DGC3959745:
Spelling lesson in Chelsea, 1912 (photo), English School, (20th century) / Bridgeman Images
ID: DGC3959745
Spelling lesson in Chelsea, 1912 (photo)
English School, (20th century)
DGC3959746:
A fairground stall offering a trip to Mars for 10c c.1911 (photo) / Bridgeman Images
ID: DGC3959746
A fairground stall offering a trip to Mars for 10c c.1911 (photo)
DGC3959748:
Victoria Station, 1934 (photo), English School, (20th century) / Bridgeman Images
ID: DGC3959748
Victoria Station, 1934 (photo)
English School, (20th century)
XMV3928573:
Blue Interior, Morning, 1968 (collage on board), Bearden, Romare Howard (1911-88) / Bridgeman Images
ID: XMV3928573
Blue Interior, Morning, 1968 (collage on board)
Bearden, Romare Howard (1911-88)
ROG3928592:
Julie Christie and Nicolas Roeg on the set of 'Far From the Madding Crowd', 1967 (photo) / Bridgeman Images
ID: ROG3928592
Julie Christie and Nicolas Roeg on the set of 'Far From the Madding Crowd', 1967 (photo)
IL3787703:
The passing of Arthur, illustration from Tennyson Pictures published by E P Dutton & Co, c.1900 (colour litho), Paget, Walter (1863-1935) / Bridgeman Images
ID: IL3787703
The passing of Arthur, illustration from Tennyson Pictures published by E P Dutton & Co, c.1900 (colour litho)
Paget, Walter (1863-1935)
IL3785335:
Very carefully she cut the soft white beard (from the story Snow White and Rose-Red), illustration from A Staircase of Stories published by Thomas Nelson & Sons Ltd 1940's (colour litho), Jackson, Albert Edward (1873-1952) / Bridgeman Images
ID: IL3785335
Very carefully she cut the soft white beard (from the story Snow White and Rose-Red), illustration from A Staircase of Stories published by Thomas Nelson & Sons Ltd 1940's (colour litho)
Jackson, Albert Edward (1873-1952)
IL3785397:
The tongue cut sparrow entertains the old man (from the story The Tongue Cut Sparrow), illustration from A Staircase of Stories published by Thomas Nelson & Sons Ltd 1940's (colour litho), Chinese School (20th century) / Bridgeman Images
ID: IL3785397
The tongue cut sparrow entertains the old man (from the story The Tongue Cut Sparrow), illustration from A Staircase of Stories published by Thomas Nelson & Sons Ltd 1940's (colour litho)
Chinese School (20th century)
IL3785414:
"All right," answered the monkey, "here you are" (from the story The Monkey and the Crab), illustration from A Staircase of Stories published by Thomas Nelson & Sons Ltd 1940's (colour litho), Chinese School (20th century) / Bridgeman Images
ID: IL3785414
"All right," answered the monkey, "here you are" (from the story The Monkey and the Crab), illustration from A Staircase of Stories published by Thomas Nelson & Sons Ltd 1940's (colour litho)
Chinese School (20th century)
FTL3911655:
Igor Stravinsky's country estate in Ustilug, 1909 (b/w photo) / Bridgeman Images
ID: FTL3911655
Igor Stravinsky's country estate in Ustilug, 1909 (b/w photo)
FTL3923017:
Igor Stravinsky at villa 'La Pervenche', Clarens, near Montreux, France, 1915 (b/w photo) / Bridgeman Images
ID: FTL3923017
Igor Stravinsky at villa 'La Pervenche', Clarens, near Montreux, France, 1915 (b/w photo)
FTL3923025:
Igor Stravinsky with his son Théodore outside restaurant de la Perle du Lac, Geneva, 1952 (b/w photo) / Bridgeman Images
ID: FTL3923025
Igor Stravinsky with his son Théodore outside restaurant de la Perle du Lac, Geneva, 1952 (b/w photo)
FTL3923026:
Igor and Théodore Stravinsky in Théodore's studio in Geneva, Switzerland, 1952 (b/w photo), Stravinsky, Théodore (1907-89) / Bridgeman Images
ID: FTL3923026
Igor and Théodore Stravinsky in Théodore's studio in Geneva, Switzerland, 1952 (b/w photo)
FTL3919837:
Igor Stravinsky in Biaritz, France, 1923 (b/w photo) / Bridgeman Images
ID: FTL3919837
Igor Stravinsky in Biaritz, France, 1923 (b/w photo)
MRZ5034909:
Futurism: “L'anguria lirica” Cover of the Italian futuristic magazine by Tullio d'Albissola (1899-1971) and Bruno Munari (1907-1998) (print), Munari, Bruno (1907-98) & D'Albisola, Tullio (1899-1971) / Bridgeman Images
ID: MRZ5034909
Futurism: “L'anguria lirica” Cover of the Italian futuristic magazine by Tullio d'Albissola (1899-1971) and Bruno Munari (1907-1998) (print)
Munari, Bruno (1907-98) & D'Albisola, Tullio (1899-1971)
LSE5009789:
A lawyer and his client by Daumier - in “” Charivari”” of 21/09/1845, Daumier, Honore (1808-79) / Bridgeman Images
ID: LSE5009789
A lawyer and his client by Daumier - in “” Charivari”” of 21/09/1845
Daumier, Honore (1808-79)
LSE5009793:
The scholarship by Daumier - in “” Charivari”” of 27/08/1853, Daumier, Honore (1808-79) / Bridgeman Images
ID: LSE5009793
The scholarship by Daumier - in “” Charivari”” of 27/08/1853
Daumier, Honore (1808-79)
LSE5010348:
Hairstyle à l'échelle de l'époque Louis XV - Caricature sur les coiffures excessiées du XVIII siècle - in “Paris à travers les siècles”, de Grenouillac, 1881., French School, (19th century) / Bridgeman Images
ID: LSE5010348
Hairstyle à l'échelle de l'époque Louis XV - Caricature sur les coiffures excessiées du XVIII siècle - in “Paris à travers les siècles”, de Grenouillac, 1881.
French School, (19th century)
BLB5026010:
Titleplate to the Nibelungenlied, engraved by Samuel Amsler (1791-1849) & Carl Barth (1787-1853), 1821 (engraving), Cornelius, Peter von (1783-1867) (after) / Bridgeman Images
ID: BLB5026010
Titleplate to the Nibelungenlied, engraved by Samuel Amsler (1791-1849) & Carl Barth (1787-1853), 1821 (engraving)
Cornelius, Peter von (1783-1867) (after)
BLB5026019:
Head of a woman looking upwards, c.1800-10 (pen and brown ink with coloured wash, and white heightening over black chalk), Tischbein, Johann Heinrich Wilhelm (1751-1829) / Bridgeman Images
ID: BLB5026019
Head of a woman looking upwards, c.1800-10 (pen and brown ink with coloured wash, and white heightening over black chalk)
Tischbein, Johann Heinrich Wilhelm (1751-1829)
BLB5026030:
Schloss Predjama in Crein, 12 hours from Trieste, 1816 (litho), Schinkel, Karl Friedrich (1781-1841) / Bridgeman Images
ID: BLB5026030
Schloss Predjama in Crein, 12 hours from Trieste, 1816 (litho)
Schinkel, Karl Friedrich (1781-1841)
BLB5026041:
The division of the promised land, study for the 'Picture Bible', 1851 (pen and black and brown ink with grey wash over graphite), Schnorr von Carolsfeld, Julius (1794-1872) / Bridgeman Images
ID: BLB5026041
The division of the promised land, study for the 'Picture Bible', 1851 (pen and black and brown ink with grey wash over graphite)
Schnorr von Carolsfeld, Julius (1794-1872)
BLB5026043:
Holy Family with Saint John the Baptist, 1847 (pen and red-brown ink over traces of graphite), Schnorr von Carolsfeld, Julius (1794-1872) / Bridgeman Images
ID: BLB5026043
Holy Family with Saint John the Baptist, 1847 (pen and red-brown ink over traces of graphite)
Schnorr von Carolsfeld, Julius (1794-1872)
BLB5026046:
Double portrait of the painter Konrad Eberhard and his brother Franz, 1822 (litho with a tint stone), Ramboux, Johann Anton (1790-1866) / Bridgeman Images
ID: BLB5026046
Double portrait of the painter Konrad Eberhard and his brother Franz, 1822 (litho with a tint stone)
Ramboux, Johann Anton (1790-1866)
BLB5026052:
Raphael introduced to Perugino from Vita de Raffaele da Urbino, 1832 (etched outline with w/c and gilt), Riepenhausen, Johannes (1788-1860) / Bridgeman Images
ID: BLB5026052
Raphael introduced to Perugino from Vita de Raffaele da Urbino, 1832 (etched outline with w/c and gilt)