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Opera singer RENATA TEBALDI, Milan 1992/RENATA TEBALDI, singer lirica, Milano 1992
Opera singer RENATA TEBALDI, Milan 1992/RENATA TEBALDI, singer lirica, Milano 1992

MME4716875: Opera singer RENATA TEBALDI, Milan 1992/RENATA TEBALDI, singer lirica, Milano 1992, Mencarini, Marcello / Bridgeman Images

Opera singer RENATA TEBALDI, Milan 1992/RENATA TEBALDI, singer lirica, Milano 1992
Opera singer RENATA TEBALDI, Milan 1992/RENATA TEBALDI, singer lirica, Milano 1992

MME4716928: Opera singer RENATA TEBALDI, Milan 1992/RENATA TEBALDI, singer lirica, Milano 1992, Mencarini, Marcello / Bridgeman Images

Mind or sensitive mimosa, with hummingbirds Strong water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812
Mind or sensitive mimosa, with hummingbirds Strong water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812

FLO4716921: Mind or sensitive mimosa, with hummingbirds Strong water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812 / Bridgeman Images

Varieties of stapelia, Giant Stapelia, Hirsute Stapelia and Campanulata Stapelia Strong Water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812
Varieties of stapelia, Giant Stapelia, Hirsute Stapelia and Campanulata Stapelia Strong Water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812

FLO4717033: Varieties of stapelia, Giant Stapelia, Hirsute Stapelia and Campanulata Stapelia Strong Water, extracted from The Temple of Flora, by Dr. Robert Thornton (1768-1837), 1812 / Bridgeman Images

Pianist Aldo Ciccolini
Pianist Aldo Ciccolini

MME4722199: Pianist Aldo Ciccolini, Mencarini, Marcello / Bridgeman Images

Tatars or Tartars in traditional costume. Illustration From Andrew Swinton (18th-19th century) Travels into Norway, Denmark and Russia, 1792. Copperplate engraving by dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzogno's Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817
Tatars or Tartars in traditional costume. Illustration From Andrew Swinton (18th-19th century) Travels into Norway, Denmark and Russia, 1792. Copperplate engraving by dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzogno's Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817

FLO4722164: Tatars or Tartars in traditional costume. Illustration From Andrew Swinton (18th-19th century) Travels into Norway, Denmark and Russia, 1792. Copperplate engraving by dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzogno's Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817 / Bridgeman Images

Rome, Foro Italico, 1962. American actor Gordon Scott, known for his portrayal of the fictional character Tarzan in five films, on the edge of a swimming pools/Roma, Foro Italiaco, 1962. L'attore americano Gordon Scott, famoso per aver interpretato il personaggio di Tarzan in cinque film, sul bordo di una piscino -
Rome, Foro Italico, 1962. American actor Gordon Scott, known for his portrayal of the fictional character Tarzan in five films, on the edge of a swimming pools/Roma, Foro Italiaco, 1962. L'attore americano Gordon Scott, famoso per aver interpretato il personaggio di Tarzan in cinque film, sul bordo di una piscino -

MME4722675: Rome, Foro Italico, 1962. American actor Gordon Scott, known for his portrayal of the fictional character Tarzan in five films, on the edge of a swimming pools/Roma, Foro Italiaco, 1962. L'attore americano Gordon Scott, famoso per aver interpretato il personaggio di Tarzan in cinque film, sul bordo di una piscino -, Durazzi, Aldo (1925-90) / Bridgeman Images

Taschichhoedzong, Buddhist monastery and fortress near Thimphu, Bhutan (Thimphu, Bhutan). Illustration by Lieutenant Samuel Davis From Captain Samuel Turner (1759-1802) Account of an Embassy to the Court of the Teshoo Lama in Tibet 1800. Copperplate engraving by dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzogno's Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817
Taschichhoedzong, Buddhist monastery and fortress near Thimphu, Bhutan (Thimphu, Bhutan). Illustration by Lieutenant Samuel Davis From Captain Samuel Turner (1759-1802) Account of an Embassy to the Court of the Teshoo Lama in Tibet 1800. Copperplate engraving by dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzogno's Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817

FLO4722290: Taschichhoedzong, Buddhist monastery and fortress near Thimphu, Bhutan (Thimphu, Bhutan). Illustration by Lieutenant Samuel Davis From Captain Samuel Turner (1759-1802) Account of an Embassy to the Court of the Teshoo Lama in Tibet 1800. Copperplate engraving by dell'Acqua handcoloured by Lazaretti from Giovanni Battista Sonzogno's Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817 / Bridgeman Images

Rome, about 1960. American actress Jayne Mansfield poses lying on a sofa with some little dogs/Roma, 1960 circa. L'attrice americana Jayne Mansfield posa distesa su un divano con dei cagnolini -
Rome, about 1960. American actress Jayne Mansfield poses lying on a sofa with some little dogs/Roma, 1960 circa. L'attrice americana Jayne Mansfield posa distesa su un divano con dei cagnolini -

MME4722472: Rome, about 1960. American actress Jayne Mansfield poses lying on a sofa with some little dogs/Roma, 1960 circa. L'attrice americana Jayne Mansfield posa distesa su un divano con dei cagnolini -, Durazzi, Aldo (1925-90) / Bridgeman Images

Cavalry General ignoring an order to support the infantry in battle. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Cavalry General ignoring an order to support the infantry in battle. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.

FLO4718126: Cavalry General ignoring an order to support the infantry in battle. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773. / Bridgeman Images

Three ugly country bumpkins in competition over their looks. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.
Three ugly country bumpkins in competition over their looks. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773.

FLO4718340: Three ugly country bumpkins in competition over their looks. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786) from Human Passions Delineated, John Haywood, Manchester, 1773. / Bridgeman Images

Ankle and foot bone. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Ankle and foot bone. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672592: Ankle and foot bone. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Ear and eardrum. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Ear and eardrum. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672822: Ear and eardrum. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Sections of the heart. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Sections of the heart. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672832: Sections of the heart. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Circulatory system of the abdomen. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Circulatory system of the abdomen. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672925: Circulatory system of the abdomen. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Circulatory system of the vertebral column and uterus. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Circulatory system of the vertebral column and uterus. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672977: Circulatory system of the vertebral column and uterus. Lithograph of Corbie, based on a drawing by Leveille, in Petiure Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Nervous system of the back. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Nervous system of the back. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672457: Nervous system of the back. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Spinal bone, ribs and sternum. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Spinal bone, ribs and sternum. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672534: Spinal bone, ribs and sternum. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Pelvic bone, front and back views. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Pelvic bone, front and back views. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672563: Pelvic bone, front and back views. Lithograph of Corbie, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

The circulatory system of the stomach, liver, kidneys and pancreas. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
The circulatory system of the stomach, liver, kidneys and pancreas. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4672920: The circulatory system of the stomach, liver, kidneys and pancreas. Lithograph of Choubard, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Saint Germain, Bishop of Paris, c. 496. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Saint Germain, Bishop of Paris, c. 496. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673272: Saint Germain, Bishop of Paris, c. 496. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Charles IV the Fair, King of France, 1294-1328. He wears a fur hat, gold silk robe lined with squirrel fur, cracows or poulaines, while his horse has a caparison with gold fleurs de lys lined in scarlet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Charles IV the Fair, King of France, 1294-1328. He wears a fur hat, gold silk robe lined with squirrel fur, cracows or poulaines, while his horse has a caparison with gold fleurs de lys lined in scarlet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673395: Charles IV the Fair, King of France, 1294-1328. He wears a fur hat, gold silk robe lined with squirrel fur, cracows or poulaines, while his horse has a caparison with gold fleurs de lys lined in scarlet. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

New York night view - New York City by Night - South Manhattan seen from the Empire State Building. South Manhattan seen from the Empire State Building
New York night view - New York City by Night - South Manhattan seen from the Empire State Building. South Manhattan seen from the Empire State Building

PIX4673442: New York night view - New York City by Night - South Manhattan seen from the Empire State Building. South Manhattan seen from the Empire State Building / Bridgeman Images

Lymph nodes and deep vessels of the leg. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Lymph nodes and deep vessels of the leg. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673028: Lymph nodes and deep vessels of the leg. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Arm lymphatic system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Arm lymphatic system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673055: Arm lymphatic system. Lithograph of Corbie, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673214: Clotilde, Queen of the Franks, 475-543. She wears a fine chainmail dress, a veil that falls to the knee, a fine tunic, and cape tied at the breast with a lace. Her gold crown is decorated with gems, and her necklace with pearls and gemstones. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

King Philip IV of France, 1268-1314. He wears a gem encrusted crown, blue robe with ermine collar, cuffs, and hem, black cracows or poulaines, and holds a sceptre. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
King Philip IV of France, 1268-1314. He wears a gem encrusted crown, blue robe with ermine collar, cuffs, and hem, black cracows or poulaines, and holds a sceptre. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673320: King Philip IV of France, 1268-1314. He wears a gem encrusted crown, blue robe with ermine collar, cuffs, and hem, black cracows or poulaines, and holds a sceptre. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Philip V the Tall, King of France, 1292-1322. He wears a full suit of plate armour with gold chainmail, blue cape with gold fleurs de liys lined with ermine. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Philip V the Tall, King of France, 1292-1322. He wears a full suit of plate armour with gold chainmail, blue cape with gold fleurs de liys lined with ermine. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673386: Philip V the Tall, King of France, 1292-1322. He wears a full suit of plate armour with gold chainmail, blue cape with gold fleurs de liys lined with ermine. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

New York Night View - New York City by Night - The East River View from the Empire State Building. East River seen from the Empire State Building
New York Night View - New York City by Night - The East River View from the Empire State Building. East River seen from the Empire State Building

PIX4673450: New York Night View - New York City by Night - The East River View from the Empire State Building. East River seen from the Empire State Building / Bridgeman Images

Lord in the court of King John II of France, Jean le Bon, 14th century. He wears a robe of red damask with long hood and sleeves, black belt with dagger (misericorde) and document purse. The table is covered in a rich oriental fabric of gold wool. From a miniature in the first volume of Froissart's “” Chronicles,”” manuscript 830, Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Lord in the court of King John II of France, Jean le Bon, 14th century. He wears a robe of red damask with long hood and sleeves, black belt with dagger (misericorde) and document purse. The table is covered in a rich oriental fabric of gold wool. From a miniature in the first volume of Froissart's “” Chronicles,”” manuscript 830, Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673507: Lord in the court of King John II of France, Jean le Bon, 14th century. He wears a robe of red damask with long hood and sleeves, black belt with dagger (misericorde) and document purse. The table is covered in a rich oriental fabric of gold wool. From a miniature in the first volume of Froissart's “” Chronicles,”” manuscript 830, Royal Library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Dagobert I, King of Austrasia, all the Franks, Neustria and Burgundy, c.603-639. He wears a crown, full cape over a tunic, shoes. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from King Clovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Dagobert I, King of Austrasia, all the Franks, Neustria and Burgundy, c.603-639. He wears a crown, full cape over a tunic, shoes. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from King Clovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673556: Dagobert I, King of Austrasia, all the Franks, Neustria and Burgundy, c.603-639. He wears a crown, full cape over a tunic, shoes. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from King Clovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Charles V, the Wise, King of France, 1338-1380. He wears a crown, blue simar with gold fleurs de liys, lined with ermine, and red shoes. From a miniature in a manuscript of Froissart's Chronicles. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Charles V, the Wise, King of France, 1338-1380. He wears a crown, blue simar with gold fleurs de liys, lined with ermine, and red shoes. From a miniature in a manuscript of Froissart's Chronicles. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673580: Charles V, the Wise, King of France, 1338-1380. He wears a crown, blue simar with gold fleurs de liys, lined with ermine, and red shoes. From a miniature in a manuscript of Froissart's Chronicles. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

The group called
The group called

JLJ4673097: The group called "Tetrarchs", 300-315 (porphyry), Byzantine, (4th century) / Bridgeman Images

Cerebellum section, ventricular system. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.
Cerebellum section, ventricular system. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864.

FLO4673122: Cerebellum section, ventricular system. Lithograph by Davesne, based on a drawing by Leveille, in Petity Atlas complet d'Anatomie descriptive du Corps Humain, by Dr. Joseph Nicolas Masse, published by Mequignon Marvis, Paris (France), 1864. / Bridgeman Images

Childebert I, King of Paris, 496-558. He wears a gold diadem enriched with gemstones, tunic with gold collar, cape fastened with laces, long belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Childebert I, King of Paris, 496-558. He wears a gold diadem enriched with gemstones, tunic with gold collar, cape fastened with laces, long belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673223: Childebert I, King of Paris, 496-558. He wears a gold diadem enriched with gemstones, tunic with gold collar, cape fastened with laces, long belt. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images

Beatrice of Burgundy (Beatrice de Bourgogne), Lady of Bourbon, 1257-1310. Dress of velvet, embroidered in gold, trimmed with ermine, crown with large ear pieces matching the dress. Wearing a coat of arms of France-Clermont (azure field, gold fleurs de liys) and Bourbon (gold field, red lion and blue shells). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Beatrice of Burgundy (Beatrice de Bourgogne), Lady of Bourbon, 1257-1310. Dress of velvet, embroidered in gold, trimmed with ermine, crown with large ear pieces matching the dress. Wearing a coat of arms of France-Clermont (azure field, gold fleurs de liys) and Bourbon (gold field, red lion and blue shells). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.

FLO4673308: Beatrice of Burgundy (Beatrice de Bourgogne), Lady of Bourbon, 1257-1310. Dress of velvet, embroidered in gold, trimmed with ermine, crown with large ear pieces matching the dress. Wearing a coat of arms of France-Clermont (azure field, gold fleurs de liys) and Bourbon (gold field, red lion and blue shells). Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834., Massard, Leopold (1812-1889) / Bridgeman Images


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