LLR6033601:
Leslie Urquhart, British mining entrepreneur and director of the Russo-Asiatic Corporation, who attempted to negotiate a concession to operate mines in Soviet Russia (litho), French School, (20th century) / Bridgeman Images
ID: LLR6033601
Leslie Urquhart, British mining entrepreneur and director of the Russo-Asiatic Corporation, who attempted to negotiate a concession to operate mines in Soviet Russia (litho)
French School, (20th century)
LLR6033655:
Men with a group of crocodiles, North Africa (b/w photo), European Photographer, (20th century) / Bridgeman Images
ID: LLR6033655
Men with a group of crocodiles, North Africa (b/w photo)
LLM6027091:
Beethovengang (colour litho), Klingsbogl, Rudolf (1881-1943) / Bridgeman Images
ID: LLM6027091
Beethovengang (colour litho)
Klingsbogl, Rudolf (1881-1943)
LLM6027103:
A "Heurigen" Party (colour litho), Klingsbogl, Rudolf (1881-1943) / Bridgeman Images
ID: LLM6027103
A "Heurigen" Party (colour litho)
Klingsbogl, Rudolf (1881-1943)
LLM6027104:
Haydn (colour litho), Klingsbogl, Rudolf (1881-1943) / Bridgeman Images
ID: LLM6027104
Haydn (colour litho)
Klingsbogl, Rudolf (1881-1943)
LLM6027110:
Johann Strauss' room (colour litho), Klingsbogl, Rudolf (1881-1943) / Bridgeman Images
ID: LLM6027110
Johann Strauss' room (colour litho)
Klingsbogl, Rudolf (1881-1943)
LLM6026836:
London: The Athenaeum Club (b/w photo), English Photographer, (20th century) / Bridgeman Images
ID: LLM6026836
London: The Athenaeum Club (b/w photo)
English Photographer, (20th century)
LLM6026881:
Entrance of Speos (engraving), Edwards, Amelia B. (1831-92) / Bridgeman Images
ID: LLM6026881
Entrance of Speos (engraving)
Edwards, Amelia B. (1831-92)
LLM6026930:
Paris and the Seine (colour litho), Maxwell, Donald (1877-1936) (after) / Bridgeman Images
ID: LLM6026930
Paris and the Seine (colour litho)
Maxwell, Donald (1877-1936) (after)
LLM6024845:
Electric Railway Station, City and South London, King William Street (litho), Luker, William (1820-92) / Bridgeman Images
ID: LLM6024845
Electric Railway Station, City and South London, King William Street (litho)
Luker, William (1820-92)
LLM6024853:
New Zealand Chambers, Leadenhall Street (litho), Luker, William (1820-92) / Bridgeman Images
ID: LLM6024853
New Zealand Chambers, Leadenhall Street (litho)
Luker, William (1820-92)
LLM6024892:
Lloyds' Bank, Lombard Street (litho), Luker, William (1820-92) / Bridgeman Images
ID: LLM6024892
Lloyds' Bank, Lombard Street (litho)
Luker, William (1820-92)
LLM6026138:
Shakespeare's Much Ado About Nothing; Don John plays a foul trick upon Claudio and Don Pedro (engraving), English School, (19th century) / Bridgeman Images
ID: LLM6026138
Shakespeare's Much Ado About Nothing; Don John plays a foul trick upon Claudio and Don Pedro (engraving)
English School, (19th century)
LLM6026144:
Shakespeare's The Taming Of The Shrew; Petruchio and Kathreine (engraving), English School, (19th century) / Bridgeman Images
ID: LLM6026144
Shakespeare's The Taming Of The Shrew; Petruchio and Kathreine (engraving)
English School, (19th century)
LLM6026148:
Shakespeare's The Taming Of The Shrew; Katherine breaking the lute over the musician's head (engraving), English School, (19th century) / Bridgeman Images
ID: LLM6026148
Shakespeare's The Taming Of The Shrew; Katherine breaking the lute over the musician's head (engraving)
English School, (19th century)
LLM6026149:
Shakespeare's As You Like It; Orlando sees Rosalind disguised as Ganymede (engraving), English School, (19th century) / Bridgeman Images
ID: LLM6026149
Shakespeare's As You Like It; Orlando sees Rosalind disguised as Ganymede (engraving)
English School, (19th century)
LLM6026156:
Shakespeare's The Merry Wives Of Windsor; Falstaff disguised, is cudgelled as a witch by Mr Ford (engraving), English School, (19th century) / Bridgeman Images
ID: LLM6026156
Shakespeare's The Merry Wives Of Windsor; Falstaff disguised, is cudgelled as a witch by Mr Ford (engraving)
English School, (19th century)
LLM6026170:
Shakespeare's The Tempest; Miranda offers to bear the logs for Ferdinand (engraving), English School, (19th century) / Bridgeman Images
ID: LLM6026170
Shakespeare's The Tempest; Miranda offers to bear the logs for Ferdinand (engraving)
English School, (19th century)
LLM6026176:
Shakespeare's The Tempest; Ariel, as a harpy, claps his wings upon the table (engraving), English School, (19th century) / Bridgeman Images
ID: LLM6026176
Shakespeare's The Tempest; Ariel, as a harpy, claps his wings upon the table (engraving)
English School, (19th century)
LLM6026186:
Shakespeare's Pericles, Prince Of Tyre; Pericles discovers Marina, who has been introduced as a Stranger (engraving), English School, (19th century) / Bridgeman Images
ID: LLM6026186
Shakespeare's Pericles, Prince Of Tyre; Pericles discovers Marina, who has been introduced as a Stranger (engraving)
English School, (19th century)
LLM6026244:
Illustration for Shakespeare's The Tempest (litho), Woodward, Alice Bolingbroke (1862-1951) (after) / Bridgeman Images
ID: LLM6026244
Illustration for Shakespeare's The Tempest (litho)
Woodward, Alice Bolingbroke (1862-1951) (after)
LLM6026286:
The CUSC bathing shed (litho), English School, (19th century) / Bridgeman Images
LLM6026316:
Painting on Greek vase, 520-500 BC (litho), English School, (19th century) / Bridgeman Images
ID: LLM6026316
Painting on Greek vase, 520-500 BC (litho)
English School, (19th century)
LLM6026355:
Illustration for Tess Of The DUrbervilles by Thomas Hardy (engraving), Gribble, Vivien (1882-1932) / Bridgeman Images
ID: LLM6026355
Illustration for Tess Of The DUrbervilles by Thomas Hardy (engraving)
Gribble, Vivien (1882-1932)
LLM6026363:
Chondroma of the submaxillary gland which had been slowly growing for forty-four years (colour litho), English School, (19th century) / Bridgeman Images
ID: LLM6026363
Chondroma of the submaxillary gland which had been slowly growing for forty-four years (colour litho)