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Dante and Virgil find themselves among the spirits of the Envious. Seated around the slope of the mountain, the Envious have their eyelids sewn up with iron wires. Sculpture by Mastroianni depicting an episode from Canto XIII in the Purgatorio of The Divine Comedy.
Dante and Virgil find themselves among the spirits of the Envious. Seated around the slope of the mountain, the Envious have their eyelids sewn up with iron wires. Sculpture by Mastroianni depicting an episode from Canto XIII in the Purgatorio of The Divine Comedy.

FAF3561215: Dante and Virgil find themselves among the spirits of the Envious. Seated around the slope of the mountain, the Envious have their eyelids sewn up with iron wires. Sculpture by Mastroianni depicting an episode from Canto XIII in the Purgatorio of The Divine Comedy., Mastroianni, Domenico (1876-1962) / Bridgeman Images

ID: FAF3561215

Dante and Virgil find themselves among the spirits of the Envious. Seated around the slope of the mountain, the Envious have their eyelids sewn up with iron wires. Sculpture by Mastroianni depicting an episode from Canto XIII in the Purgatorio of The Divine Comedy.

Mastroianni, Domenico (1876-1962)

Prisoners could expect no mercy from the dreaded Court of Star Chamber
Prisoners could expect no mercy from the dreaded Court of Star Chamber

LAL304091: Prisoners could expect no mercy from the dreaded Court of Star Chamber, McBride, Angus (1931-2007) / Bridgeman Images

ID: LAL304091

Prisoners could expect no mercy from the dreaded Court of Star Chamber

McBride, Angus (1931-2007)

Vault with the circular image of Florence as the new Celestial Jerusalem (fresco)
Vault with the circular image of Florence as the new Celestial Jerusalem (fresco)

GRL6336441: Vault with the circular image of Florence as the new Celestial Jerusalem (fresco), Jacopo di Cione, (fl.1368-94) / Bridgeman Images

ID: GRL6336441

Vault with the circular image of Florence as the new Celestial Jerusalem (fresco)

Jacopo di Cione, (fl.1368-94)

Allegory of the Fortress, Detail of the vault (fresco)
Allegory of the Fortress, Detail of the vault (fresco)

GRL6336444: Allegory of the Fortress, Detail of the vault (fresco), Jacopo di Cione, (fl.1368-94) / Bridgeman Images

ID: GRL6336444

Allegory of the Fortress, Detail of the vault (fresco)

Jacopo di Cione, (fl.1368-94)

Portrait of Giovanni Boccaccio (fresco)
Portrait of Giovanni Boccaccio (fresco)

GRL6336448: Portrait of Giovanni Boccaccio (fresco), Jacopo di Cione, (fl.1368-94) / Bridgeman Images

ID: GRL6336448

Portrait of Giovanni Boccaccio (fresco)

Jacopo di Cione, (fl.1368-94)

The bull, symbol of St Luke, 1329-30 (bronze)
The bull, symbol of St Luke, 1329-30 (bronze)

GRL6263004: The bull, symbol of St Luke, 1329-30 (bronze), Maitani, Lorenzo (c.1255-1330) / Bridgeman Images

ID: GRL6263004

The bull, symbol of St Luke, 1329-30 (bronze)

Maitani, Lorenzo (c.1255-1330)

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard

GRL6372618: Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard / Bridgeman Images

ID: GRL6372618

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard

GRL6372622: Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard / Bridgeman Images

ID: GRL6372622

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard

Genoa, Duomo (St Lawrence Cathedral), the north side, portal of St John the Baptist (first half XII century): the right portal jamb
Genoa, Duomo (St Lawrence Cathedral), the north side, portal of St John the Baptist (first half XII century): the right portal jamb

GRL6372650: Genoa, Duomo (St Lawrence Cathedral), the north side, portal of St John the Baptist (first half XII century): the right portal jamb / Bridgeman Images

ID: GRL6372650

Genoa, Duomo (St Lawrence Cathedral), the north side, portal of St John the Baptist (first half XII century): the right portal jamb

King Henry V’s triumphal return to London after his victory at Agincourt (gouache on paper)
King Henry V’s triumphal return to London after his victory at Agincourt (gouache on paper)

LAL3091329: King Henry V’s triumphal return to London after his victory at Agincourt (gouache on paper), Doughty, C.L. (1913-85) / Bridgeman Images

ID: LAL3091329

King Henry V’s triumphal return to London after his victory at Agincourt (gouache on paper)

Doughty, C.L. (1913-85)

Painted Grave, by Unknown Artist, 9th - 10th Century, torn fresco
Painted Grave, by Unknown Artist, 9th - 10th Century, torn fresco

MEP943435: Painted Grave, by Unknown Artist, 9th - 10th Century, torn fresco / Bridgeman Images

ID: MEP943435

Painted Grave, by Unknown Artist, 9th - 10th Century, torn fresco

The Falcon of the Plantagenets (coat of arms) (gouache on paper)
The Falcon of the Plantagenets (coat of arms) (gouache on paper)

LAL299783: The Falcon of the Plantagenets (coat of arms) (gouache on paper), Escott, Dan (1928-87) / Bridgeman Images

ID: LAL299783

The Falcon of the Plantagenets (coat of arms) (gouache on paper)

Escott, Dan (1928-87)

Dante and Virgil meet the irascible, swimming in a tempestuous sea. Sculpture by Mastroianni depicting an episode from Canto VII in the Inferno of The Divine Comedy.
Dante and Virgil meet the irascible, swimming in a tempestuous sea. Sculpture by Mastroianni depicting an episode from Canto VII in the Inferno of The Divine Comedy.

FAF3561199: Dante and Virgil meet the irascible, swimming in a tempestuous sea. Sculpture by Mastroianni depicting an episode from Canto VII in the Inferno of The Divine Comedy., Mastroianni, Domenico (1876-1962) / Bridgeman Images

ID: FAF3561199

Dante and Virgil meet the irascible, swimming in a tempestuous sea. Sculpture by Mastroianni depicting an episode from Canto VII in the Inferno of The Divine Comedy.

Mastroianni, Domenico (1876-1962)

Paolo and Francesco, grasping each other, speak with Dante and Virgil of their ill-fated love. Sculpture by Mastroianni depicting an episode from Canto V in the Inferno of The Divine Comedy.
Paolo and Francesco, grasping each other, speak with Dante and Virgil of their ill-fated love. Sculpture by Mastroianni depicting an episode from Canto V in the Inferno of The Divine Comedy.

FAF3561194: Paolo and Francesco, grasping each other, speak with Dante and Virgil of their ill-fated love. Sculpture by Mastroianni depicting an episode from Canto V in the Inferno of The Divine Comedy., Mastroianni, Domenico (1876-1962) / Bridgeman Images

ID: FAF3561194

Paolo and Francesco, grasping each other, speak with Dante and Virgil of their ill-fated love. Sculpture by Mastroianni depicting an episode from Canto V in the Inferno of The Divine Comedy.

Mastroianni, Domenico (1876-1962)

Annunciation to the Shepherds, by Unknown Artist, 9th Century, fresco
Annunciation to the Shepherds, by Unknown Artist, 9th Century, fresco

ELC943319: Annunciation to the Shepherds, by Unknown Artist, 9th Century, fresco, Unknown Artist, (9th century) / Bridgeman Images

ID: ELC943319

Annunciation to the Shepherds, by Unknown Artist, 9th Century, fresco

Unknown Artist, (9th century)

Marco Polo, huddled over a fire, 1964 (gouache on paper)
Marco Polo, huddled over a fire, 1964 (gouache on paper)

LAL298244: Marco Polo, huddled over a fire, 1964 (gouache on paper), Embleton, Ron (1930-88) / Bridgeman Images

ID: LAL298244

Marco Polo, huddled over a fire, 1964 (gouache on paper)

Embleton, Ron (1930-88)

Dante, suspended in the firmament of Paradiso with Beatrice, looks downward on the seven spheres traversed. Illustration of Canto XVII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.
Dante, suspended in the firmament of Paradiso with Beatrice, looks downward on the seven spheres traversed. Illustration of Canto XVII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.

FAF3561252: Dante, suspended in the firmament of Paradiso with Beatrice, looks downward on the seven spheres traversed. Illustration of Canto XVII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence. / Bridgeman Images

ID: FAF3561252

Dante, suspended in the firmament of Paradiso with Beatrice, looks downward on the seven spheres traversed. Illustration of Canto XVII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.

Polyptych with the Death of the Virgin, the Crucifixion and Saints, by Lorenzo Veneziano, 1356 - 1372, 14th Century, tempera on golden board
Polyptych with the Death of the Virgin, the Crucifixion and Saints, by Lorenzo Veneziano, 1356 - 1372, 14th Century, tempera on golden board

ELC848899: Polyptych with the Death of the Virgin, the Crucifixion and Saints, by Lorenzo Veneziano, 1356 - 1372, 14th Century, tempera on golden board, Veneziano, Lorenzo (fl.1356-72) / Bridgeman Images

ID: ELC848899

Polyptych with the Death of the Virgin, the Crucifixion and Saints, by Lorenzo Veneziano, 1356 - 1372, 14th Century, tempera on golden board

Veneziano, Lorenzo (fl.1356-72)

Vistiation, by Unknown Artist,12th Century, fresco
Vistiation, by Unknown Artist,12th Century, fresco

MEP943279: Vistiation, by Unknown Artist,12th Century, fresco, Unknown Artist, (12th century) / Bridgeman Images

ID: MEP943279

Vistiation, by Unknown Artist,12th Century, fresco

Unknown Artist, (12th century)

Icon of the Virgin Madre della Consolazione (egg tempera & gold leaf on panel)
Icon of the Virgin Madre della Consolazione (egg tempera & gold leaf on panel)

BNK258177: Icon of the Virgin Madre della Consolazione (egg tempera & gold leaf on panel), Cretan School (15th century) / Bridgeman Images

ID: BNK258177

Icon of the Virgin Madre della Consolazione (egg tempera & gold leaf on panel)

Cretan School (15th century)

Blessing Christ sitting on the throne,, c.1330 (pear wood and polychromy)
Blessing Christ sitting on the throne,, c.1330 (pear wood and polychromy)

GRL6262911: Blessing Christ sitting on the throne,, c.1330 (pear wood and polychromy), Italian School, (14th century) / Bridgeman Images

ID: GRL6262911

Blessing Christ sitting on the throne,, c.1330 (pear wood and polychromy)

Italian School, (14th century)

Genoa, Duomo (St Lawrence Cathedral), the façade, West side, corner between the west and south side: detail of the
Genoa, Duomo (St Lawrence Cathedral), the façade, West side, corner between the west and south side: detail of the

GRL6372529: Genoa, Duomo (St Lawrence Cathedral), the façade, West side, corner between the west and south side: detail of the "base of a column with dog attacking a deer", by workshop of Benedetto Antelami and Master of the Ark of the Baptist, about 1200 / Bridgeman Images

ID: GRL6372529

Genoa, Duomo (St Lawrence Cathedral), the façade, West side, corner between the west and south side: detail of the "base of a column with dog attacking a deer", by workshop of Benedetto Antelami and Master of the Ark of the Baptist, about 1200

Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with
Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with

GRL6372540: Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with "Christ in Judgement", by Master of lunette of the Genoa Cathedral, 1225 / Bridgeman Images

ID: GRL6372540

Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with "Christ in Judgement", by Master of lunette of the Genoa Cathedral, 1225

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard

GRL6372617: Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard / Bridgeman Images

ID: GRL6372617

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard

GRL6372620: Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard / Bridgeman Images

ID: GRL6372620

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard

GRL6372621: Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard / Bridgeman Images

ID: GRL6372621

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Prophet”, by “First Master” and “First Helper” of the doorway of St Gotthard

Genoa, Duomo (St. Lawrence Cathedral), West side, the façade, the left tower, the central order:
Genoa, Duomo (St. Lawrence Cathedral), West side, the façade, the left tower, the central order:

GRL6372516: Genoa, Duomo (St. Lawrence Cathedral), West side, the façade, the left tower, the central order: "Statue of Madonna with Infant Jesus", by Genoa sculptor (XII century) / Bridgeman Images

ID: GRL6372516

Genoa, Duomo (St. Lawrence Cathedral), West side, the façade, the left tower, the central order: "Statue of Madonna with Infant Jesus", by Genoa sculptor (XII century)

Genoa, Duomo (St Lawrence Cathedral), the façade, corner between the west and the south side:
Genoa, Duomo (St Lawrence Cathedral), the façade, corner between the west and the south side:

GRL6372526: Genoa, Duomo (St Lawrence Cathedral), the façade, corner between the west and the south side: "Saint with sundial known as the Knife Grinder (St John the Evangelist?), about 1225 / Bridgeman Images

ID: GRL6372526

Genoa, Duomo (St Lawrence Cathedral), the façade, corner between the west and the south side: "Saint with sundial known as the Knife Grinder (St John the Evangelist?), about 1225

Wild Wales
Wild Wales

LAL298064: Wild Wales, English School, (20th century) / Bridgeman Images

ID: LAL298064

Wild Wales

English School, (20th century)

Woman and soldier (Donna e soldato), 5th Century, polychrome mosaic, 184 x 123 x 6 cm
Woman and soldier (Donna e soldato), 5th Century, polychrome mosaic, 184 x 123 x 6 cm

MEP851206: Woman and soldier (Donna e soldato), 5th Century, polychrome mosaic, 184 x 123 x 6 cm, Italian School, (5th century) / Bridgeman Images

ID: MEP851206

Woman and soldier (Donna e soldato), 5th Century, polychrome mosaic, 184 x 123 x 6 cm

Italian School, (5th century)

Dante and Virgil meet the Erinyes, ferocious feminine figures with bat wings. Sculpture by Mastroianni depicting an episode from Canto IX in the Inferno of The Divine Comedy.
Dante and Virgil meet the Erinyes, ferocious feminine figures with bat wings. Sculpture by Mastroianni depicting an episode from Canto IX in the Inferno of The Divine Comedy.

FAF3561200: Dante and Virgil meet the Erinyes, ferocious feminine figures with bat wings. Sculpture by Mastroianni depicting an episode from Canto IX in the Inferno of The Divine Comedy., Mastroianni, Domenico (1876-1962) / Bridgeman Images

ID: FAF3561200

Dante and Virgil meet the Erinyes, ferocious feminine figures with bat wings. Sculpture by Mastroianni depicting an episode from Canto IX in the Inferno of The Divine Comedy.

Mastroianni, Domenico (1876-1962)

Dante and Virgil are in front of Arachne, the Lydian weaver transformed into a spider. The figure is lying on the ground on top of other souls. Sculpture by Mastroianni depicting an episode from Canto XII in the Purgatorio of The Divine Comedy.
Dante and Virgil are in front of Arachne, the Lydian weaver transformed into a spider. The figure is lying on the ground on top of other souls. Sculpture by Mastroianni depicting an episode from Canto XII in the Purgatorio of The Divine Comedy.

FAF3561214: Dante and Virgil are in front of Arachne, the Lydian weaver transformed into a spider. The figure is lying on the ground on top of other souls. Sculpture by Mastroianni depicting an episode from Canto XII in the Purgatorio of The Divine Comedy., Mastroianni, Domenico (1876-1962) / Bridgeman Images

ID: FAF3561214

Dante and Virgil are in front of Arachne, the Lydian weaver transformed into a spider. The figure is lying on the ground on top of other souls. Sculpture by Mastroianni depicting an episode from Canto XII in the Purgatorio of The Divine Comedy.

Mastroianni, Domenico (1876-1962)

Dante and Virgil near Polidoro, who has been transformed into a tree. The Florentine poet is depicted breaking off a branch. Sculpture by Mastroianni depicting an episode from Canto XIII in the Inferno of The Divine Comedy.
Dante and Virgil near Polidoro, who has been transformed into a tree. The Florentine poet is depicted breaking off a branch. Sculpture by Mastroianni depicting an episode from Canto XIII in the Inferno of The Divine Comedy.

FAF3561206: Dante and Virgil near Polidoro, who has been transformed into a tree. The Florentine poet is depicted breaking off a branch. Sculpture by Mastroianni depicting an episode from Canto XIII in the Inferno of The Divine Comedy., Mastroianni, Domenico (1876-1962) / Bridgeman Images

ID: FAF3561206

Dante and Virgil near Polidoro, who has been transformed into a tree. The Florentine poet is depicted breaking off a branch. Sculpture by Mastroianni depicting an episode from Canto XIII in the Inferno of The Divine Comedy.

Mastroianni, Domenico (1876-1962)

Dante covers his face with his hands, overcome by Beatrice's gaze, so full of divine love. Illustration of the Canto IV of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.
Dante covers his face with his hands, overcome by Beatrice's gaze, so full of divine love. Illustration of the Canto IV of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.

FAF3561239: Dante covers his face with his hands, overcome by Beatrice's gaze, so full of divine love. Illustration of the Canto IV of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence. / Bridgeman Images

ID: FAF3561239

Dante covers his face with his hands, overcome by Beatrice's gaze, so full of divine love. Illustration of the Canto IV of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.

Dante, urged by Beatrice, speaks with a pious spirit. Illustration of the Canto V of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.
Dante, urged by Beatrice, speaks with a pious spirit. Illustration of the Canto V of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.

FAF3561241: Dante, urged by Beatrice, speaks with a pious spirit. Illustration of the Canto V of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence. / Bridgeman Images

ID: FAF3561241

Dante, urged by Beatrice, speaks with a pious spirit. Illustration of the Canto V of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.

Marco Polo, recovering from illness on the way to China, 1964 (gouache on paper)
Marco Polo, recovering from illness on the way to China, 1964 (gouache on paper)

LAL298243: Marco Polo, recovering from illness on the way to China, 1964 (gouache on paper), Embleton, Ron (1930-88) / Bridgeman Images

ID: LAL298243

Marco Polo, recovering from illness on the way to China, 1964 (gouache on paper)

Embleton, Ron (1930-88)


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