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Nomali figure of the Mende tribe or a pondo figure of the Kissi tribe, from Sierra Leone, possibly 16th century (steatite)
Nomali figure of the Mende tribe or a pondo figure of the Kissi tribe, from Sierra Leone, possibly 16th century (steatite)

XAM91574: Nomali figure of the Mende tribe or a pondo figure of the Kissi tribe, from Sierra Leone, possibly 16th century (steatite), African School / Bridgeman Images

ID: XAM91574

Nomali figure of the Mende tribe or a pondo figure of the Kissi tribe, from Sierra Leone, possibly 16th century (steatite)

African School

Antenor's Embassy to Greece and The Judgement of Paris (ink & w/c on paper)
Antenor's Embassy to Greece and The Judgement of Paris (ink & w/c on paper)

PWI91633: Antenor's Embassy to Greece and The Judgement of Paris (ink & w/c on paper), French School, (15th century) / Bridgeman Images

ID: PWI91633

Antenor's Embassy to Greece and The Judgement of Paris (ink & w/c on paper)

French School, (15th century)

View of the northern ballcourt with uncarved stone marker or scoring ring, late Classic period (c.600-900 AD) (photo)
View of the northern ballcourt with uncarved stone marker or scoring ring, late Classic period (c.600-900 AD) (photo)

XAM91798: View of the northern ballcourt with uncarved stone marker or scoring ring, late Classic period (c.600-900 AD) (photo) / Bridgeman Images

ID: XAM91798

View of the northern ballcourt with uncarved stone marker or scoring ring, late Classic period (c.600-900 AD) (photo)

Edinburgh (oil on canvas)
Edinburgh (oil on canvas)

BFA91878: Edinburgh (oil on canvas), Paterson, James (1854-1932) / Bridgeman Images

ID: BFA91878

Edinburgh (oil on canvas)

Paterson, James (1854-1932)

The Marble Courtyard (far left) leading to the Royal Courtyard (centre) 1660s (photo)
The Marble Courtyard (far left) leading to the Royal Courtyard (centre) 1660s (photo)

PWI91926: The Marble Courtyard (far left) leading to the Royal Courtyard (centre) 1660s (photo), Le Vau, Louis (1612-70) / Bridgeman Images

ID: PWI91926

The Marble Courtyard (far left) leading to the Royal Courtyard (centre) 1660s (photo)

Le Vau, Louis (1612-70)

Rackets at the King's Bench, illustration from 'London Life', pub. c.1807 (litho)
Rackets at the King's Bench, illustration from 'London Life', pub. c.1807 (litho)

WSG92027: Rackets at the King's Bench, illustration from 'London Life', pub. c.1807 (litho), English School, (19th century) / Bridgeman Images

ID: WSG92027

Rackets at the King's Bench, illustration from 'London Life', pub. c.1807 (litho)

English School, (19th century)

Yachting, c.1920 (stencil on paper)
Yachting, c.1920 (stencil on paper)

STC92050: Yachting, c.1920 (stencil on paper), Martin, Charles (1848-1934) / Bridgeman Images

ID: STC92050

Yachting, c.1920 (stencil on paper)

Martin, Charles (1848-1934)

The theatre, detail of the three storey scaena (stage), Roman, late 2nd century AD, restored 1937 (photo) (detail of 92104)
The theatre, detail of the three storey scaena (stage), Roman, late 2nd century AD, restored 1937 (photo) (detail of 92104)

XAM92105: The theatre, detail of the three storey scaena (stage), Roman, late 2nd century AD, restored 1937 (photo) (detail of 92104) / Bridgeman Images

ID: XAM92105

The theatre, detail of the three storey scaena (stage), Roman, late 2nd century AD, restored 1937 (photo) (detail of 92104)

Statue of a stork with a side pavilion of the Hall of Supreme Harmony in the background, Ming Dynasty (photo)
Statue of a stork with a side pavilion of the Hall of Supreme Harmony in the background, Ming Dynasty (photo)

XAM92121: Statue of a stork with a side pavilion of the Hall of Supreme Harmony in the background, Ming Dynasty (photo), Chinese School, (15th century) / Bridgeman Images

ID: XAM92121

Statue of a stork with a side pavilion of the Hall of Supreme Harmony in the background, Ming Dynasty (photo)

Chinese School, (15th century)

The Bokhara Coat, 1920 (oil on canvas)
The Bokhara Coat, 1920 (oil on canvas)

RAG94022: The Bokhara Coat, 1920 (oil on canvas), Gertler, Mark (1891-1939) / Bridgeman Images

ID: RAG94022

The Bokhara Coat, 1920 (oil on canvas)

Gertler, Mark (1891-1939)

Design for a panel from King Rene's Honeymoon cabinet, 1851 (gouache on paper) (see 2043 for cabinet)
Design for a panel from King Rene's Honeymoon cabinet, 1851 (gouache on paper) (see 2043 for cabinet)

HTL94047: Design for a panel from King Rene's Honeymoon cabinet, 1851 (gouache on paper) (see 2043 for cabinet), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

ID: HTL94047

Design for a panel from King Rene's Honeymoon cabinet, 1851 (gouache on paper) (see 2043 for cabinet)

Burne-Jones, Edward Coley (1833-98)

Portrait of Richard Stokes, 1902 (pencil, chalk and tempera on panel)
Portrait of Richard Stokes, 1902 (pencil, chalk and tempera on panel)

MHW94179: Portrait of Richard Stokes, 1902 (pencil, chalk and tempera on panel), Stokes, Marianne (1855-1927) / Bridgeman Images

ID: MHW94179

Portrait of Richard Stokes, 1902 (pencil, chalk and tempera on panel)

Stokes, Marianne (1855-1927)

The Oblique-leaved Begonia, engraved by Caldwell, from 'The Temple of Flora' by Robert Thornton, pub. 1800 (colour litho)
The Oblique-leaved Begonia, engraved by Caldwell, from 'The Temple of Flora' by Robert Thornton, pub. 1800 (colour litho)

NP94193: The Oblique-leaved Begonia, engraved by Caldwell, from 'The Temple of Flora' by Robert Thornton, pub. 1800 (colour litho), Reinagle, Philip (1749-1833) (after) / Bridgeman Images

ID: NP94193

The Oblique-leaved Begonia, engraved by Caldwell, from 'The Temple of Flora' by Robert Thornton, pub. 1800 (colour litho)

Reinagle, Philip (1749-1833) (after)

St. Benedict Retrieving the Woodcutter's Axe from the Lake, detail from the fresco cycle of the Life of St. Benedict from the Chiostro degli Aranci (Cloister of the Oranges) c.1430's (fresco)
St. Benedict Retrieving the Woodcutter's Axe from the Lake, detail from the fresco cycle of the Life of St. Benedict from the Chiostro degli Aranci (Cloister of the Oranges) c.1430's (fresco)

BAT94347: St. Benedict Retrieving the Woodcutter's Axe from the Lake, detail from the fresco cycle of the Life of St. Benedict from the Chiostro degli Aranci (Cloister of the Oranges) c.1430's (fresco), Giovanni di Consalvo (15th century) (attr. to) / Bridgeman Images

ID: BAT94347

St. Benedict Retrieving the Woodcutter's Axe from the Lake, detail from the fresco cycle of the Life of St. Benedict from the Chiostro degli Aranci (Cloister of the Oranges) c.1430's (fresco)

Giovanni di Consalvo (15th century) (attr. to)

A Fair at Tula in Holy Week, 1873 (oil on canvas)
A Fair at Tula in Holy Week, 1873 (oil on canvas)

SRM94357: A Fair at Tula in Holy Week, 1873 (oil on canvas), Popov, Andrei Andreevich (1832-96) / Bridgeman Images

ID: SRM94357

A Fair at Tula in Holy Week, 1873 (oil on canvas)

Popov, Andrei Andreevich (1832-96)

Fragment of inlay of a royal head, from Amarna, New Kingdom (opaque turquoise) (detail of 44958)
Fragment of inlay of a royal head, from Amarna, New Kingdom (opaque turquoise) (detail of 44958)

BAL94395: Fragment of inlay of a royal head, from Amarna, New Kingdom (opaque turquoise) (detail of 44958), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

ID: BAL94395

Fragment of inlay of a royal head, from Amarna, New Kingdom (opaque turquoise) (detail of 44958)

Egyptian 18th Dynasty (c.1567-1320 BC)

Elegant Lady at her Dressing Table, plate from 'Galerie des Modes et Costumes Francais', engraved by Dupin, 1778 (engraving)
Elegant Lady at her Dressing Table, plate from 'Galerie des Modes et Costumes Francais', engraved by Dupin, 1778 (engraving)

STC94420: Elegant Lady at her Dressing Table, plate from 'Galerie des Modes et Costumes Francais', engraved by Dupin, 1778 (engraving), Le Clerc, Pierre Thomas (1739-c.1796) (after) / Bridgeman Images

ID: STC94420

Elegant Lady at her Dressing Table, plate from 'Galerie des Modes et Costumes Francais', engraved by Dupin, 1778 (engraving)

Le Clerc, Pierre Thomas (1739-c.1796) (after)

The Prospect of Lincoln's Inn, for 'Stow's Survey of London', pub. 1755 (engraving)
The Prospect of Lincoln's Inn, for 'Stow's Survey of London', pub. 1755 (engraving)

STC94444: The Prospect of Lincoln's Inn, for 'Stow's Survey of London', pub. 1755 (engraving), English School, (18th century) / Bridgeman Images

ID: STC94444

The Prospect of Lincoln's Inn, for 'Stow's Survey of London', pub. 1755 (engraving)

English School, (18th century)

Mademoiselle Desmares in the role of a Pilgrim, plate 88 from 'Theatrical Gallery', engraved by Jean Prud'hon (b.1778) pub. 1812-34 (litho)
Mademoiselle Desmares in the role of a Pilgrim, plate 88 from 'Theatrical Gallery', engraved by Jean Prud'hon (b.1778) pub. 1812-34 (litho)

STC91092: Mademoiselle Desmares in the role of a Pilgrim, plate 88 from 'Theatrical Gallery', engraved by Jean Prud'hon (b.1778) pub. 1812-34 (litho), Coeure, Sebastien (1778-p.1831) (after) / Bridgeman Images

ID: STC91092

Mademoiselle Desmares in the role of a Pilgrim, plate 88 from 'Theatrical Gallery', engraved by Jean Prud'hon (b.1778) pub. 1812-34 (litho)

Coeure, Sebastien (1778-p.1831) (after)

Elephant Shoot (pen & ink, w/c on paper)
Elephant Shoot (pen & ink, w/c on paper)

WSG91166: Elephant Shoot (pen & ink, w/c on paper), Griset, Ernest Henry (1844-1907) / Bridgeman Images

ID: WSG91166

Elephant Shoot (pen & ink, w/c on paper)

Griset, Ernest Henry (1844-1907)

The Imatra Waterfall in Finland, 1819 (oil on canvas)
The Imatra Waterfall in Finland, 1819 (oil on canvas)

SRM91245: The Imatra Waterfall in Finland, 1819 (oil on canvas), Matveev, Fedor Mikhailovich (1758-1826) / Bridgeman Images

ID: SRM91245

The Imatra Waterfall in Finland, 1819 (oil on canvas)

Matveev, Fedor Mikhailovich (1758-1826)

Portrait of Ivan Vasilievich Kusov (1750-1819) 1808 (oil on canvas)
Portrait of Ivan Vasilievich Kusov (1750-1819) 1808 (oil on canvas)

SRM91250: Portrait of Ivan Vasilievich Kusov (1750-1819) 1808 (oil on canvas), Kiprensky, Orest Adamovich (1778-1836) / Bridgeman Images

ID: SRM91250

Portrait of Ivan Vasilievich Kusov (1750-1819) 1808 (oil on canvas)

Kiprensky, Orest Adamovich (1778-1836)

In the Plough Country (w/c on paper)
In the Plough Country (w/c on paper)

WSG91343: In the Plough Country (w/c on paper), Longe, William Verner (1857-1924) / Bridgeman Images

ID: WSG91343

In the Plough Country (w/c on paper)

Longe, William Verner (1857-1924)

Mother and Child (pottery)
Mother and Child (pottery)

PWI91425: Mother and Child (pottery), French School, (19th century) / Bridgeman Images

ID: PWI91425

Mother and Child (pottery)

French School, (19th century)

The Soap Bubbles (oil on canvas)
The Soap Bubbles (oil on canvas)

PWI91441: The Soap Bubbles (oil on canvas), Teniers, David the Younger (1610-90) / Bridgeman Images

ID: PWI91441

The Soap Bubbles (oil on canvas)

Teniers, David the Younger (1610-90)

Harrow, Little Primrose Hill and Primrose Hill, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)
Harrow, Little Primrose Hill and Primrose Hill, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)

GHL91580: Harrow, Little Primrose Hill and Primrose Hill, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint), Morris, Richard (19th century) / Bridgeman Images

ID: GHL91580

Harrow, Little Primrose Hill and Primrose Hill, detail from 'A Panoramic View round the Regent's Park', pub. by Ackermann, 1831 (aquatint)

Morris, Richard (19th century)

The Tomb of Lewis Stuart, Duke of Richmond in Henry the Seventh Chapel, plate 36 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)
The Tomb of Lewis Stuart, Duke of Richmond in Henry the Seventh Chapel, plate 36 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

STC92154: The Tomb of Lewis Stuart, Duke of Richmond in Henry the Seventh Chapel, plate 36 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint), Uwins, Thomas (1782-1857) (after) / Bridgeman Images

ID: STC92154

The Tomb of Lewis Stuart, Duke of Richmond in Henry the Seventh Chapel, plate 36 from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

Uwins, Thomas (1782-1857) (after)

Poets' Corner, plate F from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)
Poets' Corner, plate F from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

STC92173: Poets' Corner, plate F from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint), White, William Johnstone (fl.1804-12) (after) / Bridgeman Images

ID: STC92173

Poets' Corner, plate F from 'Westminster Abbey', engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

White, William Johnstone (fl.1804-12) (after)

East Windows, plate E from 'Westminster Abbey', engraved by Frederick Christian Lewis (1779-1856) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)
East Windows, plate E from 'Westminster Abbey', engraved by Frederick Christian Lewis (1779-1856) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

STC92183: East Windows, plate E from 'Westminster Abbey', engraved by Frederick Christian Lewis (1779-1856) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint), White, William Johnstone (fl.1804-12) (after) / Bridgeman Images

ID: STC92183

East Windows, plate E from 'Westminster Abbey', engraved by Frederick Christian Lewis (1779-1856) pub. by Rudolph Ackermann (1764-1834) 1812 (aquatint)

White, William Johnstone (fl.1804-12) (after)

Censing angel, late 13th century (wall painting)
Censing angel, late 13th century (wall painting)

RH92295: Censing angel, late 13th century (wall painting), English School, (13th century) / Bridgeman Images

ID: RH92295

Censing angel, late 13th century (wall painting)

English School, (13th century)

Equestrian statue of Henri IV (1553-1610) 1818 (bronze)
Equestrian statue of Henri IV (1553-1610) 1818 (bronze)

XIR92541: Equestrian statue of Henri IV (1553-1610) 1818 (bronze), Lemot, Francois Frederic (1772/73-1827) / Bridgeman Images

ID: XIR92541

Equestrian statue of Henri IV (1553-1610) 1818 (bronze)

Lemot, Francois Frederic (1772/73-1827)

Detail of a painted door panel from the Green Dining Room in the First Apartment of the Catherine Palace, 1780-83 (photo)
Detail of a painted door panel from the Green Dining Room in the First Apartment of the Catherine Palace, 1780-83 (photo)

HAZ92604: Detail of a painted door panel from the Green Dining Room in the First Apartment of the Catherine Palace, 1780-83 (photo), Cameron, Charles (c.1743-1812) / Bridgeman Images

ID: HAZ92604

Detail of a painted door panel from the Green Dining Room in the First Apartment of the Catherine Palace, 1780-83 (photo)

Cameron, Charles (c.1743-1812)

The Switchback Pavilion (Katalnaya Gorka) designed by Antonio Rinaldi (1709-94) (photo)
The Switchback Pavilion (Katalnaya Gorka) designed by Antonio Rinaldi (1709-94) (photo)

HAZ92622: The Switchback Pavilion (Katalnaya Gorka) designed by Antonio Rinaldi (1709-94) (photo) / Bridgeman Images

ID: HAZ92622

The Switchback Pavilion (Katalnaya Gorka) designed by Antonio Rinaldi (1709-94) (photo)

Silver Birches (oil on canvas)
Silver Birches (oil on canvas)

NCM94503: Silver Birches (oil on canvas), Cotman, John Sell (1782-1842) / Bridgeman Images

ID: NCM94503

Silver Birches (oil on canvas)

Cotman, John Sell (1782-1842)

Landscape (w/c on paper)
Landscape (w/c on paper)

NCM94526: Landscape (w/c on paper), Cotman, John Joseph (1814-78) / Bridgeman Images

ID: NCM94526

Landscape (w/c on paper)

Cotman, John Joseph (1814-78)

Rescue of a Crew at Gorleston (w/c on paper)
Rescue of a Crew at Gorleston (w/c on paper)

NCM94599: Rescue of a Crew at Gorleston (w/c on paper), Joy, John Cantiloe (1805-59) / Bridgeman Images

ID: NCM94599

Rescue of a Crew at Gorleston (w/c on paper)

Joy, John Cantiloe (1805-59)


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