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The lute player, 17th century (painting)
The lute player, 17th century (painting)

LRI4620109: The lute player, 17th century (painting), Miradori, Luigi (Il Genovesino) (c.1605-c.1654) / Bridgeman Images

ID: LRI4620109

The lute player, 17th century (painting)

Miradori, Luigi (Il Genovesino) (c.1605-c.1654)

Statuette of Hercules. From Pietragalla, 5th century BC (bronze sculpture)
Statuette of Hercules. From Pietragalla, 5th century BC (bronze sculpture)

LRI4641422: Statuette of Hercules. From Pietragalla, 5th century BC (bronze sculpture), Italic, (5th century BC) / Bridgeman Images

ID: LRI4641422

Statuette of Hercules. From Pietragalla, 5th century BC (bronze sculpture)

Italic, (5th century BC)

Portrait of the artist (oil on canvas, 1896)
Portrait of the artist (oil on canvas, 1896)

LRI4652323: Portrait of the artist (oil on canvas, 1896), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: LRI4652323

Portrait of the artist (oil on canvas, 1896)

Gauguin, Paul (1848-1903)

The toilet of the bather (Chalk et sanguine drawing, 1900-1901)
The toilet of the bather (Chalk et sanguine drawing, 1900-1901)

LRI4652850: The toilet of the bather (Chalk et sanguine drawing, 1900-1901), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: LRI4652850

The toilet of the bather (Chalk et sanguine drawing, 1900-1901)

Renoir, Pierre Auguste (1841-1919)

Portrait of Gabrielle with the hat, c.1915 (oil on canvas)
Portrait of Gabrielle with the hat, c.1915 (oil on canvas)

LRI4652966: Portrait of Gabrielle with the hat, c.1915 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: LRI4652966

Portrait of Gabrielle with the hat, c.1915 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

Portrait of man with the antique Red man face with double-pointed beard (or goat), it is covered with a loincloth. Painting on wood attributed to Pseudo Felix Chretien (ca. 1510-1579). circa 1535-1550 Dim. 48x39 cm Paris, musee du Louvre - Portrait of a man in Antique style. Face of a red hair manwith a double spike beard, wearing a toga. Wood painting attributed to Pseudo Felix Chretien ca. 1510-1579, 48 x 39 cm, Musee du Louvre, Paris, France.
Portrait of man with the antique Red man face with double-pointed beard (or goat), it is covered with a loincloth. Painting on wood attributed to Pseudo Felix Chretien (ca. 1510-1579). circa 1535-1550 Dim. 48x39 cm Paris, musee du Louvre - Portrait of a man in Antique style. Face of a red hair manwith a double spike beard, wearing a toga. Wood painting attributed to Pseudo Felix Chretien ca. 1510-1579, 48 x 39 cm, Musee du Louvre, Paris, France.

LRI4620708: Portrait of man with the antique Red man face with double-pointed beard (or goat), it is covered with a loincloth. Painting on wood attributed to Pseudo Felix Chretien (ca. 1510-1579). circa 1535-1550 Dim. 48x39 cm Paris, musee du Louvre - Portrait of a man in Antique style. Face of a red hair manwith a double spike beard, wearing a toga. Wood painting attributed to Pseudo Felix Chretien ca. 1510-1579, 48 x 39 cm, Musee du Louvre, Paris, France., Pons, Bartholomeus (Felix Chretien, master of Dinteville) (active 1518-1541) / Bridgeman Images

ID: LRI4620708

Portrait of man with the antique Red man face with double-pointed beard (or goat), it is covered with a loincloth. Painting on wood attributed to Pseudo Felix Chretien (ca. 1510-1579). circa 1535-1550 Dim. 48x39 cm Paris, musee du Louvre - Portrait of a man in Antique style. Face of a red hair manwith a double spike beard, wearing a toga. Wood painting attributed to Pseudo Felix Chretien ca. 1510-1579, 48 x 39 cm, Musee du Louvre, Paris, France.

Pons, Bartholomeus (Felix Chretien, master of Dinteville) (active 1518-1541)

Ecce Homo Painting by Antonio Allegri (known as Correggio or The Correge 1489-1534) 1524-1526 Dim. 99x80 cm London, National gallery
Ecce Homo Painting by Antonio Allegri (known as Correggio or The Correge 1489-1534) 1524-1526 Dim. 99x80 cm London, National gallery

LRI4620750: Ecce Homo Painting by Antonio Allegri (known as Correggio or The Correge 1489-1534) 1524-1526 Dim. 99x80 cm London, National gallery, Correggio, (Antonio Allegri) (c.1489-1534) / Bridgeman Images

ID: LRI4620750

Ecce Homo Painting by Antonio Allegri (known as Correggio or The Correge 1489-1534) 1524-1526 Dim. 99x80 cm London, National gallery

Correggio, (Antonio Allegri) (c.1489-1534)

Risorgimento: “” Portrait of the Italian patriot Silvio Pellico (1789-1854)” Anonymous painting of the 19th century Saluzzo, Museo di Casa Cavassa
Risorgimento: “” Portrait of the Italian patriot Silvio Pellico (1789-1854)” Anonymous painting of the 19th century Saluzzo, Museo di Casa Cavassa

LRI4635056: Risorgimento: “” Portrait of the Italian patriot Silvio Pellico (1789-1854)” Anonymous painting of the 19th century Saluzzo, Museo di Casa Cavassa, Unknown Artist, (19th century) / Bridgeman Images

ID: LRI4635056

Risorgimento: “” Portrait of the Italian patriot Silvio Pellico (1789-1854)” Anonymous painting of the 19th century Saluzzo, Museo di Casa Cavassa

Unknown Artist, (19th century)

The Roman consul Iulius Annius Bassus represents on a Detail quadrige of the sectile opus plate dating from the 4th century. Basilica of Junius Bassus (Basilica Iunii Bassi), Esquilin in Rome. Preserve at the Conservatori Museum, Rome
The Roman consul Iulius Annius Bassus represents on a Detail quadrige of the sectile opus plate dating from the 4th century. Basilica of Junius Bassus (Basilica Iunii Bassi), Esquilin in Rome. Preserve at the Conservatori Museum, Rome

LRI4635183: The Roman consul Iulius Annius Bassus represents on a Detail quadrige of the sectile opus plate dating from the 4th century. Basilica of Junius Bassus (Basilica Iunii Bassi), Esquilin in Rome. Preserve at the Conservatori Museum, Rome, Roman, (4th century AD) / Bridgeman Images

ID: LRI4635183

The Roman consul Iulius Annius Bassus represents on a Detail quadrige of the sectile opus plate dating from the 4th century. Basilica of Junius Bassus (Basilica Iunii Bassi), Esquilin in Rome. Preserve at the Conservatori Museum, Rome

Roman, (4th century AD)

Representation by members of the parliamentary right of the Heros of Risorgimento and Italian patriot Giuseppe Garibaldi (1807-1882) in 1874. Drawing. Rome, Museo del Risorgimento
Representation by members of the parliamentary right of the Heros of Risorgimento and Italian patriot Giuseppe Garibaldi (1807-1882) in 1874. Drawing. Rome, Museo del Risorgimento

LRI4635271: Representation by members of the parliamentary right of the Heros of Risorgimento and Italian patriot Giuseppe Garibaldi (1807-1882) in 1874. Drawing. Rome, Museo del Risorgimento, Italian School, (19th century) / Bridgeman Images

ID: LRI4635271

Representation by members of the parliamentary right of the Heros of Risorgimento and Italian patriot Giuseppe Garibaldi (1807-1882) in 1874. Drawing. Rome, Museo del Risorgimento

Italian School, (19th century)

Commedia dell'arte: the characters of Harlequin and Columbina. 18th century (painting)
Commedia dell'arte: the characters of Harlequin and Columbina. 18th century (painting)

LRI4646487: Commedia dell'arte: the characters of Harlequin and Columbina. 18th century (painting), Italian School, (18th century) / Bridgeman Images

ID: LRI4646487

Commedia dell'arte: the characters of Harlequin and Columbina. 18th century (painting)

Italian School, (18th century)

Ottoman Art: Iznik Ceramic Decorating the Circumcision Hall, 16th century (faience mosaic)
Ottoman Art: Iznik Ceramic Decorating the Circumcision Hall, 16th century (faience mosaic)

LRI4646785: Ottoman Art: Iznik Ceramic Decorating the Circumcision Hall, 16th century (faience mosaic), Ottoman School / Bridgeman Images

ID: LRI4646785

Ottoman Art: Iznik Ceramic Decorating the Circumcision Hall, 16th century (faience mosaic)

Ottoman School

Map of Algiers - Algeria (engraving, 16th century)
Map of Algiers - Algeria (engraving, 16th century)

LRI4646859: Map of Algiers - Algeria (engraving, 16th century), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

ID: LRI4646859

Map of Algiers - Algeria (engraving, 16th century)

Hogenberg, Franz (1540-c.1590)

The army of the Moors defending a city. Detai. 13th century (miniature)
The army of the Moors defending a city. Detai. 13th century (miniature)

LRI4635885: The army of the Moors defending a city. Detai. 13th century (miniature), Spanish School, (13th century) / Bridgeman Images

ID: LRI4635885

The army of the Moors defending a city. Detai. 13th century (miniature)

Spanish School, (13th century)

Map of Cairo (engraving, 16th century)
Map of Cairo (engraving, 16th century)

LRI4646971: Map of Cairo (engraving, 16th century), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

ID: LRI4646971

Map of Cairo (engraving, 16th century)

Hogenberg, Franz (1540-c.1590)

Map of Rome (engraving, 16th century)
Map of Rome (engraving, 16th century)

LRI4647101: Map of Rome (engraving, 16th century), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

ID: LRI4647101

Map of Rome (engraving, 16th century)

Hogenberg, Franz (1540-c.1590)

Map of Tunis, Tunisia (engraving, 16th century)
Map of Tunis, Tunisia (engraving, 16th century)

LRI4647127: Map of Tunis, Tunisia (engraving, 16th century), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

ID: LRI4647127

Map of Tunis, Tunisia (engraving, 16th century)

Hogenberg, Franz (1540-c.1590)

Entry to Spain (Miniature, 1300-1350)
Entry to Spain (Miniature, 1300-1350)

LRI4636094: Entry to Spain (Miniature, 1300-1350), Unknown Artist, (14th century) / Bridgeman Images

ID: LRI4636094

Entry to Spain (Miniature, 1300-1350)

Unknown Artist, (14th century)

Page of an Exultet (lithurgical song). 12th century (illuminated manuscript)
Page of an Exultet (lithurgical song). 12th century (illuminated manuscript)

LRI4636161: Page of an Exultet (lithurgical song). 12th century (illuminated manuscript), Unknown Artist, (12th century) / Bridgeman Images

ID: LRI4636161

Page of an Exultet (lithurgical song). 12th century (illuminated manuscript)

Unknown Artist, (12th century)

Entry to Spain (Miniature, 1300-1350)
Entry to Spain (Miniature, 1300-1350)

LRI4636526: Entry to Spain (Miniature, 1300-1350), Unknown Artist, (14th century) / Bridgeman Images

ID: LRI4636526

Entry to Spain (Miniature, 1300-1350)

Unknown Artist, (14th century)

Entry to Spain (Miniature, 1300-1350)
Entry to Spain (Miniature, 1300-1350)

LRI4636586: Entry to Spain (Miniature, 1300-1350), Unknown Artist, (14th century) / Bridgeman Images

ID: LRI4636586

Entry to Spain (Miniature, 1300-1350)

Unknown Artist, (14th century)

A king assistant to the reconstruction of the temple of Jerusalem Detail of a manuscript page of the Bible of Saint Ludovic. 14th century Biblioteca Comunale Assises, Italy
A king assistant to the reconstruction of the temple of Jerusalem Detail of a manuscript page of the Bible of Saint Ludovic. 14th century Biblioteca Comunale Assises, Italy

LRI4648023: A king assistant to the reconstruction of the temple of Jerusalem Detail of a manuscript page of the Bible of Saint Ludovic. 14th century Biblioteca Comunale Assises, Italy, Unknown Artist, (14th century) / Bridgeman Images

ID: LRI4648023

A king assistant to the reconstruction of the temple of Jerusalem Detail of a manuscript page of the Bible of Saint Ludovic. 14th century Biblioteca Comunale Assises, Italy

Unknown Artist, (14th century)

The port of Corfu (Corfu) in Greece Page taken from the travel book “” Peregrinatio in terram sanctam”” after the pilgrimage in the Holy Land of Bernard of Breydenbach (Breidenbach) (1454-1497) illustrated with engravings by Erhard Reuwich, 1486 Venice, Biblioteca Marciana
The port of Corfu (Corfu) in Greece Page taken from the travel book “” Peregrinatio in terram sanctam”” after the pilgrimage in the Holy Land of Bernard of Breydenbach (Breidenbach) (1454-1497) illustrated with engravings by Erhard Reuwich, 1486 Venice, Biblioteca Marciana

LRI4648397: The port of Corfu (Corfu) in Greece Page taken from the travel book “” Peregrinatio in terram sanctam”” after the pilgrimage in the Holy Land of Bernard of Breydenbach (Breidenbach) (1454-1497) illustrated with engravings by Erhard Reuwich, 1486 Venice, Biblioteca Marciana, Reuwich, Erhard (fl.1488) / Bridgeman Images

ID: LRI4648397

The port of Corfu (Corfu) in Greece Page taken from the travel book “” Peregrinatio in terram sanctam”” after the pilgrimage in the Holy Land of Bernard of Breydenbach (Breidenbach) (1454-1497) illustrated with engravings by Erhard Reuwich, 1486 Venice, Biblioteca Marciana

Reuwich, Erhard (fl.1488)

A royal gondola - Watercolour drawing and ink from the manuscript “Customs of the Venitians”” by Jan van Grevenbroeck (or Giovanni Grevembroch (Grevenbroch) (1731-1807), 18th century - Venice, Musee Correr
A royal gondola - Watercolour drawing and ink from the manuscript “Customs of the Venitians”” by Jan van Grevenbroeck (or Giovanni Grevembroch (Grevenbroch) (1731-1807), 18th century - Venice, Musee Correr

LRI4648473: A royal gondola - Watercolour drawing and ink from the manuscript “Customs of the Venitians”” by Jan van Grevenbroeck (or Giovanni Grevembroch (Grevenbroch) (1731-1807), 18th century - Venice, Musee Correr, Grevenbroeck, Jan van (1731-1807) / Bridgeman Images

ID: LRI4648473

A royal gondola - Watercolour drawing and ink from the manuscript “Customs of the Venitians”” by Jan van Grevenbroeck (or Giovanni Grevembroch (Grevenbroch) (1731-1807), 18th century - Venice, Musee Correr

Grevenbroeck, Jan van (1731-1807)

King Solomon receives the Queen of Saba at the Low Relief Temple of Lorenzo Ghiberti (1378-1455) 1424-1452 Florence, Gate of Paradise of the Baptistere
King Solomon receives the Queen of Saba at the Low Relief Temple of Lorenzo Ghiberti (1378-1455) 1424-1452 Florence, Gate of Paradise of the Baptistere

LRI4637452: King Solomon receives the Queen of Saba at the Low Relief Temple of Lorenzo Ghiberti (1378-1455) 1424-1452 Florence, Gate of Paradise of the Baptistere, Ghiberti, Lorenzo (1378-1455) / Bridgeman Images

ID: LRI4637452

King Solomon receives the Queen of Saba at the Low Relief Temple of Lorenzo Ghiberti (1378-1455) 1424-1452 Florence, Gate of Paradise of the Baptistere

Ghiberti, Lorenzo (1378-1455)

A 2 (Mixed media on canvas, 1960)
A 2 (Mixed media on canvas, 1960)

LRI4617180: A 2 (Mixed media on canvas, 1960), Novelli, Gastone (1925-68) / Bridgeman Images

ID: LRI4617180

A 2 (Mixed media on canvas, 1960)

Novelli, Gastone (1925-68)

North Porte (called Gate of the Cross, to the North), exterior detail: Adoration of the Magi. Bronze sculpture made by Lorenzo Ghiberti (1378-1455), 1424. Baptistere San Giovanni, Florence
North Porte (called Gate of the Cross, to the North), exterior detail: Adoration of the Magi. Bronze sculpture made by Lorenzo Ghiberti (1378-1455), 1424. Baptistere San Giovanni, Florence

LRI4638067: North Porte (called Gate of the Cross, to the North), exterior detail: Adoration of the Magi. Bronze sculpture made by Lorenzo Ghiberti (1378-1455), 1424. Baptistere San Giovanni, Florence, Ghiberti, Lorenzo (1378-1455) / Bridgeman Images

ID: LRI4638067

North Porte (called Gate of the Cross, to the North), exterior detail: Adoration of the Magi. Bronze sculpture made by Lorenzo Ghiberti (1378-1455), 1424. Baptistere San Giovanni, Florence

Ghiberti, Lorenzo (1378-1455)

North Gate (called the Gate of the Cross, in the North), exterior detail: “” the entrance to Jerusalem”” Bronze sculpture made by Lorenzo Ghiberti (1378-1455), 1424. Baptistere San Giovanni, Florence
North Gate (called the Gate of the Cross, in the North), exterior detail: “” the entrance to Jerusalem”” Bronze sculpture made by Lorenzo Ghiberti (1378-1455), 1424. Baptistere San Giovanni, Florence

LRI4638136: North Gate (called the Gate of the Cross, in the North), exterior detail: “” the entrance to Jerusalem”” Bronze sculpture made by Lorenzo Ghiberti (1378-1455), 1424. Baptistere San Giovanni, Florence, Ghiberti, Lorenzo (1378-1455) / Bridgeman Images

ID: LRI4638136

North Gate (called the Gate of the Cross, in the North), exterior detail: “” the entrance to Jerusalem”” Bronze sculpture made by Lorenzo Ghiberti (1378-1455), 1424. Baptistere San Giovanni, Florence

Ghiberti, Lorenzo (1378-1455)

Allegory of Force and Knowledge Painting by Giambattista Tiepolo (1696-1770) 1743 Sun. 479x251 cm Udine, Museo Civico
Allegory of Force and Knowledge Painting by Giambattista Tiepolo (1696-1770) 1743 Sun. 479x251 cm Udine, Museo Civico

LRI4638221: Allegory of Force and Knowledge Painting by Giambattista Tiepolo (1696-1770) 1743 Sun. 479x251 cm Udine, Museo Civico, Tiepolo, Giovanni Battista (Giambattista) (1696-1770) / Bridgeman Images

ID: LRI4638221

Allegory of Force and Knowledge Painting by Giambattista Tiepolo (1696-1770) 1743 Sun. 479x251 cm Udine, Museo Civico

Tiepolo, Giovanni Battista (Giambattista) (1696-1770)

Meeting of Jacob and Rachel (oil on canvas, 118th century)
Meeting of Jacob and Rachel (oil on canvas, 118th century)

LRI4638621: Meeting of Jacob and Rachel (oil on canvas, 118th century), Grassi, Nicolò (1682-1748) / Bridgeman Images

ID: LRI4638621

Meeting of Jacob and Rachel (oil on canvas, 118th century)

Grassi, Nicolò (1682-1748)

Flint tools. Neolithic, Stone Age.
Flint tools. Neolithic, Stone Age.

LRI4649297: Flint tools. Neolithic, Stone Age., Prehistoric / Bridgeman Images

ID: LRI4649297

Flint tools. Neolithic, Stone Age.

Prehistoric

Culture of Remedello: vase in the shape of a bell from the cave Santa Cristina, 2200 BC. (terracotta)
Culture of Remedello: vase in the shape of a bell from the cave Santa Cristina, 2200 BC. (terracotta)

LRI4649542: Culture of Remedello: vase in the shape of a bell from the cave Santa Cristina, 2200 BC. (terracotta), Prehistoric / Bridgeman Images

ID: LRI4649542

Culture of Remedello: vase in the shape of a bell from the cave Santa Cristina, 2200 BC. (terracotta)

Prehistoric

Dagger from the Necropolis of San Giovenale, Bronze age, 17th century BC. (bronze)
Dagger from the Necropolis of San Giovenale, Bronze age, 17th century BC. (bronze)

LRI4649635: Dagger from the Necropolis of San Giovenale, Bronze age, 17th century BC. (bronze), Prehistoric / Bridgeman Images

ID: LRI4649635

Dagger from the Necropolis of San Giovenale, Bronze age, 17th century BC. (bronze)

Prehistoric

Worden ist (Has been) (Collage, 1922)
Worden ist (Has been) (Collage, 1922)

LRI4617943: Worden ist (Has been) (Collage, 1922), Schwitters, Kurt (1887-1948) / Bridgeman Images

ID: LRI4617943

Worden ist (Has been) (Collage, 1922)

Schwitters, Kurt (1887-1948)

Green and red, 1947 (Collage)
Green and red, 1947 (Collage)

LRI4618005: Green and red, 1947 (Collage), Schwitters, Kurt (1887-1948) / Bridgeman Images

ID: LRI4618005

Green and red, 1947 (Collage)

Schwitters, Kurt (1887-1948)

The Archangels Raphael, Michel and Gabriel (Archangels Michael, Gabriel and Raphael) Painting by the master of Llussa (Painting by the master of Llussa) 1220-1250 From the monastery of Santa Maria de Lluca, Spain Barcelona Museu Nacional d'Art de Catalunya
The Archangels Raphael, Michel and Gabriel (Archangels Michael, Gabriel and Raphael) Painting by the master of Llussa (Painting by the master of Llussa) 1220-1250 From the monastery of Santa Maria de Lluca, Spain Barcelona Museu Nacional d'Art de Catalunya

LRI4638736: The Archangels Raphael, Michel and Gabriel (Archangels Michael, Gabriel and Raphael) Painting by the master of Llussa (Painting by the master of Llussa) 1220-1250 From the monastery of Santa Maria de Lluca, Spain Barcelona Museu Nacional d'Art de Catalunya, Llussà, Master of (13th c.) / Bridgeman Images

ID: LRI4638736

The Archangels Raphael, Michel and Gabriel (Archangels Michael, Gabriel and Raphael) Painting by the master of Llussa (Painting by the master of Llussa) 1220-1250 From the monastery of Santa Maria de Lluca, Spain Barcelona Museu Nacional d'Art de Catalunya

Llussà, Master of (13th c.)


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