and Francesca, falls to the ground as if dead. Sculpture by Mastroianni depicting an episode from Canto V in the Inferno of The Divine Comedy., Mastroianni, Domenico (1876-1962) / Bridgeman Images

ID: FAF3561195

Dante, struck by the story of Paolo and Francesca, falls to the ground as if dead. Sculpture by Mastroianni depicting an episode from Canto V in the Inferno of The Divine Comedy.

Mastroianni, Domenico (1876-1962)

Woman and soldier (Donna e soldato), 5th Century, polychrome mosaic, 184 x 123 x 6 cm
Woman and soldier (Donna e soldato), 5th Century, polychrome mosaic, 184 x 123 x 6 cm

MEP851206: Woman and soldier (Donna e soldato), 5th Century, polychrome mosaic, 184 x 123 x 6 cm, Italian School, (5th century) / Bridgeman Images

ID: MEP851206

Woman and soldier (Donna e soldato), 5th Century, polychrome mosaic, 184 x 123 x 6 cm

Italian School, (5th century)

The Coronation of the Virgin, first half XIV century (detached fresco)
The Coronation of the Virgin, first half XIV century (detached fresco)

GRL6365895: The Coronation of the Virgin, first half XIV century (detached fresco), Maso di Banco (fl.1336-46) / Bridgeman Images

ID: GRL6365895

The Coronation of the Virgin, first half XIV century (detached fresco)

Maso di Banco (fl.1336-46)

Madonna and Child with St. John the Baptist and St. Francis, 1310 (fresco)
Madonna and Child with St. John the Baptist and St. Francis, 1310 (fresco)

MEP2646621: Madonna and Child with St. John the Baptist and St. Francis, 1310 (fresco), Lorenzetti, Pietro (c.1284-after 1345) / Bridgeman Images

ID: MEP2646621

Madonna and Child with St. John the Baptist and St. Francis, 1310 (fresco)

Lorenzetti, Pietro (c.1284-after 1345)

Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, upper order:
Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, upper order:

GRL6372193: Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, upper order: "King Janus", (1307) by Campionese sculptor known as Master of Janus, Italian School, (14th century) / Bridgeman Images

ID: GRL6372193

Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, upper order: "King Janus", (1307) by Campionese sculptor known as Master of Janus

Italian School, (14th century)

Genoa, Duomo (St Lawrence Cathedral), inside, the nave, right matroneum, upper order:
Genoa, Duomo (St Lawrence Cathedral), inside, the nave, right matroneum, upper order:

GRL6372190: Genoa, Duomo (St Lawrence Cathedral), inside, the nave, right matroneum, upper order: "Capital with Dragons with entwined tails", (1312) by Campionese sculptor belonging to the workshop of the Master of Janus / Bridgeman Images

ID: GRL6372190

Genoa, Duomo (St Lawrence Cathedral), inside, the nave, right matroneum, upper order: "Capital with Dragons with entwined tails", (1312) by Campionese sculptor belonging to the workshop of the Master of Janus

Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with
Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with

GRL6372534: Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with "Christ in Judgement between the symbols of the Evangelists", by Master of lunette of the Genoa Cathedral, 1225 / Bridgeman Images

ID: GRL6372534

Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with "Christ in Judgement between the symbols of the Evangelists", by Master of lunette of the Genoa Cathedral, 1225

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), Prothyrum, right capital, dosseret: “David” (?) and “King David playing the Harp”, by Pisan - Lucchese workshop, “first master” and “first helper” of the doorway of St Gotthard
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), Prothyrum, right capital, dosseret: “David” (?) and “King David playing the Harp”, by Pisan - Lucchese workshop, “first master” and “first helper” of the doorway of St Gotthard

GRL6372611: Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), Prothyrum, right capital, dosseret: “David” (?) and “King David playing the Harp”, by Pisan - Lucchese workshop, “first master” and “first helper” of the doorway of St Gotthard / Bridgeman Images

ID: GRL6372611

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), Prothyrum, right capital, dosseret: “David” (?) and “King David playing the Harp”, by Pisan - Lucchese workshop, “first master” and “first helper” of the doorway of St Gotthard

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), left jamb, corbel: “Eagle, symbol of St John the Evangelist”, by “first master” of the doorway of St Gotthard
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), left jamb, corbel: “Eagle, symbol of St John the Evangelist”, by “first master” of the doorway of St Gotthard

GRL6372615: Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), left jamb, corbel: “Eagle, symbol of St John the Evangelist”, by “first master” of the doorway of St Gotthard / Bridgeman Images

ID: GRL6372615

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), left jamb, corbel: “Eagle, symbol of St John the Evangelist”, by “first master” of the doorway of St Gotthard

View of the nave. The walls are decorated by byzantine mosaics (photo)
View of the nave. The walls are decorated by byzantine mosaics (photo)

GRL6166411: View of the nave. The walls are decorated by byzantine mosaics (photo) / Bridgeman Images

ID: GRL6166411

View of the nave. The walls are decorated by byzantine mosaics (photo)

Allegory of Chastity, the Bardi Chapel, vault, 1320-25
Allegory of Chastity, the Bardi Chapel, vault, 1320-25

GRL6365911: Allegory of Chastity, the Bardi Chapel, vault, 1320-25, Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images

ID: GRL6365911

Allegory of Chastity, the Bardi Chapel, vault, 1320-25

Giotto (Giotto di Bondone) (c.1266-1337)

Bardi St. Francis altarpiece and twenty stories of his life, The Bardi Chapel, detail of the Saint saving a boat which had left Ancona, 1245-50
Bardi St. Francis altarpiece and twenty stories of his life, The Bardi Chapel, detail of the Saint saving a boat which had left Ancona, 1245-50

GRL6365921: Bardi St. Francis altarpiece and twenty stories of his life, The Bardi Chapel, detail of the Saint saving a boat which had left Ancona, 1245-50, Coppo di Marcovaldo (fl.1225/30-after 1274) / Bridgeman Images

ID: GRL6365921

Bardi St. Francis altarpiece and twenty stories of his life, The Bardi Chapel, detail of the Saint saving a boat which had left Ancona, 1245-50

Coppo di Marcovaldo (fl.1225/30-after 1274)

Enthroned Madonna and Infant Jesus, 1343-68 (tempera painting on panel)
Enthroned Madonna and Infant Jesus, 1343-68 (tempera painting on panel)

GRL6255428: Enthroned Madonna and Infant Jesus, 1343-68 (tempera painting on panel), Orcagna, Andrea di Cione (c.1308-68) (attr.to) / Bridgeman Images

ID: GRL6255428

Enthroned Madonna and Infant Jesus, 1343-68 (tempera painting on panel)

Orcagna, Andrea di Cione (c.1308-68) (attr.to)

The interior, apse area: the window made by Giovanni di Bonino in 1328-1334.
The interior, apse area: the window made by Giovanni di Bonino in 1328-1334.

GRL6263060: The interior, apse area: the window made by Giovanni di Bonino in 1328-1334., Bonino, Giovanni di (14th century) / Bridgeman Images

ID: GRL6263060

The interior, apse area: the window made by Giovanni di Bonino in 1328-1334.

Bonino, Giovanni di (14th century)

Eucharistic Christ and two angels, from the Duomo, 1347-48 (marble)
Eucharistic Christ and two angels, from the Duomo, 1347-48 (marble)

GRL6262908: Eucharistic Christ and two angels, from the Duomo, 1347-48 (marble), Pisano, Nino & Tommaso (14th century) / Bridgeman Images

ID: GRL6262908

Eucharistic Christ and two angels, from the Duomo, 1347-48 (marble)

Pisano, Nino & Tommaso (14th century)

Genoa, Duomo (St Lawrence Cathedral), the façade, West side, North - West corner: base of column with
Genoa, Duomo (St Lawrence Cathedral), the façade, West side, North - West corner: base of column with

GRL6372523: Genoa, Duomo (St Lawrence Cathedral), the façade, West side, North - West corner: base of column with "lions and lionesses, column bearing lion", corbel with the "Eagle of St John the Evangelist", by workshop of Benedetto Antelami, about 1200 / Bridgeman Images

ID: GRL6372523

Genoa, Duomo (St Lawrence Cathedral), the façade, West side, North - West corner: base of column with "lions and lionesses, column bearing lion", corbel with the "Eagle of St John the Evangelist", by workshop of Benedetto Antelami, about 1200

Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with
Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with

GRL6372537: Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with "The Martyrdom of St Lawrence", by Master of lunette of the Genoa Cathedral, 1225 / Bridgeman Images

ID: GRL6372537

Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with "The Martyrdom of St Lawrence", by Master of lunette of the Genoa Cathedral, 1225

Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with
Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with

GRL6372544: Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with "The Martyrdom of St Lawrence", by Master of lunette of the Genoa Cathedral, 1225 / Bridgeman Images

ID: GRL6372544

Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with "The Martyrdom of St Lawrence", by Master of lunette of the Genoa Cathedral, 1225

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), left jamb, corbel: “Jacob blessed by the angel or The Annunciation to the shepherds”, by “first master” and “second master” of the doorway of St Gotthard
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), left jamb, corbel: “Jacob blessed by the angel or The Annunciation to the shepherds”, by “first master” and “second master” of the doorway of St Gotthard

GRL6372614: Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), left jamb, corbel: “Jacob blessed by the angel or The Annunciation to the shepherds”, by “first master” and “second master” of the doorway of St Gotthard / Bridgeman Images

ID: GRL6372614

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), left jamb, corbel: “Jacob blessed by the angel or The Annunciation to the shepherds”, by “first master” and “second master” of the doorway of St Gotthard

Figure of a Saint, by Unknown Artist, 10th - 11th Century, fresco
Figure of a Saint, by Unknown Artist, 10th - 11th Century, fresco

ELC943553: Figure of a Saint, by Unknown Artist, 10th - 11th Century, fresco, Unknown artist, (10th-11th century) / Bridgeman Images

ID: ELC943553

Figure of a Saint, by Unknown Artist, 10th - 11th Century, fresco

Unknown artist, (10th-11th century)

Mayor of Genoa Drudus Marcellinus with consuls and councilors, from Annales Ianuenses, ms.lat. 10136, f.114 v., by Unknown Artist, 12th Century, miniature
Mayor of Genoa Drudus Marcellinus with consuls and councilors, from Annales Ianuenses, ms.lat. 10136, f.114 v., by Unknown Artist, 12th Century, miniature

MEP943415: Mayor of Genoa Drudus Marcellinus with consuls and councilors, from Annales Ianuenses, ms.lat. 10136, f.114 v., by Unknown Artist, 12th Century, miniature / Bridgeman Images

ID: MEP943415

Mayor of Genoa Drudus Marcellinus with consuls and councilors, from Annales Ianuenses, ms.lat. 10136, f.114 v., by Unknown Artist, 12th Century, miniature

Milan Cathedral, 1991 (b/w photo)
Milan Cathedral, 1991 (b/w photo)

FAF3572224: Milan Cathedral, 1991 (b/w photo), Maria Orioli (fl.1960 - 2004) / Bridgeman Images

ID: FAF3572224

Milan Cathedral, 1991 (b/w photo)

Maria Orioli (fl.1960 - 2004)

Dante, with open arms, led in flight by Beatrice through the firmament of Paradise. Illustration of the Canto I of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.
Dante, with open arms, led in flight by Beatrice through the firmament of Paradise. Illustration of the Canto I of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.

FAF3561235: Dante, with open arms, led in flight by Beatrice through the firmament of Paradise. Illustration of the Canto I of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence. / Bridgeman Images

ID: FAF3561235

Dante, with open arms, led in flight by Beatrice through the firmament of Paradise. Illustration of the Canto I of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.

Dante covers his ears with his hands, overcome by the cries of wrath launched by the spirits arranged along the ladder. Illustration of Canto XVI in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.
Dante covers his ears with his hands, overcome by the cries of wrath launched by the spirits arranged along the ladder. Illustration of Canto XVI in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.

FAF3561250: Dante covers his ears with his hands, overcome by the cries of wrath launched by the spirits arranged along the ladder. Illustration of Canto XVI in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence. / Bridgeman Images

ID: FAF3561250

Dante covers his ears with his hands, overcome by the cries of wrath launched by the spirits arranged along the ladder. Illustration of Canto XVI in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.

The Hermits, from the right side of the Ghent Altarpiece, 1432 (oil on panel)
The Hermits, from the right side of the Ghent Altarpiece, 1432 (oil on panel)

LAF472372: The Hermits, from the right side of the Ghent Altarpiece, 1432 (oil on panel), Eyck, Hubert (c.1370-1426) & Jan van (1390-1441) / Bridgeman Images

ID: LAF472372

The Hermits, from the right side of the Ghent Altarpiece, 1432 (oil on panel)

Eyck, Hubert (c.1370-1426) & Jan van (1390-1441)

The Wars of the Roses (gouache on paper)
The Wars of the Roses (gouache on paper)

LAL3640836: The Wars of the Roses (gouache on paper), Escott, Dan (1928-87) / Bridgeman Images

ID: LAL3640836

The Wars of the Roses (gouache on paper)

Escott, Dan (1928-87)

Apostoles, by Unknown Artist, 5th - 11th Century, fresco
Apostoles, by Unknown Artist, 5th - 11th Century, fresco

ELC943274: Apostoles, by Unknown Artist, 5th - 11th Century, fresco, Unknown artist, (5th-11th century) / Bridgeman Images

ID: ELC943274

Apostoles, by Unknown Artist, 5th - 11th Century, fresco

Unknown artist, (5th-11th century)

The Poor calling Death, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350
The Poor calling Death, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350

GRL6365887: The Poor calling Death, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350, Orcagna, Andrea di Cione (c.1308-68) / Bridgeman Images

ID: GRL6365887

The Poor calling Death, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350

Orcagna, Andrea di Cione (c.1308-68)

The Coronation of the Virgin, first half XIV century (detached fresco)
The Coronation of the Virgin, first half XIV century (detached fresco)

GRL6365896: The Coronation of the Virgin, first half XIV century (detached fresco), Maso di Banco (fl.1336-46) / Bridgeman Images

ID: GRL6365896

The Coronation of the Virgin, first half XIV century (detached fresco)

Maso di Banco (fl.1336-46)


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