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Francis I (engraving)
Francis I (engraving)

LIP1098754: Francis I (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1098754

Francis I (engraving)

English School, (19th century)

Festivities at Hillsborough Castle, Down, on the Coming of Age of the Eldest Son of the Marquis of Downshire (engraving)
Festivities at Hillsborough Castle, Down, on the Coming of Age of the Eldest Son of the Marquis of Downshire (engraving)

LIP1098908: Festivities at Hillsborough Castle, Down, on the Coming of Age of the Eldest Son of the Marquis of Downshire (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1098908

Festivities at Hillsborough Castle, Down, on the Coming of Age of the Eldest Son of the Marquis of Downshire (engraving)

English School, (19th century)

Matsubaya Uchi Utahime, the Courtesan Utahime of Matsuba-Ya. [Between 1788 and 1790], 1 Print : Woodcut, Color ; 63.3 X 11.2 ., Print Shows Utahime, a Courtesan, Full-Length Portrait, Standing, Facing Left.
Matsubaya Uchi Utahime, the Courtesan Utahime of Matsuba-Ya. [Between 1788 and 1790], 1 Print : Woodcut, Color ; 63.3 X 11.2 ., Print Shows Utahime, a Courtesan, Full-Length Portrait, Standing, Facing Left.

LZT1112282: Matsubaya Uchi Utahime, the Courtesan Utahime of Matsuba-Ya. [Between 1788 and 1790], 1 Print : Woodcut, Color ; 63.3 X 11.2 ., Print Shows Utahime, a Courtesan, Full-Length Portrait, Standing, Facing Left., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: LZT1112282

Matsubaya Uchi Utahime, the Courtesan Utahime of Matsuba-Ya. [Between 1788 and 1790], 1 Print : Woodcut, Color ; 63.3 X 11.2 ., Print Shows Utahime, a Courtesan, Full-Length Portrait, Standing, Facing Left.

Toyokuni, Utagawa (1769-1825)

Osumi, Ando 1854., 1 Print : Woodcut, Color ; 35.5 X 23.9 ., Print Shows the Volcano Sakurajima at Osumi on Sakura Island, with Sailing Ships in the Sea Around the Island.
Osumi, Ando 1854., 1 Print : Woodcut, Color ; 35.5 X 23.9 ., Print Shows the Volcano Sakurajima at Osumi on Sakura Island, with Sailing Ships in the Sea Around the Island.

LZT1112442: Osumi, Ando 1854., 1 Print : Woodcut, Color ; 35.5 X 23.9 ., Print Shows the Volcano Sakurajima at Osumi on Sakura Island, with Sailing Ships in the Sea Around the Island., Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LZT1112442

Osumi, Ando 1854., 1 Print : Woodcut, Color ; 35.5 X 23.9 ., Print Shows the Volcano Sakurajima at Osumi on Sakura Island, with Sailing Ships in the Sea Around the Island.

Hiroshige, Ando or Utagawa (1797-1858)

Wakasa Karei O Seisu, Conquered Wakasa Dried Flatfish. 1859., 1 Print : Woodcut, Color ; 35.8 X 23.9 ., Print Shows Fishermen Drying Flatfish on Racks.
Wakasa Karei O Seisu, Conquered Wakasa Dried Flatfish. 1859., 1 Print : Woodcut, Color ; 35.8 X 23.9 ., Print Shows Fishermen Drying Flatfish on Racks.

LZT1112450: Wakasa Karei O Seisu, Conquered Wakasa Dried Flatfish. 1859., 1 Print : Woodcut, Color ; 35.8 X 23.9 ., Print Shows Fishermen Drying Flatfish on Racks., Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LZT1112450

Wakasa Karei O Seisu, Conquered Wakasa Dried Flatfish. 1859., 1 Print : Woodcut, Color ; 35.8 X 23.9 ., Print Shows Fishermen Drying Flatfish on Racks.

Hiroshige, Ando or Utagawa (1797-1858)

Nishi No Kata Kagamiiwa, the Sumo Wrestler Kagamiiwa of the West Side. [Ca. 1847], 1 Print : Woodcut, Color ; 37.6 X 25.9 ., Print Shows Kagamiiwa, a Sumo Wrestler, Full-Length Portrait, Standing, Facing Left, with a Kimono Draped Over His Shoulders.
Nishi No Kata Kagamiiwa, the Sumo Wrestler Kagamiiwa of the West Side. [Ca. 1847], 1 Print : Woodcut, Color ; 37.6 X 25.9 ., Print Shows Kagamiiwa, a Sumo Wrestler, Full-Length Portrait, Standing, Facing Left, with a Kimono Draped Over His Shoulders.

LZT1112287: Nishi No Kata Kagamiiwa, the Sumo Wrestler Kagamiiwa of the West Side. [Ca. 1847], 1 Print : Woodcut, Color ; 37.6 X 25.9 ., Print Shows Kagamiiwa, a Sumo Wrestler, Full-Length Portrait, Standing, Facing Left, with a Kimono Draped Over His Shoulders., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: LZT1112287

Nishi No Kata Kagamiiwa, the Sumo Wrestler Kagamiiwa of the West Side. [Ca. 1847], 1 Print : Woodcut, Color ; 37.6 X 25.9 ., Print Shows Kagamiiwa, a Sumo Wrestler, Full-Length Portrait, Standing, Facing Left, with a Kimono Draped Over His Shoulders.

Toyokuni, Utagawa (1769-1825)

Sawamura Tanosuke No Yusuke Nyobo Osen, the Actor Sawamura Tanosuke in the Role of Yusuke's Wife Osen. [Between 1810 and 1818], 1 Print : Woodcut, Color ; 37.8 X 24.8 ., Print Shows Sawamura Tanosuke, an Actor, in the Role of Osen, Full-Length Portrait, Standing, Facing Left, Carrying a Wooden Bucket Containing Flowers.
Sawamura Tanosuke No Yusuke Nyobo Osen, the Actor Sawamura Tanosuke in the Role of Yusuke's Wife Osen. [Between 1810 and 1818], 1 Print : Woodcut, Color ; 37.8 X 24.8 ., Print Shows Sawamura Tanosuke, an Actor, in the Role of Osen, Full-Length Portrait, Standing, Facing Left, Carrying a Wooden Bucket Containing Flowers.

LZT1112288: Sawamura Tanosuke No Yusuke Nyobo Osen, the Actor Sawamura Tanosuke in the Role of Yusuke's Wife Osen. [Between 1810 and 1818], 1 Print : Woodcut, Color ; 37.8 X 24.8 ., Print Shows Sawamura Tanosuke, an Actor, in the Role of Osen, Full-Length Portrait, Standing, Facing Left, Carrying a Wooden Bucket Containing Flowers., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: LZT1112288

Sawamura Tanosuke No Yusuke Nyobo Osen, the Actor Sawamura Tanosuke in the Role of Yusuke's Wife Osen. [Between 1810 and 1818], 1 Print : Woodcut, Color ; 37.8 X 24.8 ., Print Shows Sawamura Tanosuke, an Actor, in the Role of Osen, Full-Length Portrait, Standing, Facing Left, Carrying a Wooden Bucket Containing Flowers.

Toyokuni, Utagawa (1769-1825)

Horie Nekozane, Horie and Nekozane. 1856., 1 Print : Woodcut, Color ; 36.2 X 23.3 ., Print Shows the Thatched-Roof Buildings of Two Fishing Villages, Horie and Nekozane, with Distant View of Mount Fuji.
Horie Nekozane, Horie and Nekozane. 1856., 1 Print : Woodcut, Color ; 36.2 X 23.3 ., Print Shows the Thatched-Roof Buildings of Two Fishing Villages, Horie and Nekozane, with Distant View of Mount Fuji.

LZT1112418: Horie Nekozane, Horie and Nekozane. 1856., 1 Print : Woodcut, Color ; 36.2 X 23.3 ., Print Shows the Thatched-Roof Buildings of Two Fishing Villages, Horie and Nekozane, with Distant View of Mount Fuji., Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LZT1112418

Horie Nekozane, Horie and Nekozane. 1856., 1 Print : Woodcut, Color ; 36.2 X 23.3 ., Print Shows the Thatched-Roof Buildings of Two Fishing Villages, Horie and Nekozane, with Distant View of Mount Fuji.

Hiroshige, Ando or Utagawa (1797-1858)

Yui, Ando [Between 1848 and 1854], 1 Print : Woodcut, Color ; 16.5 X 22.4 ., Print Shows Travelers on a Street at the Yui Station on the Tokaido Road, with Cliffs and View of the Sea in the Background.
Yui, Ando [Between 1848 and 1854], 1 Print : Woodcut, Color ; 16.5 X 22.4 ., Print Shows Travelers on a Street at the Yui Station on the Tokaido Road, with Cliffs and View of the Sea in the Background.

LZT1112461: Yui, Ando [Between 1848 and 1854], 1 Print : Woodcut, Color ; 16.5 X 22.4 ., Print Shows Travelers on a Street at the Yui Station on the Tokaido Road, with Cliffs and View of the Sea in the Background., Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LZT1112461

Yui, Ando [Between 1848 and 1854], 1 Print : Woodcut, Color ; 16.5 X 22.4 ., Print Shows Travelers on a Street at the Yui Station on the Tokaido Road, with Cliffs and View of the Sea in the Background.

Hiroshige, Ando or Utagawa (1797-1858)

Enpo No Kihan, Returning Sails from Distant Shores. [Between 1804 and 1818], 1 Print : Woodcut, Color ; 17.1 X 23 ., Print Shows a Cluster of Thatch-Roofed and More Substantial Buildings in a Coastal Village, Sailboats Laden with Cargo Approaching Shore, and a Bridge Over an Inlet.
Enpo No Kihan, Returning Sails from Distant Shores. [Between 1804 and 1818], 1 Print : Woodcut, Color ; 17.1 X 23 ., Print Shows a Cluster of Thatch-Roofed and More Substantial Buildings in a Coastal Village, Sailboats Laden with Cargo Approaching Shore, and a Bridge Over an Inlet.

LZT1112305: Enpo No Kihan, Returning Sails from Distant Shores. [Between 1804 and 1818], 1 Print : Woodcut, Color ; 17.1 X 23 ., Print Shows a Cluster of Thatch-Roofed and More Substantial Buildings in a Coastal Village, Sailboats Laden with Cargo Approaching Shore, and a Bridge Over an Inlet., Sekkyo, Sawa (18th-19th century) / Bridgeman Images

ID: LZT1112305

Enpo No Kihan, Returning Sails from Distant Shores. [Between 1804 and 1818], 1 Print : Woodcut, Color ; 17.1 X 23 ., Print Shows a Cluster of Thatch-Roofed and More Substantial Buildings in a Coastal Village, Sailboats Laden with Cargo Approaching Shore, and a Bridge Over an Inlet.

Sekkyo, Sawa (18th-19th century)

Shiohigari, Gathering Clams. Print Shows Five People Gathering Clams Along the Seashore Next to a Boat Pulled Up Onto the Beach.
Shiohigari, Gathering Clams. Print Shows Five People Gathering Clams Along the Seashore Next to a Boat Pulled Up Onto the Beach.

LZT1112311: Shiohigari, Gathering Clams. Print Shows Five People Gathering Clams Along the Seashore Next to a Boat Pulled Up Onto the Beach. / Bridgeman Images

ID: LZT1112311

Shiohigari, Gathering Clams. Print Shows Five People Gathering Clams Along the Seashore Next to a Boat Pulled Up Onto the Beach.

Suruga Miho No Ura, Miho Bay in Suruga. [Between 1848 and 1858], 1 Print : Woodcut, Color ; 11.8 X 12 ., Print Shows Groves of Trees Along the Coast and the Sails of Ships on Miho or Suruga Bay, Japan.
Suruga Miho No Ura, Miho Bay in Suruga. [Between 1848 and 1858], 1 Print : Woodcut, Color ; 11.8 X 12 ., Print Shows Groves of Trees Along the Coast and the Sails of Ships on Miho or Suruga Bay, Japan.

LZT1112313: Suruga Miho No Ura, Miho Bay in Suruga. [Between 1848 and 1858], 1 Print : Woodcut, Color ; 11.8 X 12 ., Print Shows Groves of Trees Along the Coast and the Sails of Ships on Miho or Suruga Bay, Japan., Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LZT1112313

Suruga Miho No Ura, Miho Bay in Suruga. [Between 1848 and 1858], 1 Print : Woodcut, Color ; 11.8 X 12 ., Print Shows Groves of Trees Along the Coast and the Sails of Ships on Miho or Suruga Bay, Japan.

Hiroshige, Ando or Utagawa (1797-1858)

Yoshiwara Yuki No Asa, Morning Snow at Yoshiwara. [Between 1848 and 1854], 1 Print : Woodcut, Color ; 24.6 X 36.7 ., Print Shows a Snow Covered Community in the Morning with Porters Carrying Sedan Chairs, Probably Containing Male Customers, Down the Main Street Leading Away from the Gated Entrance to the Yoshiwara.
Yoshiwara Yuki No Asa, Morning Snow at Yoshiwara. [Between 1848 and 1854], 1 Print : Woodcut, Color ; 24.6 X 36.7 ., Print Shows a Snow Covered Community in the Morning with Porters Carrying Sedan Chairs, Probably Containing Male Customers, Down the Main Street Leading Away from the Gated Entrance to the Yoshiwara.

LZT1112320: Yoshiwara Yuki No Asa, Morning Snow at Yoshiwara. [Between 1848 and 1854], 1 Print : Woodcut, Color ; 24.6 X 36.7 ., Print Shows a Snow Covered Community in the Morning with Porters Carrying Sedan Chairs, Probably Containing Male Customers, Down the Main Street Leading Away from the Gated Entrance to the Yoshiwara., Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LZT1112320

Yoshiwara Yuki No Asa, Morning Snow at Yoshiwara. [Between 1848 and 1854], 1 Print : Woodcut, Color ; 24.6 X 36.7 ., Print Shows a Snow Covered Community in the Morning with Porters Carrying Sedan Chairs, Probably Containing Male Customers, Down the Main Street Leading Away from the Gated Entrance to the Yoshiwara.

Hiroshige, Ando or Utagawa (1797-1858)

Sagami Enoshima Iriguchi, the Gateway to Enoshima in Sagami. 1858., 1 Print : Woodcut, Color ; 36.9 X 24.4 ., Print Shows Three Women Passing Through the Gateway to a Shrine on the Bank of a River with Distant View of Mount Fuji.
Sagami Enoshima Iriguchi, the Gateway to Enoshima in Sagami. 1858., 1 Print : Woodcut, Color ; 36.9 X 24.4 ., Print Shows Three Women Passing Through the Gateway to a Shrine on the Bank of a River with Distant View of Mount Fuji.

LZT1112326: Sagami Enoshima Iriguchi, the Gateway to Enoshima in Sagami. 1858., 1 Print : Woodcut, Color ; 36.9 X 24.4 ., Print Shows Three Women Passing Through the Gateway to a Shrine on the Bank of a River with Distant View of Mount Fuji., Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LZT1112326

Sagami Enoshima Iriguchi, the Gateway to Enoshima in Sagami. 1858., 1 Print : Woodcut, Color ; 36.9 X 24.4 ., Print Shows Three Women Passing Through the Gateway to a Shrine on the Bank of a River with Distant View of Mount Fuji.

Hiroshige, Ando or Utagawa (1797-1858)

Manzai, Comedy., Yajima, Gogaku, Active 19th Century, Artist, [Between 1818 and 1830], 1 Print : Woodcut, Color ; 21 X 18.8 Cm., Print Shows A Screen Painting of Two Strolling Comedic Actors, One Carrying A Hand-Held Drum and the Other is Holding A Fan in Front of His Face.
Manzai, Comedy., Yajima, Gogaku, Active 19th Century, Artist, [Between 1818 and 1830], 1 Print : Woodcut, Color ; 21 X 18.8 Cm., Print Shows A Screen Painting of Two Strolling Comedic Actors, One Carrying A Hand-Held Drum and the Other is Holding A Fan in Front of His Face.

LZT1112327: Manzai, Comedy., Yajima, Gogaku, Active 19th Century, Artist, [Between 1818 and 1830], 1 Print : Woodcut, Color ; 21 X 18.8 Cm., Print Shows A Screen Painting of Two Strolling Comedic Actors, One Carrying A Hand-Held Drum and the Other is Holding A Fan in Front of His Face., Unknown Artist, (19th century) / Bridgeman Images

ID: LZT1112327

Manzai, Comedy., Yajima, Gogaku, Active 19th Century, Artist, [Between 1818 and 1830], 1 Print : Woodcut, Color ; 21 X 18.8 Cm., Print Shows A Screen Painting of Two Strolling Comedic Actors, One Carrying A Hand-Held Drum and the Other is Holding A Fan in Front of His Face.

Unknown Artist, (19th century)

Kumagai Nnaozane to Taira No Atsumori, the Warriors Kumagai Naozane and Taira No Atsumori. Print Shows Two Warriors on Horseback with Bow and Arrows.
Kumagai Nnaozane to Taira No Atsumori, the Warriors Kumagai Naozane and Taira No Atsumori. Print Shows Two Warriors on Horseback with Bow and Arrows.

LZT1112333: Kumagai Nnaozane to Taira No Atsumori, the Warriors Kumagai Naozane and Taira No Atsumori. Print Shows Two Warriors on Horseback with Bow and Arrows. / Bridgeman Images

ID: LZT1112333

Kumagai Nnaozane to Taira No Atsumori, the Warriors Kumagai Naozane and Taira No Atsumori. Print Shows Two Warriors on Horseback with Bow and Arrows.

Aki No Tsuki, Autumn Moon Landscape. 1853., 1 Print : Woodcut, Color ; 35.9 X 24.5 ., Print Shows View Across the Landscape from a Building of the Full Moon above a Body of Water with Boats and a Large Hill.
Aki No Tsuki, Autumn Moon Landscape. 1853., 1 Print : Woodcut, Color ; 35.9 X 24.5 ., Print Shows View Across the Landscape from a Building of the Full Moon above a Body of Water with Boats and a Large Hill.

LZT1112338: Aki No Tsuki, Autumn Moon Landscape. 1853., 1 Print : Woodcut, Color ; 35.9 X 24.5 ., Print Shows View Across the Landscape from a Building of the Full Moon above a Body of Water with Boats and a Large Hill., Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LZT1112338

Aki No Tsuki, Autumn Moon Landscape. 1853., 1 Print : Woodcut, Color ; 35.9 X 24.5 ., Print Shows View Across the Landscape from a Building of the Full Moon above a Body of Water with Boats and a Large Hill.

Hiroshige, Ando or Utagawa (1797-1858)

Ogiya Yugiri, the Courtesan Yugiri of Ogiya. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 36.7 X 24.7 ., Print Shows Yugiri, a Courtesan, Full-Length Portrait, Standing, Facing Right, with Large Fan on the Left Showing Bust Portrait of a Woman Wearing a Large Hat.
Ogiya Yugiri, the Courtesan Yugiri of Ogiya. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 36.7 X 24.7 ., Print Shows Yugiri, a Courtesan, Full-Length Portrait, Standing, Facing Right, with Large Fan on the Left Showing Bust Portrait of a Woman Wearing a Large Hat.

LZT1112342: Ogiya Yugiri, the Courtesan Yugiri of Ogiya. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 36.7 X 24.7 ., Print Shows Yugiri, a Courtesan, Full-Length Portrait, Standing, Facing Right, with Large Fan on the Left Showing Bust Portrait of a Woman Wearing a Large Hat., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: LZT1112342

Ogiya Yugiri, the Courtesan Yugiri of Ogiya. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 36.7 X 24.7 ., Print Shows Yugiri, a Courtesan, Full-Length Portrait, Standing, Facing Right, with Large Fan on the Left Showing Bust Portrait of a Woman Wearing a Large Hat.

Toyokuni, Utagawa (1769-1825)

Andon, Lantern. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 37.6 X 25.8 ., Print Shows a Woman, Full-Length Portrait, Standing, Facing Left, with Several Hairpins in Her Hair, Carrying a Lantern in Her Right Hand and Folded Cloth or Papers in Her Left Hand, on Her Way to a Meeting with a Lover.
Andon, Lantern. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 37.6 X 25.8 ., Print Shows a Woman, Full-Length Portrait, Standing, Facing Left, with Several Hairpins in Her Hair, Carrying a Lantern in Her Right Hand and Folded Cloth or Papers in Her Left Hand, on Her Way to a Meeting with a Lover.

LZT1112343: Andon, Lantern. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 37.6 X 25.8 ., Print Shows a Woman, Full-Length Portrait, Standing, Facing Left, with Several Hairpins in Her Hair, Carrying a Lantern in Her Right Hand and Folded Cloth or Papers in Her Left Hand, on Her Way to a Meeting with a Lover., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: LZT1112343

Andon, Lantern. [Between 1830 and 1844], 1 Print : Woodcut, Color ; 37.6 X 25.8 ., Print Shows a Woman, Full-Length Portrait, Standing, Facing Left, with Several Hairpins in Her Hair, Carrying a Lantern in Her Right Hand and Folded Cloth or Papers in Her Left Hand, on Her Way to a Meeting with a Lover.

Toyokuni, Utagawa (1769-1825)

Hana, Flower. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 35.6 X 23.2 ., Print Shows a Woman, Full-Length Portrait, Standing Beneath a Tree Branch with Blossoms, Facing Left, with Several Hairpins in Her Hair, Holding a Handkerchief Next to Her Right Eye, Looking at a Mirror or Picture in Her Left Hand.
Hana, Flower. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 35.6 X 23.2 ., Print Shows a Woman, Full-Length Portrait, Standing Beneath a Tree Branch with Blossoms, Facing Left, with Several Hairpins in Her Hair, Holding a Handkerchief Next to Her Right Eye, Looking at a Mirror or Picture in Her Left Hand.

LZT1112344: Hana, Flower. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 35.6 X 23.2 ., Print Shows a Woman, Full-Length Portrait, Standing Beneath a Tree Branch with Blossoms, Facing Left, with Several Hairpins in Her Hair, Holding a Handkerchief Next to Her Right Eye, Looking at a Mirror or Picture in Her Left Hand., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

ID: LZT1112344

Hana, Flower. [Between 1804 and 1810], 1 Print : Woodcut, Color ; 35.6 X 23.2 ., Print Shows a Woman, Full-Length Portrait, Standing Beneath a Tree Branch with Blossoms, Facing Left, with Several Hairpins in Her Hair, Holding a Handkerchief Next to Her Right Eye, Looking at a Mirror or Picture in Her Left Hand.

Toyokuni, Utagawa (1769-1825)

Nihonbashi Yukibare, Nihonbashi 1797-1858, [Between 1836 and 1844], 1 Print : Woodcut, Color ; 22.1 X 34.5 ., Print Shows Pedestrians Crossing Bridge Over River, Boats on the River, During Winter, after a Snowfall, with View of Mount Fuji in the Distance.
Nihonbashi Yukibare, Nihonbashi 1797-1858, [Between 1836 and 1844], 1 Print : Woodcut, Color ; 22.1 X 34.5 ., Print Shows Pedestrians Crossing Bridge Over River, Boats on the River, During Winter, after a Snowfall, with View of Mount Fuji in the Distance.

LZT1112350: Nihonbashi Yukibare, Nihonbashi 1797-1858, [Between 1836 and 1844], 1 Print : Woodcut, Color ; 22.1 X 34.5 ., Print Shows Pedestrians Crossing Bridge Over River, Boats on the River, During Winter, after a Snowfall, with View of Mount Fuji in the Distance., Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LZT1112350

Nihonbashi Yukibare, Nihonbashi 1797-1858, [Between 1836 and 1844], 1 Print : Woodcut, Color ; 22.1 X 34.5 ., Print Shows Pedestrians Crossing Bridge Over River, Boats on the River, During Winter, after a Snowfall, with View of Mount Fuji in the Distance.

Hiroshige, Ando or Utagawa (1797-1858)

Sanju Hajinraku, the Dance Sanju Hajinraku. [1819 or 1820], 1 Print : Woodcut, Color ; 22 X 18 ., Print Shows a Dancer Performing the Sanju Hajinraku Dance.
Sanju Hajinraku, the Dance Sanju Hajinraku. [1819 or 1820], 1 Print : Woodcut, Color ; 22 X 18 ., Print Shows a Dancer Performing the Sanju Hajinraku Dance.

LZT1112352: Sanju Hajinraku, the Dance Sanju Hajinraku. [1819 or 1820], 1 Print : Woodcut, Color ; 22 X 18 ., Print Shows a Dancer Performing the Sanju Hajinraku Dance., Chiharu, Takashima (fl.1830) / Bridgeman Images

ID: LZT1112352

Sanju Hajinraku, the Dance Sanju Hajinraku. [1819 or 1820], 1 Print : Woodcut, Color ; 22 X 18 ., Print Shows a Dancer Performing the Sanju Hajinraku Dance.

Chiharu, Takashima (fl.1830)

Fukagawa Geijya, Geisha from Fukagawa. Print Shows Two Women Walking Outside a Building, One Carrying a Paper Lantern.
Fukagawa Geijya, Geisha from Fukagawa. Print Shows Two Women Walking Outside a Building, One Carrying a Paper Lantern.

LZT1112355: Fukagawa Geijya, Geisha from Fukagawa. Print Shows Two Women Walking Outside a Building, One Carrying a Paper Lantern. / Bridgeman Images

ID: LZT1112355

Fukagawa Geijya, Geisha from Fukagawa. Print Shows Two Women Walking Outside a Building, One Carrying a Paper Lantern.

Ryogokubashi No Sekisho, Evening Glow at Ryogoku Bridge. [Between 1844 and 1848], 1 Print : Woodcut, Color ; 25 X 36.8 ., Print Shows Many People on City Streets and Crossing Bridges Over Bodies of Water, with Boats, Wooden Buildings, and the Setting Sun or Full Moon in the Background.
Ryogokubashi No Sekisho, Evening Glow at Ryogoku Bridge. [Between 1844 and 1848], 1 Print : Woodcut, Color ; 25 X 36.8 ., Print Shows Many People on City Streets and Crossing Bridges Over Bodies of Water, with Boats, Wooden Buildings, and the Setting Sun or Full Moon in the Background.

LZT1112359: Ryogokubashi No Sekisho, Evening Glow at Ryogoku Bridge. [Between 1844 and 1848], 1 Print : Woodcut, Color ; 25 X 36.8 ., Print Shows Many People on City Streets and Crossing Bridges Over Bodies of Water, with Boats, Wooden Buildings, and the Setting Sun or Full Moon in the Background., Eisen, Keisai (Ikeda Yoshinobu) (1790-1848) / Bridgeman Images

ID: LZT1112359

Ryogokubashi No Sekisho, Evening Glow at Ryogoku Bridge. [Between 1844 and 1848], 1 Print : Woodcut, Color ; 25 X 36.8 ., Print Shows Many People on City Streets and Crossing Bridges Over Bodies of Water, with Boats, Wooden Buildings, and the Setting Sun or Full Moon in the Background.

Eisen, Keisai (Ikeda Yoshinobu) (1790-1848)

Batta[Inago(?), Between 1830 and 1844 Ikeda, Eisen 1790-1848
Batta[Inago(?), Between 1830 and 1844 Ikeda, Eisen 1790-1848

LZT1112361: Batta[Inago(?), Between 1830 and 1844 Ikeda, Eisen 1790-1848, Eisen, Keisai (Ikeda Yoshinobu) (1790-1848) / Bridgeman Images

ID: LZT1112361

Batta[Inago(?), Between 1830 and 1844 Ikeda, Eisen 1790-1848

Eisen, Keisai (Ikeda Yoshinobu) (1790-1848)

Sanpoukazari to Otafuku No Men, Decoration of Three Treasures and a Mask of Otafuku. [Between 1820 and 1823], 1 Print : Woodcut, Color ; 19.7 X 17.7 ., Print Shows the Mask of the Joyful Mythological Figure Otafuku, a Dish of Incense, a Bonsai Tree, Crayfish(?), Knotted Cord, and Other Articles.
Sanpoukazari to Otafuku No Men, Decoration of Three Treasures and a Mask of Otafuku. [Between 1820 and 1823], 1 Print : Woodcut, Color ; 19.7 X 17.7 ., Print Shows the Mask of the Joyful Mythological Figure Otafuku, a Dish of Incense, a Bonsai Tree, Crayfish(?), Knotted Cord, and Other Articles.

LZT1112363: Sanpoukazari to Otafuku No Men, Decoration of Three Treasures and a Mask of Otafuku. [Between 1820 and 1823], 1 Print : Woodcut, Color ; 19.7 X 17.7 ., Print Shows the Mask of the Joyful Mythological Figure Otafuku, a Dish of Incense, a Bonsai Tree, Crayfish(?), Knotted Cord, and Other Articles., Eisen, Keisai (Ikeda Yoshinobu) (1790-1848) / Bridgeman Images

ID: LZT1112363

Sanpoukazari to Otafuku No Men, Decoration of Three Treasures and a Mask of Otafuku. [Between 1820 and 1823], 1 Print : Woodcut, Color ; 19.7 X 17.7 ., Print Shows the Mask of the Joyful Mythological Figure Otafuku, a Dish of Incense, a Bonsai Tree, Crayfish(?), Knotted Cord, and Other Articles.

Eisen, Keisai (Ikeda Yoshinobu) (1790-1848)

The Czar Sees His Forces Returning, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows Nicholas II Waking from a Nightmare Showing the Battered and Wounded Russian Forces Returning from Battle with the Japanese.
The Czar Sees His Forces Returning, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows Nicholas II Waking from a Nightmare Showing the Battered and Wounded Russian Forces Returning from Battle with the Japanese.

LZT1112376: The Czar Sees His Forces Returning, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows Nicholas II Waking from a Nightmare Showing the Battered and Wounded Russian Forces Returning from Battle with the Japanese., Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: LZT1112376

The Czar Sees His Forces Returning, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows Nicholas II Waking from a Nightmare Showing the Battered and Wounded Russian Forces Returning from Battle with the Japanese.

Kobayashi Kiyochika (1847-1915)

Genl. Kuropatkin Ready for Anything Awaits the Coming of the Japanese, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows the Russian General A.N. Kuropatkin Armed and Waiting for an Approaching Japanese Soldier.
Genl. Kuropatkin Ready for Anything Awaits the Coming of the Japanese, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows the Russian General A.N. Kuropatkin Armed and Waiting for an Approaching Japanese Soldier.

LZT1112380: Genl. Kuropatkin Ready for Anything Awaits the Coming of the Japanese, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows the Russian General A.N. Kuropatkin Armed and Waiting for an Approaching Japanese Soldier., Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: LZT1112380

Genl. Kuropatkin Ready for Anything Awaits the Coming of the Japanese, Kobayashi [1904 or 1905], 1 Print : Woodcut, Color., Print Shows the Russian General A.N. Kuropatkin Armed and Waiting for an Approaching Japanese Soldier.

Kobayashi Kiyochika (1847-1915)

Toto Sukiyabashi, Sukiya Bridge in the Eastern Capital. 1858., 1 Print : Woodcut, Color ; 35.9 X 24.2 ., Print Shows Travelers and Porters Crossing the Sukiya Bridge, the Waterfront with Snow Covered Boats and Buildings, and a View of Mount Fuji in the Background.
Toto Sukiyabashi, Sukiya Bridge in the Eastern Capital. 1858., 1 Print : Woodcut, Color ; 35.9 X 24.2 ., Print Shows Travelers and Porters Crossing the Sukiya Bridge, the Waterfront with Snow Covered Boats and Buildings, and a View of Mount Fuji in the Background.

LZT1112388: Toto Sukiyabashi, Sukiya Bridge in the Eastern Capital. 1858., 1 Print : Woodcut, Color ; 35.9 X 24.2 ., Print Shows Travelers and Porters Crossing the Sukiya Bridge, the Waterfront with Snow Covered Boats and Buildings, and a View of Mount Fuji in the Background., Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LZT1112388

Toto Sukiyabashi, Sukiya Bridge in the Eastern Capital. 1858., 1 Print : Woodcut, Color ; 35.9 X 24.2 ., Print Shows Travelers and Porters Crossing the Sukiya Bridge, the Waterfront with Snow Covered Boats and Buildings, and a View of Mount Fuji in the Background.

Hiroshige, Ando or Utagawa (1797-1858)

[Fukeiga], Ando [Between 1900 and 1940, from an Earlier Print], 1 Print : Woodcut, Color., Print Shows a Sail on a Boat on a River with Low Buildings and Fields in the Background.
[Fukeiga], Ando [Between 1900 and 1940, from an Earlier Print], 1 Print : Woodcut, Color., Print Shows a Sail on a Boat on a River with Low Buildings and Fields in the Background.

LZT1112616: [Fukeiga], Ando [Between 1900 and 1940, from an Earlier Print], 1 Print : Woodcut, Color., Print Shows a Sail on a Boat on a River with Low Buildings and Fields in the Background., Hiroshige, Ando or Utagawa (1797-1858) / Bridgeman Images

ID: LZT1112616

[Fukeiga], Ando [Between 1900 and 1940, from an Earlier Print], 1 Print : Woodcut, Color., Print Shows a Sail on a Boat on a River with Low Buildings and Fields in the Background.

Hiroshige, Ando or Utagawa (1797-1858)

Tatsu Ueno Sanno, Year of the Dragon: Ueno Sanno., Yajima, Gogaku, Active 19th Century, Artist, [Between 1818 and 1830], 1 Print : Woodcut, Color ; 21.2 X 18.8 Cm., Print Shows A Married Woman, Full-Length, And her Servant Holding A Parasol, Walking in A Temple Garden; Page Patterned with Blossoms.
Tatsu Ueno Sanno, Year of the Dragon: Ueno Sanno., Yajima, Gogaku, Active 19th Century, Artist, [Between 1818 and 1830], 1 Print : Woodcut, Color ; 21.2 X 18.8 Cm., Print Shows A Married Woman, Full-Length, And her Servant Holding A Parasol, Walking in A Temple Garden; Page Patterned with Blossoms.

LZT1112485: Tatsu Ueno Sanno, Year of the Dragon: Ueno Sanno., Yajima, Gogaku, Active 19th Century, Artist, [Between 1818 and 1830], 1 Print : Woodcut, Color ; 21.2 X 18.8 Cm., Print Shows A Married Woman, Full-Length, And her Servant Holding A Parasol, Walking in A Temple Garden; Page Patterned with Blossoms., Unknown Artist, (19th century) / Bridgeman Images

ID: LZT1112485

Tatsu Ueno Sanno, Year of the Dragon: Ueno Sanno., Yajima, Gogaku, Active 19th Century, Artist, [Between 1818 and 1830], 1 Print : Woodcut, Color ; 21.2 X 18.8 Cm., Print Shows A Married Woman, Full-Length, And her Servant Holding A Parasol, Walking in A Temple Garden; Page Patterned with Blossoms.

Unknown Artist, (19th century)

Nanko Akasaka Rojo No Zu, the Warrior Kusunoki Barricading Himself Into Akasaka Castle. 1809., 1 Print (3 Sheets) : Woodcut, Color ; 37.9 X 24.8 (Left Panel), 37.6 X 24.4 (Center Panel), 37.6 X 24.7 (Right Panel), Print Shows the Samurai Kusunoki and Followers Defending the Castle at Akasaka.
Nanko Akasaka Rojo No Zu, the Warrior Kusunoki Barricading Himself Into Akasaka Castle. 1809., 1 Print (3 Sheets) : Woodcut, Color ; 37.9 X 24.8 (Left Panel), 37.6 X 24.4 (Center Panel), 37.6 X 24.7 (Right Panel), Print Shows the Samurai Kusunoki and Followers Defending the Castle at Akasaka.

LZT1112574: Nanko Akasaka Rojo No Zu, the Warrior Kusunoki Barricading Himself Into Akasaka Castle. 1809., 1 Print (3 Sheets) : Woodcut, Color ; 37.9 X 24.8 (Left Panel), 37.6 X 24.4 (Center Panel), 37.6 X 24.7 (Right Panel), Print Shows the Samurai Kusunoki and Followers Defending the Castle at Akasaka., Shunman, Kubo (1757-1820) / Bridgeman Images

ID: LZT1112574

Nanko Akasaka Rojo No Zu, the Warrior Kusunoki Barricading Himself Into Akasaka Castle. 1809., 1 Print (3 Sheets) : Woodcut, Color ; 37.9 X 24.8 (Left Panel), 37.6 X 24.4 (Center Panel), 37.6 X 24.7 (Right Panel), Print Shows the Samurai Kusunoki and Followers Defending the Castle at Akasaka.

Shunman, Kubo (1757-1820)

Tehidoi Tsubushigata, Pressure from a Heavy Hand. [Ca. 1904], 1 Print : Woodcut, Color ; 36.6 X 24.6 ., a Large Japanese Hand Crushing Port Arthur, July 25, 1904, a Reference to the Russo-Japanese War of 1904-1905.
Tehidoi Tsubushigata, Pressure from a Heavy Hand. [Ca. 1904], 1 Print : Woodcut, Color ; 36.6 X 24.6 ., a Large Japanese Hand Crushing Port Arthur, July 25, 1904, a Reference to the Russo-Japanese War of 1904-1905.

LZT1112588: Tehidoi Tsubushigata, Pressure from a Heavy Hand. [Ca. 1904], 1 Print : Woodcut, Color ; 36.6 X 24.6 ., a Large Japanese Hand Crushing Port Arthur, July 25, 1904, a Reference to the Russo-Japanese War of 1904-1905., Kobayashi Kiyochika (1847-1915) / Bridgeman Images

ID: LZT1112588

Tehidoi Tsubushigata, Pressure from a Heavy Hand. [Ca. 1904], 1 Print : Woodcut, Color ; 36.6 X 24.6 ., a Large Japanese Hand Crushing Port Arthur, July 25, 1904, a Reference to the Russo-Japanese War of 1904-1905.

Kobayashi Kiyochika (1847-1915)

Motosei Komei Unri Kongo Soman Dokkasei Koryo, Motosei Komei Kuniyoshi, 1798-1861, [Between 1826 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 36.4 X 24.7 (Left Panel), 36 X 24.8 (Right Panel), Print Shows Three Warriors.
Motosei Komei Unri Kongo Soman Dokkasei Koryo, Motosei Komei Kuniyoshi, 1798-1861, [Between 1826 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 36.4 X 24.7 (Left Panel), 36 X 24.8 (Right Panel), Print Shows Three Warriors.

LZT1112591: Motosei Komei Unri Kongo Soman Dokkasei Koryo, Motosei Komei Kuniyoshi, 1798-1861, [Between 1826 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 36.4 X 24.7 (Left Panel), 36 X 24.8 (Right Panel), Print Shows Three Warriors. / Bridgeman Images

ID: LZT1112591

Motosei Komei Unri Kongo Soman Dokkasei Koryo, Motosei Komei Kuniyoshi, 1798-1861, [Between 1826 and 1830], 1 Print (2 Sheets) : Woodcut, Color ; 36.4 X 24.7 (Left Panel), 36 X 24.8 (Right Panel), Print Shows Three Warriors.

Ogiya Hanaogi, the Courtesan Hanaogi of the House of Ogi. [Between 1794 and 1796], 1 Print : Woodcut, Color ; 62.4 X 11.6 ., Print Shows Hanaogi, a Courtesan, Full-Length Portrait, Standing Beneath a Tree, Facing Left.
Ogiya Hanaogi, the Courtesan Hanaogi of the House of Ogi. [Between 1794 and 1796], 1 Print : Woodcut, Color ; 62.4 X 11.6 ., Print Shows Hanaogi, a Courtesan, Full-Length Portrait, Standing Beneath a Tree, Facing Left.

LZT1112544: Ogiya Hanaogi, the Courtesan Hanaogi of the House of Ogi. [Between 1794 and 1796], 1 Print : Woodcut, Color ; 62.4 X 11.6 ., Print Shows Hanaogi, a Courtesan, Full-Length Portrait, Standing Beneath a Tree, Facing Left., Eishi, Hosoda (1756-1829) / Bridgeman Images

ID: LZT1112544

Ogiya Hanaogi, the Courtesan Hanaogi of the House of Ogi. [Between 1794 and 1796], 1 Print : Woodcut, Color ; 62.4 X 11.6 ., Print Shows Hanaogi, a Courtesan, Full-Length Portrait, Standing Beneath a Tree, Facing Left.

Eishi, Hosoda (1756-1829)

Igagoe Dochu Sugoroku, the Joruri and Kabuki Play 1770-1820, [Between 1811 and 1815], 1 Print (3 Sheets) : Woodcut, Color ; 37.8 X 25.6 (Left Panel), 37.7 X 25.1 (Center Panel), 37.5 X 25.2 (Right Panel), Print Shows a Fight Scene from the Play Igagoe Dochu Sugoroku, with Watanabe Shizuma and Araki Mataemon Fighting with Kawai Matagoro and Many Other Men Armed with Pikes or Halbreds at Iga Ueno.
Igagoe Dochu Sugoroku, the Joruri and Kabuki Play 1770-1820, [Between 1811 and 1815], 1 Print (3 Sheets) : Woodcut, Color ; 37.8 X 25.6 (Left Panel), 37.7 X 25.1 (Center Panel), 37.5 X 25.2 (Right Panel), Print Shows a Fight Scene from the Play Igagoe Dochu Sugoroku, with Watanabe Shizuma and Araki Mataemon Fighting with Kawai Matagoro and Many Other Men Armed with Pikes or Halbreds at Iga Ueno.

LZT1112565: Igagoe Dochu Sugoroku, the Joruri and Kabuki Play 1770-1820, [Between 1811 and 1815], 1 Print (3 Sheets) : Woodcut, Color ; 37.8 X 25.6 (Left Panel), 37.7 X 25.1 (Center Panel), 37.5 X 25.2 (Right Panel), Print Shows a Fight Scene from the Play Igagoe Dochu Sugoroku, with Watanabe Shizuma and Araki Mataemon Fighting with Kawai Matagoro and Many Other Men Armed with Pikes or Halbreds at Iga Ueno. / Bridgeman Images

ID: LZT1112565

Igagoe Dochu Sugoroku, the Joruri and Kabuki Play 1770-1820, [Between 1811 and 1815], 1 Print (3 Sheets) : Woodcut, Color ; 37.8 X 25.6 (Left Panel), 37.7 X 25.1 (Center Panel), 37.5 X 25.2 (Right Panel), Print Shows a Fight Scene from the Play Igagoe Dochu Sugoroku, with Watanabe Shizuma and Araki Mataemon Fighting with Kawai Matagoro and Many Other Men Armed with Pikes or Halbreds at Iga Ueno.


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