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Confirmation among the Mormons. 19th century engraving.
Confirmation among the Mormons. 19th century engraving.

GIA4738920: Confirmation among the Mormons. 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Nicolas Copernicus (Nicolaus Copernicus, 1473-1543).
Portrait of Nicolas Copernicus (Nicolaus Copernicus, 1473-1543).

GIA4739035: Portrait of Nicolas Copernicus (Nicolaus Copernicus, 1473-1543)., Unknown Artist, (19th century) / Bridgeman Images

Satyre and music. 19th century engraving.
Satyre and music. 19th century engraving.

GIA4739051: Satyre and music. 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images

Axoum (Aksoum), the religious capital of Ethiopia, circa 1850. From a drawing by explorer Gustavo Bianchi.
Axoum (Aksoum), the religious capital of Ethiopia, circa 1850. From a drawing by explorer Gustavo Bianchi.

GIA4765113: Axoum (Aksoum), the religious capital of Ethiopia, circa 1850. From a drawing by explorer Gustavo Bianchi., Italian School, (19th century) / Bridgeman Images

The comparison. Two women compare the size of their chest, 1782 (engraving)
The comparison. Two women compare the size of their chest, 1782 (engraving)

GIA4765278: The comparison. Two women compare the size of their chest, 1782 (engraving), Lafrensen, Niclas II (1737-1807) / Bridgeman Images

View of the island of Capri. 1830. Anonymous painting
View of the island of Capri. 1830. Anonymous painting

GIA4765305: View of the island of Capri. 1830. Anonymous painting, Unknown Artist, (19th century) / Bridgeman Images

Pope Sixtus V (V) (1520 - 1590).
Pope Sixtus V (V) (1520 - 1590).

GIA4765415: Pope Sixtus V (V) (1520 - 1590)., Unknown Artist, (19th century) / Bridgeman Images

The Trojan horse. Aeneid. Xylography by Sebastian Brant. Strasbourg, 1502
The Trojan horse. Aeneid. Xylography by Sebastian Brant. Strasbourg, 1502

GIA4739927: The Trojan horse. Aeneid. Xylography by Sebastian Brant. Strasbourg, 1502, German School, (16th century) / Bridgeman Images

A confrontation between Sicilian fishermen and a huge tiger shark ended with the capture of the sea monster which weighed 12 quintals. Ill. d'A. Beltrame. La Domenica del Corriere. 1908.
A confrontation between Sicilian fishermen and a huge tiger shark ended with the capture of the sea monster which weighed 12 quintals. Ill. d'A. Beltrame. La Domenica del Corriere. 1908.

GIA4765554: A confrontation between Sicilian fishermen and a huge tiger shark ended with the capture of the sea monster which weighed 12 quintals. Ill. d'A. Beltrame. La Domenica del Corriere. 1908., Beltrame, Achille (1871-1945) / Bridgeman Images

Portrait of Thomas Robert Malthus (1766 - 1834), British economist.
Portrait of Thomas Robert Malthus (1766 - 1834), British economist.

GIA4739977: Portrait of Thomas Robert Malthus (1766 - 1834), British economist., Unknown Artist, (19th century) / Bridgeman Images

French cruiser “Jean Bart” of 23,500 tons, built at Rochefort in 1886, weapon in 1889 and, on 11/2/1907, was shipwrecked on the Sahara coast. Drawing by Albert Sebille (1874-1953). sd.
French cruiser “Jean Bart” of 23,500 tons, built at Rochefort in 1886, weapon in 1889 and, on 11/2/1907, was shipwrecked on the Sahara coast. Drawing by Albert Sebille (1874-1953). sd.

GIA4765005: French cruiser “Jean Bart” of 23,500 tons, built at Rochefort in 1886, weapon in 1889 and, on 11/2/1907, was shipwrecked on the Sahara coast. Drawing by Albert Sebille (1874-1953). sd., Sébille, Albert (1874-1953) / Bridgeman Images

Ship shot down in the hull. Venetian fregate whose hull is being repaired in the arsenal. Engraving of the 19th century.
Ship shot down in the hull. Venetian fregate whose hull is being repaired in the arsenal. Engraving of the 19th century.

GIA4765943: Ship shot down in the hull. Venetian fregate whose hull is being repaired in the arsenal. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

A café concert from London. Drawing by Godefroy Durand. 1871
A café concert from London. Drawing by Godefroy Durand. 1871

GIA4766312: A café concert from London. Drawing by Godefroy Durand. 1871, Durand, Godefroy (1832-96) / Bridgeman Images

Sponge fishing along the coast of Syria: divers descend to pick up the sponges by hand. Engraving of the 19th century
Sponge fishing along the coast of Syria: divers descend to pick up the sponges by hand. Engraving of the 19th century

GIA4791259: Sponge fishing along the coast of Syria: divers descend to pick up the sponges by hand. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Representation of a comet above the town of Athenes in 1878.
Representation of a comet above the town of Athenes in 1878.

GIA4792141: Representation of a comet above the town of Athenes in 1878., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Odoacre (Odovacar), leader of the Herules allied to the Huns and minister of Attila (435-493). Engraving of the 18th century.
Portrait of Odoacre (Odovacar), leader of the Herules allied to the Huns and minister of Attila (435-493). Engraving of the 18th century.

GIA4791560: Portrait of Odoacre (Odovacar), leader of the Herules allied to the Huns and minister of Attila (435-493). Engraving of the 18th century., Unknown artist, (18th century) / Bridgeman Images

Different types of human monsters: two creatures with double bodies, half man and dog (Siamese). Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters: two creatures with double bodies, half man and dog (Siamese). Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4791920: Different types of human monsters: two creatures with double bodies, half man and dog (Siamese). Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Different types of human monsters: a fossil man and a monster. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters: a fossil man and a monster. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4792011: Different types of human monsters: a fossil man and a monster. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Emigration of Armenians to Russia. 19th century engraving
Emigration of Armenians to Russia. 19th century engraving

GIA4792257: Emigration of Armenians to Russia. 19th century engraving, Italian School, (19th century) / Bridgeman Images

Illustration of “Ernani” by Italian composer Giuseppe Verdi (1813 - 1901), act V, scene 6, opera created in 1844 after Victor Hugo's tragedy “Hernani”. chromolithograph of the late 19th century..
Illustration of “Ernani” by Italian composer Giuseppe Verdi (1813 - 1901), act V, scene 6, opera created in 1844 after Victor Hugo's tragedy “Hernani”. chromolithograph of the late 19th century..

GIA4769871: Illustration of “Ernani” by Italian composer Giuseppe Verdi (1813 - 1901), act V, scene 6, opera created in 1844 after Victor Hugo's tragedy “Hernani”. chromolithograph of the late 19th century.., Unknown Artist, (19th century) / Bridgeman Images

The temple of Irminsul in the opera “” Norma”” by Vincenzo Bellini (1801 - 1835): Scenography by Sanquirico for the performance at the theatre of La Scala in Milan in 1833.
The temple of Irminsul in the opera “” Norma”” by Vincenzo Bellini (1801 - 1835): Scenography by Sanquirico for the performance at the theatre of La Scala in Milan in 1833.

GIA4769985: The temple of Irminsul in the opera “” Norma”” by Vincenzo Bellini (1801 - 1835): Scenography by Sanquirico for the performance at the theatre of La Scala in Milan in 1833., Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Portrait of Prosper Derivis (1808-1880) in the role of Antigone in the lyrical tragedy “Olympia” by Gaspare Spontini (1774 - 1851) Italian composer.
Portrait of Prosper Derivis (1808-1880) in the role of Antigone in the lyrical tragedy “Olympia” by Gaspare Spontini (1774 - 1851) Italian composer.

GIA4790122: Portrait of Prosper Derivis (1808-1880) in the role of Antigone in the lyrical tragedy “Olympia” by Gaspare Spontini (1774 - 1851) Italian composer., French School, (19th century) / Bridgeman Images

Portrait of Giovanni Battista Morgagni (1682-1771) Italian doctor and anatomist. Milanese .
Portrait of Giovanni Battista Morgagni (1682-1771) Italian doctor and anatomist. Milanese .

GIA4791605: Portrait of Giovanni Battista Morgagni (1682-1771) Italian doctor and anatomist. Milanese ., Unknown artist, (18th century) / Bridgeman Images

Different types of human monsters: one man with animal legs and another with elephant head. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters: one man with animal legs and another with elephant head. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4792041: Different types of human monsters: one man with animal legs and another with elephant head. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Different types of human monsters with half human, half animal bodies. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646
Different types of human monsters with half human, half animal bodies. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646

GIA4791899: Different types of human monsters with half human, half animal bodies. Engraving from “De monstrorum natura, causis et differentiis” by Fortunio Liceti (1577-1656), Italian scientist. 1646, Italian School, (17th century) / Bridgeman Images

Portrait of Marguerite de Provence (1221 - 1295), Queen of France.
Portrait of Marguerite de Provence (1221 - 1295), Queen of France.

GIA4766372: Portrait of Marguerite de Provence (1221 - 1295), Queen of France., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Madeleine of France (1443 - 1495), Countess of Foix.
Portrait of Madeleine of France (1443 - 1495), Countess of Foix.

GIA4766409: Portrait of Madeleine of France (1443 - 1495), Countess of Foix., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Louis - Philip I (1773 - 1850), King of the French.
Portrait of Louis - Philip I (1773 - 1850), King of the French.

GIA4766439: Portrait of Louis - Philip I (1773 - 1850), King of the French., Unknown Artist, (19th century) / Bridgeman Images

Frontispice of the novel by Eugene Sue: The Wandering Jew, 1844 - 1845.
Frontispice of the novel by Eugene Sue: The Wandering Jew, 1844 - 1845.

GIA4766446: Frontispice of the novel by Eugene Sue: The Wandering Jew, 1844 - 1845., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Richard Delalande, superintendent of the Music of the King; b. 15 Dec. 1657 in Paris; d. 18 Jan. 1726.
Portrait of Richard Delalande, superintendent of the Music of the King; b. 15 Dec. 1657 in Paris; d. 18 Jan. 1726.

GIA4766488: Portrait of Richard Delalande, superintendent of the Music of the King; b. 15 Dec. 1657 in Paris; d. 18 Jan. 1726., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Raymond V, Count of Toulouse (approximately 1134 - 1194).
Portrait of Raymond V, Count of Toulouse (approximately 1134 - 1194).

GIA4768012: Portrait of Raymond V, Count of Toulouse (approximately 1134 - 1194)., Unknown Artist, (19th century) / Bridgeman Images

Morgan at Porto Bello after “Buccaneers and Marooners of the Spanish Main” by Howard Pyle (1853 - 1911), American illustrator. Grisaille. 1887.
Morgan at Porto Bello after “Buccaneers and Marooners of the Spanish Main” by Howard Pyle (1853 - 1911), American illustrator. Grisaille. 1887.

GIA4769378: Morgan at Porto Bello after “Buccaneers and Marooners of the Spanish Main” by Howard Pyle (1853 - 1911), American illustrator. Grisaille. 1887., Pyle, Howard (1853-1911) (after) / Bridgeman Images

Portrait of Wolfang Amadeus Mozart (1756 - 1791).
Portrait of Wolfang Amadeus Mozart (1756 - 1791).

GIA4768225: Portrait of Wolfang Amadeus Mozart (1756 - 1791)., Unknown Artist, (19th century) / Bridgeman Images

Marooned pirate after “Buccaneers and Marooners of the Spanish Main” by Howard Pyle (1853 - 1911), American illustrator. Grisaille. 1887.
Marooned pirate after “Buccaneers and Marooners of the Spanish Main” by Howard Pyle (1853 - 1911), American illustrator. Grisaille. 1887.

GIA4769363: Marooned pirate after “Buccaneers and Marooners of the Spanish Main” by Howard Pyle (1853 - 1911), American illustrator. Grisaille. 1887., American School, (19th century) / Bridgeman Images

The Death of a Stingy - Cover of “The Eye of the Police”, 1911 (engraving)
The Death of a Stingy - Cover of “The Eye of the Police”, 1911 (engraving)

ICA4949984: The Death of a Stingy - Cover of “The Eye of the Police”, 1911 (engraving) / Bridgeman Images

Dramatique execution capitale - Cover of “The Eye of the Police”, 1911 (engraving)
Dramatique execution capitale - Cover of “The Eye of the Police”, 1911 (engraving)

ICA4949998: Dramatique execution capitale - Cover of “The Eye of the Police”, 1911 (engraving) / Bridgeman Images


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