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Russian peasants playing the game of Pristinky, skittles, bowls, cudgels, etc. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Russian peasants playing the game of Pristinky, skittles, bowls, cudgels, etc. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624988: Russian peasants playing the game of Pristinky, skittles, bowls, cudgels, etc. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

A Russian Mountain, a giant artificial ice slide for skaters and sledders, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
A Russian Mountain, a giant artificial ice slide for skaters and sledders, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624918: A Russian Mountain, a giant artificial ice slide for skaters and sledders, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

View of Petrovsky Palace, Moscow, 1847 (engraving)
View of Petrovsky Palace, Moscow, 1847 (engraving)

FLO4624948: View of Petrovsky Palace, Moscow, 1847 (engraving), Giarre, Pietro (1736 - after 1791) / Bridgeman Images

Tapestry detail decorating an altar representing the coronation of the Virgin - From the Church of Santa Maria Novella, 14th century - “” The crowning of the virgin”” Detail of an altarpiece tapestry, 14th century - Florence, Museo Nazionale del Bargello
Tapestry detail decorating an altar representing the coronation of the Virgin - From the Church of Santa Maria Novella, 14th century - “” The crowning of the virgin”” Detail of an altarpiece tapestry, 14th century - Florence, Museo Nazionale del Bargello

LRI4625135: Tapestry detail decorating an altar representing the coronation of the Virgin - From the Church of Santa Maria Novella, 14th century - “” The crowning of the virgin”” Detail of an altarpiece tapestry, 14th century - Florence, Museo Nazionale del Bargello, Unknown Artist, (14th century) / Bridgeman Images

Fougere: polypod with narrow leaves - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Narrow-leaved scaly fern, Pleopeltis angusta - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker Flora from his own “Exotic” Blackwood, Edinburgh, 1823
Fougere: polypod with narrow leaves - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Narrow-leaved scaly fern, Pleopeltis angusta - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker Flora from his own “Exotic” Blackwood, Edinburgh, 1823

FLO4619618: Fougere: polypod with narrow leaves - Lithography by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Flore Exotic, Scotland, 1823 - Narrow-leaved scaly fern, Pleopeltis angusta - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker Flora from his own “Exotic” Blackwood, Edinburgh, 1823 / Bridgeman Images

The Obelisk of Axum in Ethiopia. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843
The Obelisk of Axum in Ethiopia. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843

FLO4619782: The Obelisk of Axum in Ethiopia. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843 / Bridgeman Images

Natives of Guinea climbing trees using slings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843
Natives of Guinea climbing trees using slings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843

FLO4619917: Natives of Guinea climbing trees using slings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843 / Bridgeman Images

Mandingo women dancing a cullunjee. They wear tall feather hats, painted faces, and grass skirts, and beat time with drums and wooden castanets. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Mandingo women dancing a cullunjee. They wear tall feather hats, painted faces, and grass skirts, and beat time with drums and wooden castanets. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619973: Mandingo women dancing a cullunjee. They wear tall feather hats, painted faces, and grass skirts, and beat time with drums and wooden castanets. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

English and Dutch fortresses at Commendo (Komenda, Ghana). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
English and Dutch fortresses at Commendo (Komenda, Ghana). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619994: English and Dutch fortresses at Commendo (Komenda, Ghana). Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Public appearance of the king of Benin, Africa, with drummers, trumpeters, panthers and dwarf. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Public appearance of the king of Benin, Africa, with drummers, trumpeters, panthers and dwarf. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620058: Public appearance of the king of Benin, Africa, with drummers, trumpeters, panthers and dwarf. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Battle costume of the natives of Dalagoa Bay (Maputo Bay), Mozambique. They wear reed helmets decorated with beads, cane armour at the neck, wrist and waist, and carry short spears and axes. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Battle costume of the natives of Dalagoa Bay (Maputo Bay), Mozambique. They wear reed helmets decorated with beads, cane armour at the neck, wrist and waist, and carry short spears and axes. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620253: Battle costume of the natives of Dalagoa Bay (Maputo Bay), Mozambique. They wear reed helmets decorated with beads, cane armour at the neck, wrist and waist, and carry short spears and axes. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Exterior of bedrooms in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Exterior of bedrooms in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620340: Exterior of bedrooms in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

District of Adum in the town of Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Woman selling goods, weaving fabric on a loom, tending a stall. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
District of Adum in the town of Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Woman selling goods, weaving fabric on a loom, tending a stall. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620346: District of Adum in the town of Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Woman selling goods, weaving fabric on a loom, tending a stall. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Sacred instruments to Egyptian, Greek and Roman gods including phallic statue to Bacchus, sacrificial altars, vases, ladles, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Sacred instruments to Egyptian, Greek and Roman gods including phallic statue to Bacchus, sacrificial altars, vases, ladles, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620524: Sacred instruments to Egyptian, Greek and Roman gods including phallic statue to Bacchus, sacrificial altars, vases, ladles, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Animals of Africa including vulnerable Diana monkey, Cercopithecus diana 1, mona monkey, Cercopithecus mona 2, ostrich, Struthio camelus 3, and pink-backed pelican, Pelecanus rufescens 4. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Animals of Africa including vulnerable Diana monkey, Cercopithecus diana 1, mona monkey, Cercopithecus mona 2, ostrich, Struthio camelus 3, and pink-backed pelican, Pelecanus rufescens 4. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620087: Animals of Africa including vulnerable Diana monkey, Cercopithecus diana 1, mona monkey, Cercopithecus mona 2, ostrich, Struthio camelus 3, and pink-backed pelican, Pelecanus rufescens 4. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Nobles of the Nama (Namaqua) people of South Africa, man in fur cape and loincloth, woman in cape and skirt with necklace. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Nobles of the Nama (Namaqua) people of South Africa, man in fur cape and loincloth, woman in cape and skirt with necklace. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620254: Nobles of the Nama (Namaqua) people of South Africa, man in fur cape and loincloth, woman in cape and skirt with necklace. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Egyptian gods: the Sphinx 1, and god of water Canopus covered in hieroglyphs 3,4, and Greek style statue of all the Egyptian gods. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian gods: the Sphinx 1, and god of water Canopus covered in hieroglyphs 3,4, and Greek style statue of all the Egyptian gods. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620462: Egyptian gods: the Sphinx 1, and god of water Canopus covered in hieroglyphs 3,4, and Greek style statue of all the Egyptian gods. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Allegorical representation of Africa, showing a woman lying on a blanket on top of a lion and bushel of wheat, with hieroglyph-covered buildings and columns in the background. Handcoloured copperplate engraving by Andrea Bernieri after an illustration by Andrea Appiani from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843.
Allegorical representation of Africa, showing a woman lying on a blanket on top of a lion and bushel of wheat, with hieroglyph-covered buildings and columns in the background. Handcoloured copperplate engraving by Andrea Bernieri after an illustration by Andrea Appiani from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843.

FLO4620511: Allegorical representation of Africa, showing a woman lying on a blanket on top of a lion and bushel of wheat, with hieroglyph-covered buildings and columns in the background. Handcoloured copperplate engraving by Andrea Bernieri after an illustration by Andrea Appiani from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), 1843. / Bridgeman Images

The great square of Cairo, Egypt, 1820s. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
The great square of Cairo, Egypt, 1820s. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620677: The great square of Cairo, Egypt, 1820s. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Costumes of the indigenous people of Quito, Ecuador. Women in shawls, aprons, skirts and bonnets. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Costumes of the indigenous people of Quito, Ecuador. Women in shawls, aprons, skirts and bonnets. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621087: Costumes of the indigenous people of Quito, Ecuador. Women in shawls, aprons, skirts and bonnets. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Costumes of the people of Lima, Peru. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Costumes of the people of Lima, Peru. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621099: Costumes of the people of Lima, Peru. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Saxon king in chainmail tunic with double-edged sword and shield, and Anglo-Saxon king of the Heptarchy, 8th century, in leather breastplate standing over a defeated enemy with a cup made from a human skull. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Saxon king in chainmail tunic with double-edged sword and shield, and Anglo-Saxon king of the Heptarchy, 8th century, in leather breastplate standing over a defeated enemy with a cup made from a human skull. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623233: Saxon king in chainmail tunic with double-edged sword and shield, and Anglo-Saxon king of the Heptarchy, 8th century, in leather breastplate standing over a defeated enemy with a cup made from a human skull. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

Courtyard and well within the castle built by Hugonin de Chandee 1270. Handcoloured copperplate engraving by Verico after Alessandro Sanquirico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.
Courtyard and well within the castle built by Hugonin de Chandee 1270. Handcoloured copperplate engraving by Verico after Alessandro Sanquirico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

FLO4623350: Courtyard and well within the castle built by Hugonin de Chandee 1270. Handcoloured copperplate engraving by Verico after Alessandro Sanquirico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844. / Bridgeman Images

Alice crosses the mirror Cover of
Alice crosses the mirror Cover of

JLJ4623550: Alice crosses the mirror Cover of "Alice a travers le miroir" by Lewis Carroll, 20th century (print), Maraja, Libico (1912-83) / Bridgeman Images

Warrior prince (Kshatriyas) or Rajput with servant (sudras) in a room with a view of a mosque with dome, Rajasthan, early 19th century. Handcoloured copperplate engraving drawn and engraved by Andrea Bernieri from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Batelli, 1843.
Warrior prince (Kshatriyas) or Rajput with servant (sudras) in a room with a view of a mosque with dome, Rajasthan, early 19th century. Handcoloured copperplate engraving drawn and engraved by Andrea Bernieri from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Batelli, 1843.

FLO4623650: Warrior prince (Kshatriyas) or Rajput with servant (sudras) in a room with a view of a mosque with dome, Rajasthan, early 19th century. Handcoloured copperplate engraving drawn and engraved by Andrea Bernieri from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Batelli, 1843. / Bridgeman Images

View of the city of St. Petersburg, Russia, circa 1800. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
View of the city of St. Petersburg, Russia, circa 1800. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624760: View of the city of St. Petersburg, Russia, circa 1800. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

Costumes of Kyrgyz men with their distinctive hats, and a rear view of a woman in robes with shawl, embroidery, fringes, etc. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Costumes of Kyrgyz men with their distinctive hats, and a rear view of a woman in robes with shawl, embroidery, fringes, etc. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624788: Costumes of Kyrgyz men with their distinctive hats, and a rear view of a woman in robes with shawl, embroidery, fringes, etc. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

View of the Kremlin, Moscow, 18th century.
View of the Kremlin, Moscow, 18th century.

FLO4624930: View of the Kremlin, Moscow, 18th century., Giarre, Pietro (1736 - after 1791) / Bridgeman Images

Wild rice, Zizania aquatica. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Wild rice, Zizania aquatica. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618452: Wild rice, Zizania aquatica. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Flax, Linum usitatissimum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Flax, Linum usitatissimum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618735: Flax, Linum usitatissimum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Claves and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Sacred lotus flower, Nelumbo nucifera, in the water. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Sacred lotus flower, Nelumbo nucifera, in the water. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618470: Sacred lotus flower, Nelumbo nucifera, in the water. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

Long line (Artwork, 1959)
Long line (Artwork, 1959)

LRI4618500: Long line (Artwork, 1959), Manzoni, Piero (1933-63) / Bridgeman Images

The Scale of the Mysterious Baths, 1970 (oil on canvas)
The Scale of the Mysterious Baths, 1970 (oil on canvas)

LRI4618811: The Scale of the Mysterious Baths, 1970 (oil on canvas), Chirico, Giorgio de (1888-1978) / Bridgeman Images

Student attempting to smuggle a woman in a basket into his rooms at college. Capping a Proctor, or Oxford Bulldogs detecting Brazen Smugglers. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.
Student attempting to smuggle a woman in a basket into his rooms at college. Capping a Proctor, or Oxford Bulldogs detecting Brazen Smugglers. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott.

FLO4618844: Student attempting to smuggle a woman in a basket into his rooms at college. Capping a Proctor, or Oxford Bulldogs detecting Brazen Smugglers. Handcoloured copperplate drawn and engraved by Robert Cruikshank from The English Spy, London, 1825. Written by Bernard Blackmantle, a pseudonym for Charles Molloy Westmacott. / Bridgeman Images

The Inspeakable Court, 1973 (oil on canvas)
The Inspeakable Court, 1973 (oil on canvas)

LRI4618854: The Inspeakable Court, 1973 (oil on canvas), Chirico, Giorgio de (1888-1978) / Bridgeman Images

Sarracenia or red sarracene - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Sweet pitcher plant or red side-saddle flower, Sarracenia rubra - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora, Blackwood, Edinburgh, 1823
Sarracenia or red sarracene - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Sweet pitcher plant or red side-saddle flower, Sarracenia rubra - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora, Blackwood, Edinburgh, 1823

FLO4619344: Sarracenia or red sarracene - Lithograph by J. Swan, from an illustration by William Jackson Hooker (1785-1865), extract from Exotic Flora, Scotland, 1823 - Sweet pitcher plant or red side-saddle flower, Sarracenia rubra - Handcoloured copperplate engraving by J. Swan after a botanical illustration by W. J. Hooker from his own “Exotic Flora, Blackwood, Edinburgh, 1823 / Bridgeman Images


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