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NUM104609: Woman with a Dog, c.1913 (oil on canvas), Bonnard, Pierre (1867-1947) / Bridgeman Images
STC103802: Bradford, from 'Bath Illustrated by a Series of Views', engraved by John Hill (1770-1850) pub. by William Miller, 1805 (aquatint), Nattes, John Claude (c.1765-1822) (after) / Bridgeman Images
STC103813: The Bridges over the Canal in Sydney Gardens, from 'Bath Illustrated by a Series of Views', engraved by John Hill (1770-1850) pub. by William Miller, 1805 (aquatint), Nattes, John Claude (c.1765-1822) (after) / Bridgeman Images
STC103852: Junction of the Yellow Stone River with the Missouri, plate 29 from Volume 2 of 'Travels in the Interior of North America', engraved by Friedrich Salathe (1793-1858) 1844 (aquatint), Bodmer, Karl (1809-93) (after) / Bridgeman Images
HSC104242: Ancestor figure, Hemba, south east Zaire (wood) / Bridgeman Images
XJF105300: Worship of the Sun, engraved by R. Ehnshelwood (engraving), Eastman, Captain Seth (1808-75) (after) / Bridgeman Images
XJF105727: Portrait of Samuel Taylor Coleridge (1772-1834) as a Young Man (engraving), Hancock, Robert (1730-1817) (after) / Bridgeman Images
XJF105760: George Bernard Shaw (1856-1950) (b&w photo), English Photographer, (19th century) / Bridgeman Images
XJF105711: Queen Elizabeth I (1553-1603) on Board a Ship (engraving), English School, (16th century) / Bridgeman Images
TPG105947: The Nave of St. Patrick's Cathedral, Dublin, photographed by William Lawrence (fl.1870-80) (sepia photo), Lawrence, William M. (1840-1932) / Bridgeman Images
XJF104455: Portrait of Robert Browning (1812-89) (pencil on paper) (b&w photo), Talfourd, Field (1815-74) / Bridgeman Images
MP96668: An Autumn Day at the Farm, 1919 (oil on canvas), Waite, Edward Wilkins (1854-1924) / Bridgeman Images
STC96893: The Parterre, Harewood House near Leeds, pub. by Thomas McLean (litho), Brooke, E. Adveno (fl.1844-64) / Bridgeman Images
FTB97095: The Ca' Foscari, Venice, engraved by Brizeghel (litho), Moro, Marco (19th century) (after) / Bridgeman Images
STC97224: Portrait of King William IV (1765-1837) plate 14 from 'Costume of the Royal Navy and Marines', engraved by the artists, c.1830-37 (colour litho), Mansion, L. and Eschauzier, St. (19th century) / Bridgeman Images
STC97226: Plan of the Battle of Cape St. Vincent, 14th February 1797, c.1830s (engraving), Johnston, Alexander Keith (1804-71) / Bridgeman Images
MEX97317: Malachite copy of the Aztec Sun Stone Calendar, c.16th century (photo) (see also 97309), Mexican School, (16th century) / Bridgeman Images
BFA97520: Tulips, c.1920 (oil on panel), Cadell, Francis Campbell Boileau (1883-1937) / Bridgeman Images
GG97629: Santa Maria della Salute, Venice (oil on canvas), James, William (1730-80) / Bridgeman Images
FTB95823: David (oil on panel), Tintoretto, Domenico Robusti (1560-1635) / Bridgeman Images
MHW98099: Mother and Child, c.1899 (tempera and gesso on panel), Stokes, Marianne (1855-1927) / Bridgeman Images
STC98420: Jugglers Exhibiting in the Court of a Mandarin's Palace, from 'China in a Series of Views' by George Newenham Wright (c.1790-1877) 1843 (coloured engraving), Allom, Thomas (1804-72) (after) / Bridgeman Images
STC98439: Separate Pieces of a Knight's Armour, plate 15 from 'The History of the Nations', engraved by G. Lago (engraving), Italian School, (19th century) / Bridgeman Images
BAT94772: Portrait of the Lawyer (oil on canvas), Boccioni, Umberto (1882-1916) / Bridgeman Images
STC91337: At the Shoe Makers, 1920's (litho), Mourgue, Pierre (1897-1963) / Bridgeman Images
PFA109310: The Interior of a Tavern with a Couple Dancing to the Music of a Fiddler (oil on canvas), Steen, Jan Havicksz. (1625/26-79) / Bridgeman Images
PFA109373: Teasing the Teacher (oil on canvas), Bergamini, Francesco (1815-1883) / Bridgeman Images
CJP108772: 'La Brouille' (The Quarrel) 1771 (pen & ink and grey wash on paper), Boitet, P. (fl.1771) / Bridgeman Images
PFA109306: Portrait of Marie-Anne Mancini (1646-1714) c.1670 (oil on copper), Voet, Jacob Ferdinand (1639-1700) / Bridgeman Images
PFA109509: A Procession in St Peter's, Rome (w/c over an etched base on paper), Vasi, Giuseppe (1710-82) (studio of) / Bridgeman Images
PFA109523: Portrait of Francis Hargrave (1741-1821), 1787 (oil on canvas), Reynolds, Joshua (1723-92) / Bridgeman Images
VFS109704: The Writing Lesson, 1855 (oil on panel), Collinson, James (1825-81) / Bridgeman Images
ELB109838: D is for Dandy, illustration from 'An Alphabet', pub. 1898 (hand-coloured woodcut), Nicholson, William (1872-1949) / Bridgeman Images
VFS109776: Papuan Butterflies 1, 1917-18 (w/c on paper), Rowan, Marian Ellis (1848-1922) / Bridgeman Images
STC110577: Jugdelluk, the Last Stand Made by General Elphinestone's Army in the Calamitous Retreat, plate 21 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by Hulme, 1848 (litho), Rattray, James (fl.1847-51) (after) / Bridgeman Images
STC110571: Kelaut-i-Chiljie, plate 8 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by R. Carrick (c.1829-1904), 1848 (litho), Rattray, James (fl.1847-51) (after) / Bridgeman Images