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Miss Cavell, shot by Germans, in Brussels, Oct. 12, 1915 (poster)
Miss Cavell, shot by Germans, in Brussels, Oct. 12, 1915 (poster)

XEE4410177: Miss Cavell, shot by Germans, in Brussels, Oct. 12, 1915 (poster), French School, (20th century) / Bridgeman Images

At the call of Rouget de l'isle (Rouget de Lisle, 1760-1836), subscribe to the loan of liberation, 1918 (poster)
At the call of Rouget de l'isle (Rouget de Lisle, 1760-1836), subscribe to the loan of liberation, 1918 (poster)

XEE4410197: At the call of Rouget de l'isle (Rouget de Lisle, 1760-1836), subscribe to the loan of liberation, 1918 (poster), Carlu, Jacques (1890-c.1976) / Bridgeman Images

For the return, subscribe to the National Loan - Land Credit Poster of Algeria and Tunisia, 1918
For the return, subscribe to the National Loan - Land Credit Poster of Algeria and Tunisia, 1918

XEE4410200: For the return, subscribe to the National Loan - Land Credit Poster of Algeria and Tunisia, 1918, French School, (20th century) / Bridgeman Images

Grande raffle: sarthoise day - poster, ill. by Lionel Royer, 1916.
Grande raffle: sarthoise day - poster, ill. by Lionel Royer, 1916.

XEE4410203: Grande raffle: sarthoise day - poster, ill. by Lionel Royer, 1916., Royer, Lionel Noel (1852-1926) / Bridgeman Images

The Loan of Peace - poster by Henri Lebasque, 1920.
The Loan of Peace - poster by Henri Lebasque, 1920.

XEE4410224: The Loan of Peace - poster by Henri Lebasque, 1920., Lebasque, Henri (1865-1937) / Bridgeman Images

Third loan of the National Defense “Subscribe for France that fights and for the one that grows every day” - Poster, 1917
Third loan of the National Defense “Subscribe for France that fights and for the one that grows every day” - Poster, 1917

XEE4410237: Third loan of the National Defense “Subscribe for France that fights and for the one that grows every day” - Poster, 1917, Leroux, Auguste (1871-1954) / Bridgeman Images

Portrait of the Marshal. Photograph of the beginning of the 20th century.
Portrait of the Marshal. Photograph of the beginning of the 20th century.

XEE4410251: Portrait of the Marshal. Photograph of the beginning of the 20th century., French Photographer, (20th century) / Bridgeman Images

Tomorrow there will be tobacco and cigarettes - drawing on the tobacco crisis during the war 1914 - 1918.
Tomorrow there will be tobacco and cigarettes - drawing on the tobacco crisis during the war 1914 - 1918.

XEE4410266: Tomorrow there will be tobacco and cigarettes - drawing on the tobacco crisis during the war 1914 - 1918., French School, (20th century) / Bridgeman Images

James K. Polk, President of the United States
James K. Polk, President of the United States

XEE4410267: James K. Polk, President of the United States, Unknown Artist, (19th century) / Bridgeman Images

View of Amiens. Photochrome v. 1900.
View of Amiens. Photochrome v. 1900.

XEE4410305: View of Amiens. Photochrome v. 1900., Unknown Artist, (20th century) / Bridgeman Images

On 31/10/1517, Luther posted on the gates of Wittenberg Castle his 95 theses “” denouncing the sale of indulgences and which marked the beginning of the Reformation - grav., 19th century.””
On 31/10/1517, Luther posted on the gates of Wittenberg Castle his 95 theses “” denouncing the sale of indulgences and which marked the beginning of the Reformation - grav., 19th century.””

XEE4410319: On 31/10/1517, Luther posted on the gates of Wittenberg Castle his 95 theses “” denouncing the sale of indulgences and which marked the beginning of the Reformation - grav., 19th century.””, Unknown Artist, (19th century) / Bridgeman Images

View of the Hospital of Vichy: Source of the Hospital. Photochrome sd. v. 1890.
View of the Hospital of Vichy: Source of the Hospital. Photochrome sd. v. 1890.

XEE4410337: View of the Hospital of Vichy: Source of the Hospital. Photochrome sd. v. 1890., Unknown photographer, (19th century) / Bridgeman Images

Paris: Le Trocadero. Photochrome v. 1900.
Paris: Le Trocadero. Photochrome v. 1900.

XEE4410343: Paris: Le Trocadero. Photochrome v. 1900., Unknown Artist, (20th century) / Bridgeman Images

Christopher Columbus and the Pinzon brothers leaving the port of Palos in Spain on 03/08/1492 for the New World. Engraving sd. 2nd half of the 19th century.
Christopher Columbus and the Pinzon brothers leaving the port of Palos in Spain on 03/08/1492 for the New World. Engraving sd. 2nd half of the 19th century.

XEE4410361: Christopher Columbus and the Pinzon brothers leaving the port of Palos in Spain on 03/08/1492 for the New World. Engraving sd. 2nd half of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Florence: Loggia dei Lanzi Photochrome 1908
Florence: Loggia dei Lanzi Photochrome 1908

XEE4410370: Florence: Loggia dei Lanzi Photochrome 1908, Unknown Artist, (20th century) / Bridgeman Images

General Andrew Jackson (1767 - 1845) at the Battle of New Orleans in 1812.
General Andrew Jackson (1767 - 1845) at the Battle of New Orleans in 1812.

XEE4410373: General Andrew Jackson (1767 - 1845) at the Battle of New Orleans in 1812., Unknown Artist, (19th century) / Bridgeman Images

Serbs (military and civilian personnel) crossing the Drina River in Albania or what is now Yugoslavia. Poster “Serbian Day 25 June 1916” by P. Mourgue.
Serbs (military and civilian personnel) crossing the Drina River in Albania or what is now Yugoslavia. Poster “Serbian Day 25 June 1916” by P. Mourgue.

XEE4410386: Serbs (military and civilian personnel) crossing the Drina River in Albania or what is now Yugoslavia. Poster “Serbian Day 25 June 1916” by P. Mourgue., Mourgue, Pierre (1897-1963) / Bridgeman Images

The absolute is identical to Franz Liszt, Madame d'Agoult and Major Pictet discussing philosophy. Sketch by George Sand from the romantic collection of Adolphe Jullien.
The absolute is identical to Franz Liszt, Madame d'Agoult and Major Pictet discussing philosophy. Sketch by George Sand from the romantic collection of Adolphe Jullien.

XEE4408784: The absolute is identical to Franz Liszt, Madame d'Agoult and Major Pictet discussing philosophy. Sketch by George Sand from the romantic collection of Adolphe Jullien., Sand, George (nee Dupin) (1804-76) / Bridgeman Images

Progress of science: installation of the receiver of TSF at the top of the Eiffel Towe, 1907 (print)
Progress of science: installation of the receiver of TSF at the top of the Eiffel Towe, 1907 (print)

XEE4408820: Progress of science: installation of the receiver of TSF at the top of the Eiffel Towe, 1907 (print), Unknown Artist / Bridgeman Images

Portrait of Eustache de Saint Peter, the best known of the six bourgeois of Calais. Chromolithography of the late 19th century.
Portrait of Eustache de Saint Peter, the best known of the six bourgeois of Calais. Chromolithography of the late 19th century.

XEE4408830: Portrait of Eustache de Saint Peter, the best known of the six bourgeois of Calais. Chromolithography of the late 19th century., French School, (19th century) / Bridgeman Images

Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris Opera on 11 March 1867. The car da fe, 3rd act, decor of Cambon and Thierry. Engraving from 1867.
Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris Opera on 11 March 1867. The car da fe, 3rd act, decor of Cambon and Thierry. Engraving from 1867.

XEE4408869: Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris Opera on 11 March 1867. The car da fe, 3rd act, decor of Cambon and Thierry. Engraving from 1867., Unknown Artist, (19th century) / Bridgeman Images

Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris Opera on 11 March 1867. Scene of the 5th act: Monastery of St. Juste, apparition of Charles V. Engraving from 1867.
Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris Opera on 11 March 1867. Scene of the 5th act: Monastery of St. Juste, apparition of Charles V. Engraving from 1867.

XEE4408873: Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris Opera on 11 March 1867. Scene of the 5th act: Monastery of St. Juste, apparition of Charles V. Engraving from 1867., Unknown Artist, (19th century) / Bridgeman Images

Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris Opera on 11 March 1867. In Neuville's drawing the third act, fourth painting, scene IX.
Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris Opera on 11 March 1867. In Neuville's drawing the third act, fourth painting, scene IX.

XEE4408874: Representation of Don Carlo (Don Carlos) Opera in 5 acts by Giuseppe Verdi at the Paris Opera on 11 March 1867. In Neuville's drawing the third act, fourth painting, scene IX., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Denis Papin, French inventor.
Portrait of Denis Papin, French inventor.

XEE4408910: Portrait of Denis Papin, French inventor., Unknown Artist / Bridgeman Images

The Italian painter Antonio Allegri (known as Correggio or Le Correge 1489-1534), endorses, creates the sign of an inn, to pay for his meal Plate taken from “” Scenes of the life of famous men””” engraving in two colours by Valerio. 1843.
The Italian painter Antonio Allegri (known as Correggio or Le Correge 1489-1534), endorses, creates the sign of an inn, to pay for his meal Plate taken from “” Scenes of the life of famous men””” engraving in two colours by Valerio. 1843.

XEE4408927: The Italian painter Antonio Allegri (known as Correggio or Le Correge 1489-1534), endorses, creates the sign of an inn, to pay for his meal Plate taken from “” Scenes of the life of famous men””” engraving in two colours by Valerio. 1843., French School, (19th century) / Bridgeman Images

Trouville Calvados, Lower Normandy (Normandy) in 1900: the trouville ferry.
Trouville Calvados, Lower Normandy (Normandy) in 1900: the trouville ferry.

XEE4408954: Trouville Calvados, Lower Normandy (Normandy) in 1900: the trouville ferry., Unknown photographer, (20th century) / Bridgeman Images

Trouville Calvados, Lower Normandy (Normandy) in 1900: the municipal casino.
Trouville Calvados, Lower Normandy (Normandy) in 1900: the municipal casino.

XEE4408958: Trouville Calvados, Lower Normandy (Normandy) in 1900: the municipal casino., Unknown photographer, (20th century) / Bridgeman Images

Trouville Calvados, Lower Normandy (Normandy) in 1900: arrival of the boat du Havre “” l'Augustin Normandy””.
Trouville Calvados, Lower Normandy (Normandy) in 1900: arrival of the boat du Havre “” l'Augustin Normandy””.

XEE4408964: Trouville Calvados, Lower Normandy (Normandy) in 1900: arrival of the boat du Havre “” l'Augustin Normandy””., Unknown photographer, (20th century) / Bridgeman Images

Biarritz (Pyrennees Atlantique) (64) in 1900: the rock of the virgin.
Biarritz (Pyrennees Atlantique) (64) in 1900: the rock of the virgin.

XEE4408978: Biarritz (Pyrennees Atlantique) (64) in 1900: the rock of the virgin., Unknown photographer, (20th century) / Bridgeman Images

Biarritz (Pyrennees Atlantique) (64) in 1900: the sea bath at the old port and the rock of the virgin.
Biarritz (Pyrennees Atlantique) (64) in 1900: the sea bath at the old port and the rock of the virgin.

XEE4408979: Biarritz (Pyrennees Atlantique) (64) in 1900: the sea bath at the old port and the rock of the virgin., Unknown photographer, (20th century) / Bridgeman Images

Biarritz (Pyrennees Atlantique) (64) in 1900: the sea baths of the old port.
Biarritz (Pyrennees Atlantique) (64) in 1900: the sea baths of the old port.

XEE4408985: Biarritz (Pyrennees Atlantique) (64) in 1900: the sea baths of the old port., Unknown photographer, (20th century) / Bridgeman Images

Biarritz (Pyrennees Atlantique) (64) in 1900: the lighthouse.
Biarritz (Pyrennees Atlantique) (64) in 1900: the lighthouse.

XEE4408991: Biarritz (Pyrennees Atlantique) (64) in 1900: the lighthouse., Unknown photographer, (20th century) / Bridgeman Images

Biarritz (Pyrennees Atlantique) (64) in 1900: monument to Edward VII.
Biarritz (Pyrennees Atlantique) (64) in 1900: monument to Edward VII.

XEE4408999: Biarritz (Pyrennees Atlantique) (64) in 1900: monument to Edward VII., Unknown photographer, (20th century) / Bridgeman Images

Biarritz (Pyrennees Atlantique) (64) in 1900: the municipal casino and the large beach.
Biarritz (Pyrennees Atlantique) (64) in 1900: the municipal casino and the large beach.

XEE4409002: Biarritz (Pyrennees Atlantique) (64) in 1900: the municipal casino and the large beach., Unknown photographer, (20th century) / Bridgeman Images

Biarritz (Pyrennees Atlantique) (64) in 1900: the semaphore.
Biarritz (Pyrennees Atlantique) (64) in 1900: the semaphore.

XEE4409004: Biarritz (Pyrennees Atlantique) (64) in 1900: the semaphore., Unknown photographer, (20th century) / Bridgeman Images

Biarritz (Pyrennees Atlantique) (64) in 1900: a corner of the beach and the Basta.
Biarritz (Pyrennees Atlantique) (64) in 1900: a corner of the beach and the Basta.

XEE4409005: Biarritz (Pyrennees Atlantique) (64) in 1900: a corner of the beach and the Basta., Unknown photographer, (20th century) / Bridgeman Images


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