1. Home
  2. Search Results

Print Friendly Version Page

Print this page or go back to standard view.

789942 Search Results

Quality woman in undressed, out of bed. Represebtation by Arnoult, 1689, on the costumes and occupations of quality characters of the 17th century. Here he describes the daily life of a quality lady from her rise to bed.
Quality woman in undressed, out of bed. Represebtation by Arnoult, 1689, on the costumes and occupations of quality characters of the 17th century. Here he describes the daily life of a quality lady from her rise to bed.

LSE4112529: Quality woman in undressed, out of bed. Represebtation by Arnoult, 1689, on the costumes and occupations of quality characters of the 17th century. Here he describes the daily life of a quality lady from her rise to bed., Arnoult, Nicolas (17th century) / Bridgeman Images

ID: LSE4112529

Quality woman in undressed, out of bed. Represebtation by Arnoult, 1689, on the costumes and occupations of quality characters of the 17th century. Here he describes the daily life of a quality lady from her rise to bed.

Arnoult, Nicolas (17th century)

Celibatary woman discreetly giving a sweet word to a Chinese.
Celibatary woman discreetly giving a sweet word to a Chinese.

LSE4112537: Celibatary woman discreetly giving a sweet word to a Chinese., French School, (19th century) / Bridgeman Images

ID: LSE4112537

Celibatary woman discreetly giving a sweet word to a Chinese.

French School, (19th century)

English advertisement for the talc Mennen's, 1904.
English advertisement for the talc Mennen's, 1904.

LSE4112583: English advertisement for the talc Mennen's, 1904., English School, (20th century) / Bridgeman Images

ID: LSE4112583

English advertisement for the talc Mennen's, 1904.

English School, (20th century)

Palace of the Cesars in Rome. In “” The old and modern costume””, 1819-1820, by Jules Ferrario.
Palace of the Cesars in Rome. In “” The old and modern costume””, 1819-1820, by Jules Ferrario.

LSE4112629: Palace of the Cesars in Rome. In “” The old and modern costume””, 1819-1820, by Jules Ferrario., Ferrario, Giulio (1767-1847) / Bridgeman Images

ID: LSE4112629

Palace of the Cesars in Rome. In “” The old and modern costume””, 1819-1820, by Jules Ferrario.

Ferrario, Giulio (1767-1847)

The Baptistere, the Dome and the Tower of Pisa, Italy.
The Baptistere, the Dome and the Tower of Pisa, Italy.

LSE4112635: The Baptistere, the Dome and the Tower of Pisa, Italy., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4112635

The Baptistere, the Dome and the Tower of Pisa, Italy.

Unknown Artist, (19th century)

In “” The old and modern costume”” 1819-1820 by Ferrario.
In “” The old and modern costume”” 1819-1820 by Ferrario.

LSE4112639: In “” The old and modern costume”” 1819-1820 by Ferrario., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4112639

In “” The old and modern costume”” 1819-1820 by Ferrario.

Unknown Artist, (19th century)

On the death of Childeric I, his son Clovis was elected king by the Salians Francs who carried him on the bulwark while touring the camp (engraving)
On the death of Childeric I, his son Clovis was elected king by the Salians Francs who carried him on the bulwark while touring the camp (engraving)

LSE4112650: On the death of Childeric I, his son Clovis was elected king by the Salians Francs who carried him on the bulwark while touring the camp (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4112650

On the death of Childeric I, his son Clovis was elected king by the Salians Francs who carried him on the bulwark while touring the camp (engraving)

Unknown Artist, (19th century)

The different activities of the tribe of the village of Adouma in Africa. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.
The different activities of the tribe of the village of Adouma in Africa. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.

LSE4112664: The different activities of the tribe of the village of Adouma in Africa. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4112664

The different activities of the tribe of the village of Adouma in Africa. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.

Riou, Edouard (1833-1900)

Portrait of Viscount Pierre Jacques Etienne Cambronne, French General (1770-1842).
Portrait of Viscount Pierre Jacques Etienne Cambronne, French General (1770-1842).

LSE4112666: Portrait of Viscount Pierre Jacques Etienne Cambronne, French General (1770-1842)., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4112666

Portrait of Viscount Pierre Jacques Etienne Cambronne, French General (1770-1842).

Unknown Artist, (19th century)

Depart from the village of Lambarene in Africa. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.
Depart from the village of Lambarene in Africa. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.

LSE4112670: Depart from the village of Lambarene in Africa. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4112670

Depart from the village of Lambarene in Africa. In “” Journey in the West African”” by Brazza, 1888. Engraving after a drawing by Riou.

Riou, Edouard (1833-1900)

Inside a Russian house, a family at lunch time.
Inside a Russian house, a family at lunch time.

LSE4112693: Inside a Russian house, a family at lunch time., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4112693

Inside a Russian house, a family at lunch time.

Unknown Artist, (19th century)

Saint Brigitte, with her gifts as visionary, is invoked to know the date of death of a person, reading the lines of the hand. Saint Mary Magdalene and Martha appear on each side of the hand.
Saint Brigitte, with her gifts as visionary, is invoked to know the date of death of a person, reading the lines of the hand. Saint Mary Magdalene and Martha appear on each side of the hand.

LSE4112695: Saint Brigitte, with her gifts as visionary, is invoked to know the date of death of a person, reading the lines of the hand. Saint Mary Magdalene and Martha appear on each side of the hand., Unknown artist, (18th century) / Bridgeman Images

ID: LSE4112695

Saint Brigitte, with her gifts as visionary, is invoked to know the date of death of a person, reading the lines of the hand. Saint Mary Magdalene and Martha appear on each side of the hand.

Unknown artist, (18th century)

Offers made by women to the god Priape (Priapos), the Asian god of fecondite, who came to Greece. Site of worship of Lampsaque.
Offers made by women to the god Priape (Priapos), the Asian god of fecondite, who came to Greece. Site of worship of Lampsaque.

LSE4112703: Offers made by women to the god Priape (Priapos), the Asian god of fecondite, who came to Greece. Site of worship of Lampsaque., Unknown artist, (18th century) / Bridgeman Images

ID: LSE4112703

Offers made by women to the god Priape (Priapos), the Asian god of fecondite, who came to Greece. Site of worship of Lampsaque.

Unknown artist, (18th century)

View of the Duke of Aveiro's house in Lisbon, Portugal. 18th century engraving.
View of the Duke of Aveiro's house in Lisbon, Portugal. 18th century engraving.

LSE4112741: View of the Duke of Aveiro's house in Lisbon, Portugal. 18th century engraving., Unknown artist, (18th century) / Bridgeman Images

ID: LSE4112741

View of the Duke of Aveiro's house in Lisbon, Portugal. 18th century engraving.

Unknown artist, (18th century)

Russian dance and play. In “” The old and modern costume”” 1819-1820, by Ferrario.
Russian dance and play. In “” The old and modern costume”” 1819-1820, by Ferrario.

LSE4112780: Russian dance and play. In “” The old and modern costume”” 1819-1820, by Ferrario., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4112780

Russian dance and play. In “” The old and modern costume”” 1819-1820, by Ferrario.

Unknown Artist, (19th century)

Samoid Fair in Siberia. In “” The old and modern costume””, 1819-1820 by Ferrario.
Samoid Fair in Siberia. In “” The old and modern costume””, 1819-1820 by Ferrario.

LSE4112786: Samoid Fair in Siberia. In “” The old and modern costume””, 1819-1820 by Ferrario., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4112786

Samoid Fair in Siberia. In “” The old and modern costume””, 1819-1820 by Ferrario.

Unknown Artist, (19th century)

Portrait of Baudouin I, Latin Emperor of the Orient (1171-1206), became Emperor of Constantinople by participating in the Fourth Crusade. Aussie known as Baudouin IX of Flanders (or Baudouin VI of Hainaut)
Portrait of Baudouin I, Latin Emperor of the Orient (1171-1206), became Emperor of Constantinople by participating in the Fourth Crusade. Aussie known as Baudouin IX of Flanders (or Baudouin VI of Hainaut)

LSE4112807: Portrait of Baudouin I, Latin Emperor of the Orient (1171-1206), became Emperor of Constantinople by participating in the Fourth Crusade. Aussie known as Baudouin IX of Flanders (or Baudouin VI of Hainaut), Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4112807

Portrait of Baudouin I, Latin Emperor of the Orient (1171-1206), became Emperor of Constantinople by participating in the Fourth Crusade. Aussie known as Baudouin IX of Flanders (or Baudouin VI of Hainaut)

Unknown Artist, (19th century)

Sainte Genevieve (422-502), patron saint of Paris, dissuaded Parisians from abandoning their city, which was threatened in 451 by Attila, king of the Huns.
Sainte Genevieve (422-502), patron saint of Paris, dissuaded Parisians from abandoning their city, which was threatened in 451 by Attila, king of the Huns.

LSE4112813: Sainte Genevieve (422-502), patron saint of Paris, dissuaded Parisians from abandoning their city, which was threatened in 451 by Attila, king of the Huns., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4112813

Sainte Genevieve (422-502), patron saint of Paris, dissuaded Parisians from abandoning their city, which was threatened in 451 by Attila, king of the Huns.

Unknown Artist, (19th century)

Advertising poster for Cusenier liqueurs, 1896.
Advertising poster for Cusenier liqueurs, 1896.

LSE4112830: Advertising poster for Cusenier liqueurs, 1896., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4112830

Advertising poster for Cusenier liqueurs, 1896.

Unknown Artist, (19th century)

Geological section of a salt deposit in Stassfurt, Germany. In “” Les wonders de l'industrie”” by Louis Figuier, 19th century.
Geological section of a salt deposit in Stassfurt, Germany. In “” Les wonders de l'industrie”” by Louis Figuier, 19th century.

LSE4112853: Geological section of a salt deposit in Stassfurt, Germany. In “” Les wonders de l'industrie”” by Louis Figuier, 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4112853

Geological section of a salt deposit in Stassfurt, Germany. In “” Les wonders de l'industrie”” by Louis Figuier, 19th century.

Unknown Artist, (19th century)

Marechal Joseph Jacques Césaire Joffre (1852-1931), Marechal Ferdinand Foch (1851-1929) and Marechal Philippe Petain (1856-1951), the great liberators of France during the First World War. In “Our national glories”, circa 1920.
Marechal Joseph Jacques Césaire Joffre (1852-1931), Marechal Ferdinand Foch (1851-1929) and Marechal Philippe Petain (1856-1951), the great liberators of France during the First World War. In “Our national glories”, circa 1920.

LSE4112901: Marechal Joseph Jacques Césaire Joffre (1852-1931), Marechal Ferdinand Foch (1851-1929) and Marechal Philippe Petain (1856-1951), the great liberators of France during the First World War. In “Our national glories”, circa 1920., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4112901

Marechal Joseph Jacques Césaire Joffre (1852-1931), Marechal Ferdinand Foch (1851-1929) and Marechal Philippe Petain (1856-1951), the great liberators of France during the First World War. In “Our national glories”, circa 1920.

Unknown Artist, (20th century)

Finet in “” les escolliers”” (by François Perrin 1533-1606), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier.
Finet in “” les escolliers”” (by François Perrin 1533-1606), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier.

LSE4112934: Finet in “” les escolliers”” (by François Perrin 1533-1606), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier., Unknown Artist, (17th century) / Bridgeman Images

ID: LSE4112934

Finet in “” les escolliers”” (by François Perrin 1533-1606), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier.

Unknown Artist, (17th century)

Horace in “” la soeur” (by Jean de Routrou in 1647), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier.
Horace in “” la soeur” (by Jean de Routrou in 1647), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier.

LSE4112942: Horace in “” la soeur” (by Jean de Routrou in 1647), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier., Unknown Artist, (17th century) / Bridgeman Images

ID: LSE4112942

Horace in “” la soeur” (by Jean de Routrou in 1647), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier.

Unknown Artist, (17th century)

Beronte in “” l'intrigue des filous”” (by the academician Claude de l'Estoile in 1644), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier.
Beronte in “” l'intrigue des filous”” (by the academician Claude de l'Estoile in 1644), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier.

LSE4112954: Beronte in “” l'intrigue des filous”” (by the academician Claude de l'Estoile in 1644), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier., Unknown Artist, (17th century) / Bridgeman Images

ID: LSE4112954

Beronte in “” l'intrigue des filous”” (by the academician Claude de l'Estoile in 1644), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier.

Unknown Artist, (17th century)

Urbain dans “” les esprits”” (by Pierre de Larivey in 1579), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier.
Urbain dans “” les esprits”” (by Pierre de Larivey in 1579), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier.

LSE4112957: Urbain dans “” les esprits”” (by Pierre de Larivey in 1579), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier., Unknown Artist, (17th century) / Bridgeman Images

ID: LSE4112957

Urbain dans “” les esprits”” (by Pierre de Larivey in 1579), in “” le theatre francais au 16 eme et 17 eme ecle anterieur à Moliere”” by Edouard Fournier.

Unknown Artist, (17th century)

Scene of “Little Oriental Stories”, Arab tales from 1001 nights (tales of the thousand and one nights). On New Year's Eve.
Scene of “Little Oriental Stories”, Arab tales from 1001 nights (tales of the thousand and one nights). On New Year's Eve.

LSE4112972: Scene of “Little Oriental Stories”, Arab tales from 1001 nights (tales of the thousand and one nights). On New Year's Eve., French School, (20th century) / Bridgeman Images

ID: LSE4112972

Scene of “Little Oriental Stories”, Arab tales from 1001 nights (tales of the thousand and one nights). On New Year's Eve.

French School, (20th century)

Scene of “Little Oriental Stories”, Arab tales from 1001 nights (tales of the thousand and one nights). On New Year's Eve.
Scene of “Little Oriental Stories”, Arab tales from 1001 nights (tales of the thousand and one nights). On New Year's Eve.

LSE4112977: Scene of “Little Oriental Stories”, Arab tales from 1001 nights (tales of the thousand and one nights). On New Year's Eve., French School, (20th century) / Bridgeman Images

ID: LSE4112977

Scene of “Little Oriental Stories”, Arab tales from 1001 nights (tales of the thousand and one nights). On New Year's Eve.

French School, (20th century)

Transformations of Paris under the Second Empire, Haussmann Paris: Humoristic drawing depicting Jean Charles Adolphe Alphand (1817-1891), engineer. He participated in the renovation of Paris led by Baron Haussmann between 1852 and 1870. Engraving in “Les hommes du jour”” by Luque.
Transformations of Paris under the Second Empire, Haussmann Paris: Humoristic drawing depicting Jean Charles Adolphe Alphand (1817-1891), engineer. He participated in the renovation of Paris led by Baron Haussmann between 1852 and 1870. Engraving in “Les hommes du jour”” by Luque.

LSE4113071: Transformations of Paris under the Second Empire, Haussmann Paris: Humoristic drawing depicting Jean Charles Adolphe Alphand (1817-1891), engineer. He participated in the renovation of Paris led by Baron Haussmann between 1852 and 1870. Engraving in “Les hommes du jour”” by Luque., Luque, Manuel (1854-1924) / Bridgeman Images

ID: LSE4113071

Transformations of Paris under the Second Empire, Haussmann Paris: Humoristic drawing depicting Jean Charles Adolphe Alphand (1817-1891), engineer. He participated in the renovation of Paris led by Baron Haussmann between 1852 and 1870. Engraving in “Les hommes du jour”” by Luque.

Luque, Manuel (1854-1924)

Comic drawing by Barrere on Muhammad Chah Agha Khan III, (1877-1957), leader (immam) of the Ismail - in “Fantasio”” of 15/08/1926.
Comic drawing by Barrere on Muhammad Chah Agha Khan III, (1877-1957), leader (immam) of the Ismail - in “Fantasio”” of 15/08/1926.

LSE4113085: Comic drawing by Barrere on Muhammad Chah Agha Khan III, (1877-1957), leader (immam) of the Ismail - in “Fantasio”” of 15/08/1926., Barrere, Adrien (1874-1931) / Bridgeman Images

ID: LSE4113085

Comic drawing by Barrere on Muhammad Chah Agha Khan III, (1877-1957), leader (immam) of the Ismail - in “Fantasio”” of 15/08/1926.

Barrere, Adrien (1874-1931)

Portrait of Lord Kitchener of Karthoum (1850-1916), English military.
Portrait of Lord Kitchener of Karthoum (1850-1916), English military.

LSE4315679: Portrait of Lord Kitchener of Karthoum (1850-1916), English military., Unknown photographer, (19th century) / Bridgeman Images

ID: LSE4315679

Portrait of Lord Kitchener of Karthoum (1850-1916), English military.

Unknown photographer, (19th century)

Portrait of a young man with a cigarette at the Abbey of Septfontaines (Haute Marne). Photograph, circa 1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of a young man with a cigarette at the Abbey of Septfontaines (Haute Marne). Photograph, circa 1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316106: Portrait of a young man with a cigarette at the Abbey of Septfontaines (Haute Marne). Photograph, circa 1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316106

Portrait of a young man with a cigarette at the Abbey of Septfontaines (Haute Marne). Photograph, circa 1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

Portrait of a group of young people from the countryside, some with band instrument. At the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of a group of young people from the countryside, some with band instrument. At the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316114: Portrait of a group of young people from the countryside, some with band instrument. At the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316114

Portrait of a group of young people from the countryside, some with band instrument. At the Abbey of Septfontaines (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

Portrait of the cochers, with a hitch in the courtyard of the Parisian home of Count Ducos. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of the cochers, with a hitch in the courtyard of the Parisian home of Count Ducos. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316162: Portrait of the cochers, with a hitch in the courtyard of the Parisian home of Count Ducos. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316162

Portrait of the cochers, with a hitch in the courtyard of the Parisian home of Count Ducos. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

Portrait of the cochers and a child, with a hitch in the courtyard of Count Ducos's Parisian home. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of the cochers and a child, with a hitch in the courtyard of Count Ducos's Parisian home. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316166: Portrait of the cochers and a child, with a hitch in the courtyard of Count Ducos's Parisian home. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316166

Portrait of the cochers and a child, with a hitch in the courtyard of Count Ducos's Parisian home. Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

Portrait of a young soldier. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of a young soldier. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316255: Portrait of a young soldier. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316255

Portrait of a young soldier. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)

Portrait of two women, two cures and a child. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).
Portrait of two women, two cures and a child. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

LSE4316266: Portrait of two women, two cures and a child. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913)., Ducos, Paul Emile Theodore (1849-1913) / Bridgeman Images

ID: LSE4316266

Portrait of two women, two cures and a child. At the Abbey of Septfontaines, Bourmont (Haute Marne). Photograph, circa 1870-1886, by Paul Emile Theodore Ducos (1849-1913).

Ducos, Paul Emile Theodore (1849-1913)


Back to top

Bridgeman Images • 17-19 Garway Road • London W2 4PH • United Kingdom • +44 (0)20 7727 4065

All contents © 1972-2015 Bridgeman Art Library Limited, All rights reserved.