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A hotel master wearing a platter of champagne cups, serves a festive table, on which a top hat has been abandoned and uses as a champagne bucket as well as a pump and a cane. The window door opening onto a full moon night view of the Sacre Coeur (Paris). Cover illustration for the novel
A hotel master wearing a platter of champagne cups, serves a festive table, on which a top hat has been abandoned and uses as a champagne bucket as well as a pump and a cane. The window door opening onto a full moon night view of the Sacre Coeur (Paris). Cover illustration for the novel

LSE4327752: A hotel master wearing a platter of champagne cups, serves a festive table, on which a top hat has been abandoned and uses as a champagne bucket as well as a pump and a cane. The window door opening onto a full moon night view of the Sacre Coeur (Paris). Cover illustration for the novel "Midnight Place Pigalle" by Maurice Dekobra (Maurice Tessier) (1885-1973), edition of the reader's collection, 1925, Paris. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327752

A hotel master wearing a platter of champagne cups, serves a festive table, on which a top hat has been abandoned and uses as a champagne bucket as well as a pump and a cane. The window door opening onto a full moon night view of the Sacre Coeur (Paris). Cover illustration for the novel "Midnight Place Pigalle" by Maurice Dekobra (Maurice Tessier) (1885-1973), edition of the reader's collection, 1925, Paris. Selva Collection.

French School, (20th century)

A makeshift raft, for the emergency rescue of the inhabitants, in the flooded streets of St. Petersburg (Saint Petersburg, Russia), where the bustles of the offshore wind come down with such force that they impede the flow of the Neva River, which overflows from its bed and invades the neighborhoods of the city, plunging it into an economic disaster and social. Engraving in
A makeshift raft, for the emergency rescue of the inhabitants, in the flooded streets of St. Petersburg (Saint Petersburg, Russia), where the bustles of the offshore wind come down with such force that they impede the flow of the Neva River, which overflows from its bed and invades the neighborhoods of the city, plunging it into an economic disaster and social. Engraving in

LSE4327757: A makeshift raft, for the emergency rescue of the inhabitants, in the flooded streets of St. Petersburg (Saint Petersburg, Russia), where the bustles of the offshore wind come down with such force that they impede the flow of the Neva River, which overflows from its bed and invades the neighborhoods of the city, plunging it into an economic disaster and social. Engraving in "Le petit journal" 13/12/1903. Selva Collection., Michel, P.H.G.V. (fl.1883-1903) / Bridgeman Images

ID: LSE4327757

A makeshift raft, for the emergency rescue of the inhabitants, in the flooded streets of St. Petersburg (Saint Petersburg, Russia), where the bustles of the offshore wind come down with such force that they impede the flow of the Neva River, which overflows from its bed and invades the neighborhoods of the city, plunging it into an economic disaster and social. Engraving in "Le petit journal" 13/12/1903. Selva Collection.

Michel, P.H.G.V. (fl.1883-1903)

Book cover for the novel “Les vices de Paris, roman des meteques” by Guy de Teramond, 1929 (print)
Book cover for the novel “Les vices de Paris, roman des meteques” by Guy de Teramond, 1929 (print)

LSE4327775: Book cover for the novel “Les vices de Paris, roman des meteques” by Guy de Teramond, 1929 (print) / Bridgeman Images

ID: LSE4327775

Book cover for the novel “Les vices de Paris, roman des meteques” by Guy de Teramond, 1929 (print)

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Claire Rado (artist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Jack Vanarsky (sculptor), Maxime Godard (photographer) and back, Gustavo Korsatz and Dominica Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Claire Rado (artist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Jack Vanarsky (sculptor), Maxime Godard (photographer) and back, Gustavo Korsatz and Dominica Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

LSE4327794: Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Claire Rado (artist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Jack Vanarsky (sculptor), Maxime Godard (photographer) and back, Gustavo Korsatz and Dominica Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327794

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Claire Rado (artist), Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Jack Vanarsky (sculptor), Maxime Godard (photographer) and back, Gustavo Korsatz and Dominica Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

Reunion with Arrabal in Paris on 19 March 2008, in the centre, playwright Fernando Arrabal is surrounded by his friends. Photography Leonard de Selva, Paris 2008.
Reunion with Arrabal in Paris on 19 March 2008, in the centre, playwright Fernando Arrabal is surrounded by his friends. Photography Leonard de Selva, Paris 2008.

LSE4327798: Reunion with Arrabal in Paris on 19 March 2008, in the centre, playwright Fernando Arrabal is surrounded by his friends. Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327798

Reunion with Arrabal in Paris on 19 March 2008, in the centre, playwright Fernando Arrabal is surrounded by his friends. Photography Leonard de Selva, Paris 2008.

Meeting at Arrabal, in Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic, face cache), Maxime Godard (photographer) and Jack Vanarsky (sculptor). And in the foreground, from the back: from left to right, Thieri Foulc (artist), Gustavo Korsatz, and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, in Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic, face cache), Maxime Godard (photographer) and Jack Vanarsky (sculptor). And in the foreground, from the back: from left to right, Thieri Foulc (artist), Gustavo Korsatz, and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

LSE4327805: Meeting at Arrabal, in Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic, face cache), Maxime Godard (photographer) and Jack Vanarsky (sculptor). And in the foreground, from the back: from left to right, Thieri Foulc (artist), Gustavo Korsatz, and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327805

Meeting at Arrabal, in Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic, face cache), Maxime Godard (photographer) and Jack Vanarsky (sculptor). And in the foreground, from the back: from left to right, Thieri Foulc (artist), Gustavo Korsatz, and Dominique Lacaze (mathematician and economist). Photography Leonard de Selva, Paris 2008.

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), (and in the foreground, in profile: Gustavo Korsatz). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), (and in the foreground, in profile: Gustavo Korsatz). Photography Leonard de Selva, Paris 2008.

LSE4327836: Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), (and in the foreground, in profile: Gustavo Korsatz). Photography Leonard de Selva, Paris 2008. / Bridgeman Images

ID: LSE4327836

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), (and in the foreground, in profile: Gustavo Korsatz). Photography Leonard de Selva, Paris 2008.

The preparations for the 1900 exhibition, the statue of
The preparations for the 1900 exhibition, the statue of

LSE4327867: The preparations for the 1900 exhibition, the statue of "Pegase retained by the bridle by the Renommee”, in golden bronze, by the sculptor Emmanuel Fremiet (1824-1910), is hovered on the top of one of the four pylons adorning the Alexander III Bridge. Engraving in "Le pelerin" 14/01/1900. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327867

The preparations for the 1900 exhibition, the statue of "Pegase retained by the bridle by the Renommee”, in golden bronze, by the sculptor Emmanuel Fremiet (1824-1910), is hovered on the top of one of the four pylons adorning the Alexander III Bridge. Engraving in "Le pelerin" 14/01/1900. Selva Collection.

French School, (20th century)

The competition of fatty animals from the bovine, ovine, porcine and other families, assembles and exhibits for the first time, in the grand hall of the Grand Palais des Champs Elysees; this exhibition presents at the same time culinary specialities from all regions of France. Engraving in
The competition of fatty animals from the bovine, ovine, porcine and other families, assembles and exhibits for the first time, in the grand hall of the Grand Palais des Champs Elysees; this exhibition presents at the same time culinary specialities from all regions of France. Engraving in

LSE4327986: The competition of fatty animals from the bovine, ovine, porcine and other families, assembles and exhibits for the first time, in the grand hall of the Grand Palais des Champs Elysees; this exhibition presents at the same time culinary specialities from all regions of France. Engraving in "Le pelerin" 10/03/1901. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4327986

The competition of fatty animals from the bovine, ovine, porcine and other families, assembles and exhibits for the first time, in the grand hall of the Grand Palais des Champs Elysees; this exhibition presents at the same time culinary specialities from all regions of France. Engraving in "Le pelerin" 10/03/1901. Selva Collection.

French School, (20th century)

The pilgrimage of men in the Holy Land of Jaffa (Israel). Engraving in
The pilgrimage of men in the Holy Land of Jaffa (Israel). Engraving in

LSE4328014: The pilgrimage of men in the Holy Land of Jaffa (Israel). Engraving in "Le pelerin" 8/09/1901. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4328014

The pilgrimage of men in the Holy Land of Jaffa (Israel). Engraving in "Le pelerin" 8/09/1901. Selva Collection.

French School, (20th century)

Engraving for the cover of
Engraving for the cover of

LSE4328018: Engraving for the cover of "The pelerin" dated 6/09/1901, the unmanned devil, seated, with his feet the treacherous snake, patiently waits for the last day of the execution of the new law against unauthorized religious congregations, in the background, nuns leave their convent and a religious building collapses, cover for mobilize against the political movement of separation from church and state. Selva Collection., French School, (20th century) / Bridgeman Images

ID: LSE4328018

Engraving for the cover of "The pelerin" dated 6/09/1901, the unmanned devil, seated, with his feet the treacherous snake, patiently waits for the last day of the execution of the new law against unauthorized religious congregations, in the background, nuns leave their convent and a religious building collapses, cover for mobilize against the political movement of separation from church and state. Selva Collection.

French School, (20th century)

Monkey Mountain, along the Senegal River, shortly after the Gouina Falls (Mali). Engravure to illustrate the story of Lieutenant Mage's voyage in Western Sudan between 1863 and 1866, published in “Le tour du monde, nouveau journal des voyages”” under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Monkey Mountain, along the Senegal River, shortly after the Gouina Falls (Mali). Engravure to illustrate the story of Lieutenant Mage's voyage in Western Sudan between 1863 and 1866, published in “Le tour du monde, nouveau journal des voyages”” under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328022: Monkey Mountain, along the Senegal River, shortly after the Gouina Falls (Mali). Engravure to illustrate the story of Lieutenant Mage's voyage in Western Sudan between 1863 and 1866, published in “Le tour du monde, nouveau journal des voyages”” under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328022

Monkey Mountain, along the Senegal River, shortly after the Gouina Falls (Mali). Engravure to illustrate the story of Lieutenant Mage's voyage in Western Sudan between 1863 and 1866, published in “Le tour du monde, nouveau journal des voyages”” under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

King Ahmadou presiding over a council or palabre of the Toucouleur empire in Segou Sikoro (Mali), the wise men sit and the warriors set, the king holds a Muslim rosary in his hands. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
King Ahmadou presiding over a council or palabre of the Toucouleur empire in Segou Sikoro (Mali), the wise men sit and the warriors set, the king holds a Muslim rosary in his hands. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328058: King Ahmadou presiding over a council or palabre of the Toucouleur empire in Segou Sikoro (Mali), the wise men sit and the warriors set, the king holds a Muslim rosary in his hands. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328058

King Ahmadou presiding over a council or palabre of the Toucouleur empire in Segou Sikoro (Mali), the wise men sit and the warriors set, the king holds a Muslim rosary in his hands. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

The transport of King Ahmadou's army on the Niger River during the rainy season caused him numerous shipwrecks and many losses of horses. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The transport of King Ahmadou's army on the Niger River during the rainy season caused him numerous shipwrecks and many losses of horses. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328060: The transport of King Ahmadou's army on the Niger River during the rainy season caused him numerous shipwrecks and many losses of horses. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328060

The transport of King Ahmadou's army on the Niger River during the rainy season caused him numerous shipwrecks and many losses of horses. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

The attack on Sansandig by the army of King Ahmadou (Toucouleur), where fled Bambara took refuge. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The attack on Sansandig by the army of King Ahmadou (Toucouleur), where fled Bambara took refuge. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328080: The attack on Sansandig by the army of King Ahmadou (Toucouleur), where fled Bambara took refuge. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328080

The attack on Sansandig by the army of King Ahmadou (Toucouleur), where fled Bambara took refuge. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

Portefaix unloading the bales of dry fish, in the port of Chemulpo, Korea. Photography, 1904. Selva Collection.
Portefaix unloading the bales of dry fish, in the port of Chemulpo, Korea. Photography, 1904. Selva Collection.

LSE4326516: Portefaix unloading the bales of dry fish, in the port of Chemulpo, Korea. Photography, 1904. Selva Collection., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4326516

Portefaix unloading the bales of dry fish, in the port of Chemulpo, Korea. Photography, 1904. Selva Collection.

Unknown photographer, (20th century)

An ox carrying a load of wood, next to the tram line, in front of Namdaemun, a monumental gate in Seoul, Korea. Photography, 1904. Selva Collection.
An ox carrying a load of wood, next to the tram line, in front of Namdaemun, a monumental gate in Seoul, Korea. Photography, 1904. Selva Collection.

LSE4326524: An ox carrying a load of wood, next to the tram line, in front of Namdaemun, a monumental gate in Seoul, Korea. Photography, 1904. Selva Collection., Unknown photographer, (20th century) / Bridgeman Images

ID: LSE4326524

An ox carrying a load of wood, next to the tram line, in front of Namdaemun, a monumental gate in Seoul, Korea. Photography, 1904. Selva Collection.

Unknown photographer, (20th century)

Steps of justice: the question, or interrogation, charges him kneels, and slabs are piled up on his knees to motivate his answers. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection.
Steps of justice: the question, or interrogation, charges him kneels, and slabs are piled up on his knees to motivate his answers. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection.

LSE4326408: Steps of justice: the question, or interrogation, charges him kneels, and slabs are piled up on his knees to motivate his answers. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4326408

Steps of justice: the question, or interrogation, charges him kneels, and slabs are piled up on his knees to motivate his answers. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection.

Unknown Artist, (19th century)

The Mikado (Emperor of Japan) squire field in Kioto (or Kyoto), training and training track for imperial horses. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection.
The Mikado (Emperor of Japan) squire field in Kioto (or Kyoto), training and training track for imperial horses. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection.

LSE4326432: The Mikado (Emperor of Japan) squire field in Kioto (or Kyoto), training and training track for imperial horses. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4326432

The Mikado (Emperor of Japan) squire field in Kioto (or Kyoto), training and training track for imperial horses. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection.

Unknown Artist, (19th century)

An astrologer searches the sky in the open air using his telescope, 1867 (engraving)
An astrologer searches the sky in the open air using his telescope, 1867 (engraving)

LSE4326450: An astrologer searches the sky in the open air using his telescope, 1867 (engraving), French School, (19th century) / Bridgeman Images

ID: LSE4326450

An astrologer searches the sky in the open air using his telescope, 1867 (engraving)

French School, (19th century)

A couple of young brides discover a letter, which delights the wife but greatly surprises the husband. Cover illustration for the popular novel “Un mystere au village” by P. Gourdon, edition bonne presse, Paris 1923. Selva Collection.
A couple of young brides discover a letter, which delights the wife but greatly surprises the husband. Cover illustration for the popular novel “Un mystere au village” by P. Gourdon, edition bonne presse, Paris 1923. Selva Collection.

LSE4326501: A couple of young brides discover a letter, which delights the wife but greatly surprises the husband. Cover illustration for the popular novel “Un mystere au village” by P. Gourdon, edition bonne presse, Paris 1923. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4326501

A couple of young brides discover a letter, which delights the wife but greatly surprises the husband. Cover illustration for the popular novel “Un mystere au village” by P. Gourdon, edition bonne presse, Paris 1923. Selva Collection.

Unknown Artist, (20th century)

Rouletabille behind the wheel of his convertible pursues a car, cover illustration for Gaston Leroux (1868-1927), Pierre Lafitte edition, Paris, 1922. Selva Collection.
Rouletabille behind the wheel of his convertible pursues a car, cover illustration for Gaston Leroux (1868-1927), Pierre Lafitte edition, Paris, 1922. Selva Collection.

LSE4326478: Rouletabille behind the wheel of his convertible pursues a car, cover illustration for Gaston Leroux (1868-1927), Pierre Lafitte edition, Paris, 1922. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4326478

Rouletabille behind the wheel of his convertible pursues a car, cover illustration for Gaston Leroux (1868-1927), Pierre Lafitte edition, Paris, 1922. Selva Collection.

Unknown Artist, (20th century)

Young woman leaning on the ledge of a window, cover illustration for the novel
Young woman leaning on the ledge of a window, cover illustration for the novel

LSE4326468: Young woman leaning on the ledge of a window, cover illustration for the novel "goualante pour les frangines", from Gaston Martin's series "les aventures de Zodiaque” (born 1924), edition of Neuilly, 1955. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4326468

Young woman leaning on the ledge of a window, cover illustration for the novel "goualante pour les frangines", from Gaston Martin's series "les aventures de Zodiaque” (born 1924), edition of Neuilly, 1955. Selva Collection.

Unknown Artist, (20th century)

Englishmen's intervention for a terrible fire in Alder Gate, central London. Engraving in
Englishmen's intervention for a terrible fire in Alder Gate, central London. Engraving in

LSE4326674: Englishmen's intervention for a terrible fire in Alder Gate, central London. Engraving in "Le petit journal" 5/12/1897. Selva Collection., Meyer, Henri (1841-99) / Bridgeman Images

ID: LSE4326674

Englishmen's intervention for a terrible fire in Alder Gate, central London. Engraving in "Le petit journal" 5/12/1897. Selva Collection.

Meyer, Henri (1841-99)

A pirate ship on a turbulent sea, surmounted by pirate faces, cover illustration of Daniel Defoe's novel “La vie, les aventures et les piracy” (1660-1731), les editions de l'elan, Paris, 1948. Selva Collection.
A pirate ship on a turbulent sea, surmounted by pirate faces, cover illustration of Daniel Defoe's novel “La vie, les aventures et les piracy” (1660-1731), les editions de l'elan, Paris, 1948. Selva Collection.

LSE4326536: A pirate ship on a turbulent sea, surmounted by pirate faces, cover illustration of Daniel Defoe's novel “La vie, les aventures et les piracy” (1660-1731), les editions de l'elan, Paris, 1948. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4326536

A pirate ship on a turbulent sea, surmounted by pirate faces, cover illustration of Daniel Defoe's novel “La vie, les aventures et les piracy” (1660-1731), les editions de l'elan, Paris, 1948. Selva Collection.

Unknown Artist, (20th century)

Test of passenger pigeons, loose from the transatlantic connecting Le Havre to New York. Engraving in
Test of passenger pigeons, loose from the transatlantic connecting Le Havre to New York. Engraving in

LSE4326707: Test of passenger pigeons, loose from the transatlantic connecting Le Havre to New York. Engraving in "Le petit journal" 10/4/1898. Selva Collection., Meyer, Henri (1841-99) / Bridgeman Images

ID: LSE4326707

Test of passenger pigeons, loose from the transatlantic connecting Le Havre to New York. Engraving in "Le petit journal" 10/4/1898. Selva Collection.

Meyer, Henri (1841-99)

Collected corpses of the shipwrecks of the ship La Bourgogne, on Sable Island, northwest of Halifax. Engraving in
Collected corpses of the shipwrecks of the ship La Bourgogne, on Sable Island, northwest of Halifax. Engraving in

LSE4326787: Collected corpses of the shipwrecks of the ship La Bourgogne, on Sable Island, northwest of Halifax. Engraving in "Le petit journal" 7/8/1898. Selva Collection., Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LSE4326787

Collected corpses of the shipwrecks of the ship La Bourgogne, on Sable Island, northwest of Halifax. Engraving in "Le petit journal" 7/8/1898. Selva Collection.

Meaulle, Fortune Louis (1844-1901)

The health of the chef, the cardinals reunited, instruct the master cook to congratulate him by toasting to his health. Engraving in
The health of the chef, the cardinals reunited, instruct the master cook to congratulate him by toasting to his health. Engraving in

LSE4326800: The health of the chef, the cardinals reunited, instruct the master cook to congratulate him by toasting to his health. Engraving in "Le petit journal" 21/8/1898. Selva Collection., Meaulle, Fortune Louis (1844-1901) / Bridgeman Images

ID: LSE4326800

The health of the chef, the cardinals reunited, instruct the master cook to congratulate him by toasting to his health. Engraving in "Le petit journal" 21/8/1898. Selva Collection.

Meaulle, Fortune Louis (1844-1901)

The ardent Chapel of Queen Victoria (1819-1901) at Osborne, where its coffin is exhibited, along with the purple mantle bordered with ermine and the royal crown, and solemnly guarded by the grenadiers before its burial at Frogmore Chapel. Engraving in
The ardent Chapel of Queen Victoria (1819-1901) at Osborne, where its coffin is exhibited, along with the purple mantle bordered with ermine and the royal crown, and solemnly guarded by the grenadiers before its burial at Frogmore Chapel. Engraving in

LSE4327236: The ardent Chapel of Queen Victoria (1819-1901) at Osborne, where its coffin is exhibited, along with the purple mantle bordered with ermine and the royal crown, and solemnly guarded by the grenadiers before its burial at Frogmore Chapel. Engraving in "Le petit journal" 17/2/1901. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327236

The ardent Chapel of Queen Victoria (1819-1901) at Osborne, where its coffin is exhibited, along with the purple mantle bordered with ermine and the royal crown, and solemnly guarded by the grenadiers before its burial at Frogmore Chapel. Engraving in "Le petit journal" 17/2/1901. Selva Collection.

Unknown Artist, (20th century)

Events at Transvaal: Interview in Bloemfontein between, Mr. Kruger (1825-1904) President of Transvaal and Mr. Steijn, President of Orange State, to jointly formulate peace proposals to the English, on condition of their respective independence. Engraving in
Events at Transvaal: Interview in Bloemfontein between, Mr. Kruger (1825-1904) President of Transvaal and Mr. Steijn, President of Orange State, to jointly formulate peace proposals to the English, on condition of their respective independence. Engraving in

LSE4327010: Events at Transvaal: Interview in Bloemfontein between, Mr. Kruger (1825-1904) President of Transvaal and Mr. Steijn, President of Orange State, to jointly formulate peace proposals to the English, on condition of their respective independence. Engraving in "Le petit journal" 26 /3/1900. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327010

Events at Transvaal: Interview in Bloemfontein between, Mr. Kruger (1825-1904) President of Transvaal and Mr. Steijn, President of Orange State, to jointly formulate peace proposals to the English, on condition of their respective independence. Engraving in "Le petit journal" 26 /3/1900. Selva Collection.

Unknown Artist, (20th century)

Mutiny of Indochinese at the French colonial exhibition, a scene of violence on the worksites of the mecontent workers want their entrepreneur. Engraving in
Mutiny of Indochinese at the French colonial exhibition, a scene of violence on the worksites of the mecontent workers want their entrepreneur. Engraving in

LSE4327015: Mutiny of Indochinese at the French colonial exhibition, a scene of violence on the worksites of the mecontent workers want their entrepreneur. Engraving in "Le petit journal" 1/4/1900. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327015

Mutiny of Indochinese at the French colonial exhibition, a scene of violence on the worksites of the mecontent workers want their entrepreneur. Engraving in "Le petit journal" 1/4/1900. Selva Collection.

Unknown Artist, (20th century)

Opening of the exhibition of 1900 by the President of the Republic Emile Loubet (1838-1929). Engraving in
Opening of the exhibition of 1900 by the President of the Republic Emile Loubet (1838-1929). Engraving in

LSE4327027: Opening of the exhibition of 1900 by the President of the Republic Emile Loubet (1838-1929). Engraving in "Le petit journal" 22/4/1900. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327027

Opening of the exhibition of 1900 by the President of the Republic Emile Loubet (1838-1929). Engraving in "Le petit journal" 22/4/1900. Selva Collection.

Unknown Artist, (20th century)

A sodat stationed in front of the cattle market in Paris, excites an ox with his red trousers, which loads him, the soldier folds down by pushing the bayonet of his rifle into the sides, the animal died a few minutes later. Engraving in
A sodat stationed in front of the cattle market in Paris, excites an ox with his red trousers, which loads him, the soldier folds down by pushing the bayonet of his rifle into the sides, the animal died a few minutes later. Engraving in

LSE4327053: A sodat stationed in front of the cattle market in Paris, excites an ox with his red trousers, which loads him, the soldier folds down by pushing the bayonet of his rifle into the sides, the animal died a few minutes later. Engraving in "Le petit journal" 27/5/1900. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327053

A sodat stationed in front of the cattle market in Paris, excites an ox with his red trousers, which loads him, the soldier folds down by pushing the bayonet of his rifle into the sides, the animal died a few minutes later. Engraving in "Le petit journal" 27/5/1900. Selva Collection.

Unknown Artist, (20th century)

Manchester industrialists offered their 1600 workers of both sexes the trip to Paris and one day at the exhibition, mobilizing three trains. Engraving in
Manchester industrialists offered their 1600 workers of both sexes the trip to Paris and one day at the exhibition, mobilizing three trains. Engraving in

LSE4327064: Manchester industrialists offered their 1600 workers of both sexes the trip to Paris and one day at the exhibition, mobilizing three trains. Engraving in "Le petit journal" 10/6/1900. Selva Collection., Tofani, Oswaldo (1849-1915) / Bridgeman Images

ID: LSE4327064

Manchester industrialists offered their 1600 workers of both sexes the trip to Paris and one day at the exhibition, mobilizing three trains. Engraving in "Le petit journal" 10/6/1900. Selva Collection.

Tofani, Oswaldo (1849-1915)

A lion jumps on his tamer and hurts him in his face and arms, and in the bottom of the cage a woman shoots a gun in the air to try to dispel the animal's attention. Engraving in
A lion jumps on his tamer and hurts him in his face and arms, and in the bottom of the cage a woman shoots a gun in the air to try to dispel the animal's attention. Engraving in

LSE4327187: A lion jumps on his tamer and hurts him in his face and arms, and in the bottom of the cage a woman shoots a gun in the air to try to dispel the animal's attention. Engraving in "Le petit journal" 18/11/1900. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327187

A lion jumps on his tamer and hurts him in his face and arms, and in the bottom of the cage a woman shoots a gun in the air to try to dispel the animal's attention. Engraving in "Le petit journal" 18/11/1900. Selva Collection.

Unknown Artist, (20th century)

The devouement of 2 soldiers, at Fontaine, near Dijon, to rescue children who, wanting to play slides on a frozen pond, fell into the water after the ice layer cede under their weight. Engraving in
The devouement of 2 soldiers, at Fontaine, near Dijon, to rescue children who, wanting to play slides on a frozen pond, fell into the water after the ice layer cede under their weight. Engraving in

LSE4327238: The devouement of 2 soldiers, at Fontaine, near Dijon, to rescue children who, wanting to play slides on a frozen pond, fell into the water after the ice layer cede under their weight. Engraving in "Le petit journal" 3/3/1901. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327238

The devouement of 2 soldiers, at Fontaine, near Dijon, to rescue children who, wanting to play slides on a frozen pond, fell into the water after the ice layer cede under their weight. Engraving in "Le petit journal" 3/3/1901. Selva Collection.

Unknown Artist, (20th century)


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