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Poster for 'The Maitresses of the Pope' anticlerical book of 1884 (litho)
Poster for 'The Maitresses of the Pope' anticlerical book of 1884 (litho)

JLJ4568173: Poster for 'The Maitresses of the Pope' anticlerical book of 1884 (litho), Verlaine, Paul (1844-96) / Bridgeman Images

Portrait of Paul Doumer on January 22, 1905, then President of the House of Deputes. One of the supplement to 'Le petit journal', 22/01/1905 (litho)
Portrait of Paul Doumer on January 22, 1905, then President of the House of Deputes. One of the supplement to 'Le petit journal', 22/01/1905 (litho)

JLJ4568213: Portrait of Paul Doumer on January 22, 1905, then President of the House of Deputes. One of the supplement to 'Le petit journal', 22/01/1905 (litho), Anonymous / Bridgeman Images

Sheet music of Suite for piano (Opus 90) by Camille Saint-Saens (print)
Sheet music of Suite for piano (Opus 90) by Camille Saint-Saens (print)

LRI4568361: Sheet music of Suite for piano (Opus 90) by Camille Saint-Saens (print), Anonymous / Bridgeman Images

Chess players Engraving by Henry Monnier (1805-1877), 19th century (engraving)
Chess players Engraving by Henry Monnier (1805-1877), 19th century (engraving)

JLJ4568450: Chess players Engraving by Henry Monnier (1805-1877), 19th century (engraving), Monnier, Henri Bonaventure (1799-1877) / Bridgeman Images

Feminism: 'Speech for Women's Empowerment in the United States' A young woman standing on a barrel claim women's rights, 19th century (engraving)
Feminism: 'Speech for Women's Empowerment in the United States' A young woman standing on a barrel claim women's rights, 19th century (engraving)

JLJ4568521: Feminism: 'Speech for Women's Empowerment in the United States' A young woman standing on a barrel claim women's rights, 19th century (engraving), Anonymous / Bridgeman Images

Frontispiece of musical score of The Publicists (Op. 321) by Johann Strauss
Frontispiece of musical score of The Publicists (Op. 321) by Johann Strauss

LRI4568723: Frontispiece of musical score of The Publicists (Op. 321) by Johann Strauss, Anonymous / Bridgeman Images

Frontispiece of Enrico di Svezia, opera by Ferdinando Tommasi, 1858
Frontispiece of Enrico di Svezia, opera by Ferdinando Tommasi, 1858

LRI4568882: Frontispiece of Enrico di Svezia, opera by Ferdinando Tommasi, 1858, Unknown Artist, (19th century) / Bridgeman Images

The banks of the Nile. Illustration for act III of Aida, opera by Giuseppe Verdi
The banks of the Nile. Illustration for act III of Aida, opera by Giuseppe Verdi

LRI4568951: The banks of the Nile. Illustration for act III of Aida, opera by Giuseppe Verdi, Anonymous / Bridgeman Images

Portrait of George Louis Le Clerc, Count of Buffon (1707-1788), 18th century (engraving)
Portrait of George Louis Le Clerc, Count of Buffon (1707-1788), 18th century (engraving)

JLJ4615038: Portrait of George Louis Le Clerc, Count of Buffon (1707-1788), 18th century (engraving), Unknown artist, (18th century) / Bridgeman Images

Portrait of Francois de Neufville, Duke of Villeroy (1644-1730), 18th century (engraving)
Portrait of Francois de Neufville, Duke of Villeroy (1644-1730), 18th century (engraving)

JLJ4615057: Portrait of Francois de Neufville, Duke of Villeroy (1644-1730), 18th century (engraving), Unknown artist, (18th century) / Bridgeman Images

Roots, 1945 (watercolor)
Roots, 1945 (watercolor)

LRI4618409: Roots, 1945 (watercolor), Wols, Alfred Otto Wolfgang Schulze (1913-51) / Bridgeman Images

Portrait of Charles Pierre Francois Augereau, French general (1757-1816), 19th century (engraving)
Portrait of Charles Pierre Francois Augereau, French general (1757-1816), 19th century (engraving)

JLJ4616716: Portrait of Charles Pierre Francois Augereau, French general (1757-1816), 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404599: Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404617: Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404622: Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404639: Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404644: Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The wolf beats the grandmother of Little Red Riding Hood. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The wolf beats the grandmother of Little Red Riding Hood. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404703: The wolf beats the grandmother of Little Red Riding Hood. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The ogre's wife opens the door to the Little Poucet and his brothers. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The ogre's wife opens the door to the Little Poucet and his brothers. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404704: The ogre's wife opens the door to the Little Poucet and his brothers. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The parents of the Little Poucet decided to abandon their children in the forest. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The parents of the Little Poucet decided to abandon their children in the forest. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404705: The parents of the Little Poucet decided to abandon their children in the forest. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Little Red Riding Hood. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Little Red Riding Hood. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404709: Little Red Riding Hood. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Sophonisbe wife of King Syphax and Queen of Numibie (235-203 BC). in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).
Sophonisbe wife of King Syphax and Queen of Numibie (235-203 BC). in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).

XEE4404710: Sophonisbe wife of King Syphax and Queen of Numibie (235-203 BC). in “” El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2)., Spanish School, (19th century) / Bridgeman Images

Little Poucet and his brothers lost in the forest abandoned by their parents. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Little Poucet and his brothers lost in the forest abandoned by their parents. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404722: Little Poucet and his brothers lost in the forest abandoned by their parents. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Little Red Riding Hood puts food for his grandmother on the huche. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Little Red Riding Hood puts food for his grandmother on the huche. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404729: Little Red Riding Hood puts food for his grandmother on the huche. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Omar, Muslim prince, making a declaration of love to Sancha Ona, Countess of Castile. in “El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).
Omar, Muslim prince, making a declaration of love to Sancha Ona, Countess of Castile. in “El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).

XEE4404746: Omar, Muslim prince, making a declaration of love to Sancha Ona, Countess of Castile. in “El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2)., Spanish School, (19th century) / Bridgeman Images

Wissembourg, Alsace, France 1869: laying the first stone of the Israeli temple.
Wissembourg, Alsace, France 1869: laying the first stone of the Israeli temple.

XEE4404779: Wissembourg, Alsace, France 1869: laying the first stone of the Israeli temple., Unknown Artist, (19th century) / Bridgeman Images

French Colonies (Senegal) 1865: Expedition in Casamance. Battle of Guimbering, Capture of the village, episode of the attack on the dunes occupied by the enemy.
French Colonies (Senegal) 1865: Expedition in Casamance. Battle of Guimbering, Capture of the village, episode of the attack on the dunes occupied by the enemy.

XEE4404789: French Colonies (Senegal) 1865: Expedition in Casamance. Battle of Guimbering, Capture of the village, episode of the attack on the dunes occupied by the enemy., French School, (19th century) / Bridgeman Images

Philip II of Spain (1527-1598) and Princess D'Eboli in a park in “El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).
Philip II of Spain (1527-1598) and Princess D'Eboli in a park in “El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2).

XEE4404828: Philip II of Spain (1527-1598) and Princess D'Eboli in a park in “El Culto de la Hermosura”” by Juan Justo Huguet, Molinas Hermanos editores, 1880 (volume 1) & 1881 (volume 2)., Spanish School, (19th century) / Bridgeman Images

Horse racing at the Chantilly hypodrome in 1858.
Horse racing at the Chantilly hypodrome in 1858.

XEE4404829: Horse racing at the Chantilly hypodrome in 1858., French School, (19th century) / Bridgeman Images

One of the first drawing representing a Clavicord. Weimar 15th century.
One of the first drawing representing a Clavicord. Weimar 15th century.

XEE4404847: One of the first drawing representing a Clavicord. Weimar 15th century., German School, (15th century) / Bridgeman Images

Portrait of Abraham de Fabert (1599-1662), Marechal of France.
Portrait of Abraham de Fabert (1599-1662), Marechal of France.

XEE4404875: Portrait of Abraham de Fabert (1599-1662), Marechal of France., French School, (19th century) / Bridgeman Images

Portrait of Pascal (Pasquale) Paoli (1725-1807), Patriote Corsica
Portrait of Pascal (Pasquale) Paoli (1725-1807), Patriote Corsica

XEE4404891: Portrait of Pascal (Pasquale) Paoli (1725-1807), Patriote Corsica, Unknown Artist, (19th century) / Bridgeman Images

Execution of Joachim Murat (1767-1815), Marechal of France and King of Naples in 1815.
Execution of Joachim Murat (1767-1815), Marechal of France and King of Naples in 1815.

XEE4404958: Execution of Joachim Murat (1767-1815), Marechal of France and King of Naples in 1815., Unknown Artist, (19th century) / Bridgeman Images

Othello and Desdemona in Venice. Illustration for “” Othello” by William Shakespeare.Act 4 scene 2.English engraving from 1801 by R.K Porter.
Othello and Desdemona in Venice. Illustration for “” Othello” by William Shakespeare.Act 4 scene 2.English engraving from 1801 by R.K Porter.

XEE4404968: Othello and Desdemona in Venice. Illustration for “” Othello” by William Shakespeare.Act 4 scene 2.English engraving from 1801 by R.K Porter., Porter, Robert Kerr (1777-1842) / Bridgeman Images

The Corbin lost on the reef in the Maldives Islands on 1 July 1602. In “” General History of the Navy”” by Van Tenac, 1850
The Corbin lost on the reef in the Maldives Islands on 1 July 1602. In “” General History of the Navy”” by Van Tenac, 1850

XEE4404990: The Corbin lost on the reef in the Maldives Islands on 1 July 1602. In “” General History of the Navy”” by Van Tenac, 1850, Unknown Artist, (19th century) / Bridgeman Images

A Christian captive in Harem. In “The General History of the Navy” by Van Tenac, 1850
A Christian captive in Harem. In “The General History of the Navy” by Van Tenac, 1850

XEE4404993: A Christian captive in Harem. In “The General History of the Navy” by Van Tenac, 1850, Unknown Artist, (19th century) / Bridgeman Images


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